London Independent Photography presents the 30th annual exhibition at Espacio Gallery + free talks by photographic artists

Preview: Thurs 4th October 2018, 6pm – 9pm

Exhibition: Tues 2nd – Sat 6th October 2018, 1pm –  7pm

Sun 7th October, 1pm – 5pm

Venue: Espacio Gallery, 159 Bethnal Green Road, London, E2 7DG


London Independent Photography celebrates its 30th annual exhibition this year at Espacio Gallery in Bethnal Green, from Tuesday 2nd of October to Sunday 7th of October 2018.

The members of LIP were invited to submit their most innovative and creative works through an open call launched in August 2018. A panel of professionals from the photography industry were invited to select the works taking part in the exhibition, including Tom Lovelace who is an artist, curator and visiting tutor at RCA and has been nominated for the Deutsche Börse Photography Foundation Prize, along with Hazel Watts, who is a managing partner at Spectrum Photographic and have worked on projects such as Brighton Photo Biennial and Focus Mumbai, and also Wendy McMurdo, who is an artist, photographer and tutor at Falmouth University and has exhibited at TPG and The Scottish National Portrait Gallery.

More than 100 photographs created by 72 photographers were selected and the varied collection includes landscape, portrait, still-life and experimental photography. The 30th annual exhibition is also a part of prestige International Photography Festival Photomonth, happening each autumn in East London.


Joint statement by LIP: ‘’Our annual exhibition is a celebration of the 30th anniversary year and the great talent of all LIP members. This year the selectors have chosen thought-provoking and innovative photography, which will display the diversity and craft of the photographers behind the organisation London Independent Photography.’’

In addition to the LIP 30th annual exhibition a programme of free talks by photography practitioners will take place between Tuesday and Sunday. On the 3rd of October, Wednesday from 6:30pm Dafna Talmor - an artist and lecturer will speak about her on-going series Constructed Landscapes made from collaged colour negatives through historical and contemporary references. On the Friday, 5th of October from 5:30pm, the artist Peter Ainsworth will discuss his current research practice surrounding the museum space examined through the use of consumer level photogrammetry apps. On the following day Saturday, 6th of October from 6:30pm, Thom Bridge will present an on-going collaboration with his identical twin Theo challenging the twin as a photographic trope and his project Field/s in collaboration with other artists funded by Artquest. The last talk of the series will be by the Ukrainian photographer Alina Kisina, on the 7th of October from 1:30pm, where she will discuss the ways to enrich one’s artistic practice by combining one’s photographic practice with teaching.

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Revolv Collective presents 4UZHBINA

Preview: 29th September, 6:00pm – 9:00pm

Open daily: 30th September – 29th November, 11:00am-5:00pm

Venue: Phoenix Gallery, 10-14 Waterloo Place, Brighton BN2 9NB


Revolv Collective invites you to The Collective’s Hub, part of Brighton Photo Fringe taking place at Phoenix Brighton from Saturday 30th September to Sunday 29th November 2018.

4uzhbina is a photographic installation, created collaboratively by the artists Krasimira Butseva and Lina Ivanova, for Brighton Photo Fringe 2018. The word ‘4uzhbina’ describes a non-existent place, an illusory location, which cannot be found on any map, nevertheless it could be accessed by anybody. It is simply an invention of the tongue, existing only in the spoken and written Bulgarian language. The term contains simultaneously the essence of a no-man’s land and a dolce vita. 

In her new work, Krasimira Butseva uses moving image and appropriates found photography and materials, entangling personal and fictional histories. In her short film, she remembers the day, in which Bulgaria was accepted in the European Union, while performing repetitive rituals and readings. Using a found family archive originating from Kent, Krasimira plays with connotation and denotation, shaping a completely new narrative out of the photographs. Through this body of work, she explores the way in which politics inform nations and form identities, along with the correlation between native roots and cultural routes.

Lina Ivanova’s autobiographical piece explores issues of representation, identity and status of the migrant in the birth country. Photography becomes a power tool to remember, to store memories and experiences and possess a space, in which one feels insecure.  The manipulation of family archival records creates a personal interpretation of one’s own origin. The use of alternative processes suggests the transition from a state of familiar to a state of the foreign. Fragile family photos are reproduced on the surfaces of domestic objects and removed from their expected setting providing a context of the every-day in a moment of return. 

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Events

4UZHBINA: Artist talk 

20th October 2018 (Saturday)
1:00pm – 2:00pm

The founders of Revolv Collective, Krasimira Butseva and Lina Ivanova will form a dialogue about methods of using found photography and objects, alongside alternative processes to create new bodies of work. Reflection on current work on display at the Collective’s Hub, will lead to a discussion about belonging and identity. 

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Routes OR Roots

27th October 2018 (Saturday)
12:00pm – 2:00pm

Routes OR Roots invites participants to take part in a two-hour long workshop delivered by Revolv Collective. The activities encompassing notions of belonging and the self, welcomes participants to contribute to the workshop with personal objects, photography and memories in order to form a narrative of personal and collective diaspora. The workshop is open to people from any age and background to join.

[City] Stories - Urban photography exhibition

WORLDWIDE COLLECTIVE OF URBAN PHOTOGRAPHERS STAGE EXHIBITION AT FOUR CORNERS IN BETHNAL GREEN

13 urban photographers from Goldsmiths are opening their MA Degree Show at Four Corners gallery from 3rd-6th October 2018, including an exclusive lecture from Danish photographer Lene Hald.

The exhibition will feature new work made as part of the Photography & Urban Cultures MA at Goldsmiths, University of London, exploring the creative interplay between urban theory and the visual representation of cities & communities.

Coming from all over the world, the artists featured share their take on the contemporary life of the city, informed by urban theory and sociological research.


 
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3rd - 6th October, Four Corners Gallery (London), part of Photomonth

10th - 14th October, Phoenix Brighton, part of Brighton Photo Fringe

Private View - 4th October, 6-9pm - register here

Urban Photographer's Association Annual Lecture by Danish photographer Lene Hald - 5th October, 4-5.30pm

Artist's Panel & Urban Photo Walk - 6th October, 2-4.30pm

*All events are free.


Co-curator Becky Morris Knight commented:

“As global urbanization speeds up and our political and media environments become more fragmented, exploring and examining how we live together becomes an urgent task and one which artists can make a valuable contribution to.”

“The work we make is informed, inspired and underpinned by sociology and urbanism, helping us to create meaningful images which speak to important issues our society faces, such as gentrification, media censorship, the body, identity and class.”

About the exhibition

Ting-Ling Yu shares a delicate exploration of nudity and public decency in London, while Yihong Wu’s work offers a consideration of typical interiors in China through carefully composed medium format images.

 Image by Steve Jones

Image by Steve Jones

Other projects include Steve Jones’ forensic examination of the staircase as a shaper of architectural space and Henry Woodley’s personal journey through the waterways of London and the communities of boaters he lives alongside.

 Image by Henry Woodley

Image by Henry Woodley

Artist Shan Ye worked in green spaces in London to think about how citizens in a wealthy country use their leisure time. Bo-Cheng Liu took inspiration from the margins, walking over 100km to explore the liminal land between airports and the city, often overlooked and unconsidered.

 Image by Becky Morris Knight

Image by Becky Morris Knight

Becky Morris Knight approached the idea of how our online spaces influence our urban lives, with a series which looks at how censorship works on Instagram and what that might look like if applied to our cities.

 Image by Qiunan Li

Image by Qiunan Li

Taking a personal approach, Mia Irmgard Klit will be launching an innovative photobook which challenges conventional approaches to medical sociology by exploring her sister’s experience of coma. Qiunan Li is also looking at memory and individual experience in his project in which he picks out images he cannot remember making and creates a new narrative from them.

 Image by Lee Gavin

Image by Lee Gavin

Lee Gavin will be showing a series of portraits which investigate class, life milestones and identity, while Korean photographer Suhyuk Chai shares images made within a transient community on the Trans-Siberian Railway.

 Image by Lorena Sanchez Pereira

Image by Lorena Sanchez Pereira

Kat Huber’s poetic work captures a fleeting moment within the landscape, layering the past, present and future in images of a derelict fairground slated for renewal in Berlin. Also considering a landscape in flux, Lorena Sanchez Pereira creates large-scale images exploring the regeneration of Hackney Wick in her series Gentricity.

Special Events

The exhibition also has a series of special events taking place throughout the run, kicking off with the Private View on 4th October, 6 – 9pm.

Danish photographer Lene Hald will fly in to deliver the Urban Photographer’s Association Annual Lecture on the 5th October, 4-5.30pm in the Four Corners gallery.

Titled Photography, care and co-creation, the talk will set off in Hald’s own photographic work, which is situated in the intersection of photography, visual storytelling, social engagement and participatory practice.

On Saturday 6th October, urban photographer and Director of Urban Photo Fest, Paul Halliday, will be chairing a panel discussion with 3 of the artists from the exhibition, considering the role photography can play in generating new knowledge of the urban.

After it closes in London, [City] Stories will transfer to Phoenix Brighton as part of Brighton Photo Fringe, from 10th – 14th October.

www.citystorieslondon.com

https://twitter.com/citystorieslon1

https://www.instagram.com/citystorieslondon/

Hull International Photography Festival

5th October to 28th October 2018, from The Creative & Cultural Company

HIP Fest may well be the country’s biggest annual Photography festivals and it returns for a 5th year. Turning the city’s largest shopping mall into a cultural centre for the whole month, 12 major exhibitions in converted galleries will stand alongside the usual outfitters, boutiques and chains. It is this unique venue that helped account for  8600 visits to the festival last year.


New for 2018

PhotoCity come to Hull for the opening weekend, following on from their PhotoCity London exhibition & trade show close by St Paul's Cathedral. 

Partners Fujiholics & Redeye will be facilitating on the opening weekend, which will feature more workshops, masterclasses and photowalks than ever before. Making 50 events over the month.

Festival highlights

Exhibitions

POP, by legendary photographer Brian Griffin, features his music photography and album covers from the UK’s post punk and new wave music scene

Premier of the intense and personal Stranger In My Mother’s Kitchen exhibition by Celine Marchbank delves the therapeutic power of photography (shortlisted for the Deutsche Bank Photography Awards) 

A world premiere exhibition of fashion icons in Haute Couture to the Birth of Prêt-à-Porter A Fashion Retrospective by Marilyn Stafford

A1 Britain On The Verge by World Press Award-winning photographer  Peter Dench is a homage to Britain’s longest road, captured with Peter’s typical sense of humour and humanity.

50 Workshops and Masterclass include

A masterclass by Youtuber sensation Sean Tucker

Fujiholics director Matt Hart takes us out on a photowalk

Elke Vogelsang is coming from Germany to talk Dogsonality

Tom Stoddart shows how every picture tells a story


HipFest is committed to bringing new talent, and radical and diverse artistic sensibilities, to a curious public. So expect to discover new and intriguing photographers and unforeseen views of the world. There is an open exhibition and learning opportunities for all levels of ability and experience 

This year HIP FEST supports Care International’s Lendwithcare Campaign and will have an exhibition from 5 international women photographers to raise awareness. 

Alan Raw Curator & Festival Director said:

“In just five years, HIP Fest has established its credentials as one of the most significant photography events in Europe.  Thanks to our fabulous volunteers we have put together a stunning celebration of photography for 2018. I am particularly looking forward to welcoming Celine Marchbank and Marilyn Stafford to HIPFest, their work highlights the contribution female photographers have made, and are making, to this most democratic of art forms. There will be something for everyone and plenty to learn, do and enjoy.”


A £5 entry ticket (wristband) gives access to all exhibitions, discussions, the HIPfest Prize Draw, on-site discounts and access to many of the workshops. Premier workshops, master-classes and portfolio reviews require individual additional tickets, available on Eventbrite.

For further details of the festival visit www.HIPfest.co.uk or email: hipgalleryinfo@gmail.com

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Wellcome launches £20,000 photography prize to showcase powerful stories about health

A new international photography prize celebrating compelling imagery that captures stories of health, medicine and science launches today. Wellcome Photography Prize invites photographers to enter their images which highlight the most challenging health issues of our time.

The overall winner of Wellcome Photography Prize will receive a £15,000 prize, with the winner of each of the four categories receiving £1,250. Prizes will be presented at an awards ceremony in London in summer 2019.

Winning entries will also be showcased in a public exhibition at Lethaby Gallery, Central Saint Martins, University of the Arts London in July 2019. The shortlisted entries will be shown alongside a photo series commissioned by Wellcome, which will tell an in-depth story on the theme of ‘outbreaks’ from the perspective of a celebrated documentary photographer, to be announced later this year.

Key dates

Deadline for entries
17 December 2018

Winners announced
3 July 2019

Exhibition opens
4 July 2019

Submit your entry here


Categories

There are four categories in the competition:

  • Social perspectives – explore how health and illness affect the way we live

  • Hidden worlds – reveal details hidden to the naked eye

  • Medicine in focus – show health and healthcare up close and personal

  • Outbreaks (2019 theme) – capture the impact of disease as it spreads

  Microparticle drug delivery  by Annie Cavanagh / Wellcome Image Award winner 2009 / Credit: Annie Cavanagh. CC BY-NC

Microparticle drug delivery by Annie Cavanagh / Wellcome Image Award winner 2009 / Credit: Annie Cavanagh. CC BY-NC

  Inside Ghana's biggest bushmeat market  by Nyani Quarmyne / published on  mosaicscience.com / Credit: Nyani Quarmyne / Panos Pictures 2016

Inside Ghana's biggest bushmeat market by Nyani Quarmyne / published on mosaicscience.com/ Credit: Nyani Quarmyne / Panos Pictures 2016

  Two young boys in rural Nicaragua  by Joshua McDonald / Wellcome Image Awards winner 2017/ Credit: Joshua McDonald

Two young boys in rural Nicaragua by Joshua McDonald / Wellcome Image Awards winner 2017/ Credit: Joshua McDonald

  The man with the golden blood  by Greg White / published on  mosaicscience.com  / Credit: Greg White / Wellcome 2014

The man with the golden blood by Greg White / published on mosaicscience.com / Credit: Greg White / Wellcome 2014

Prizes and publicity

Images will be shortlisted and then winners chosen by a panel of high-profile judges.

The winner of each category will receive £1,250, with the overall winner receiving a prize of £15,000. Prizes will be presented at an awards ceremony in London on 3 July 2019.

All the winning and shortlisted entries will go on show in a major public exhibition at Lethaby Gallery, Central Saint Martins, University of the Arts London, from 4-13 July 2019.

If you’re a winner, we will also offer you opportunities to take part in events to showcase your work to a range of audiences. Our winning images receive extensive international media coverage each year.

The winner of the Medicine in Focus category will be invited to produce the Julie Dorrington commission, a photo story exploring and documenting a patient’s journey with their condition.

Judges panel

The judges for the 2019 prize are:

  • Emma Bowkett, Director of Photography at FT Weekend Magazine, UK

  • Dan M. Davis, Professor of Immunology at the University of Manchester, UK

  • Dr Heidi Larson, Director of The Vaccine Confidence Project at the London School of Hygiene & Tropical Medicine, UK

  • Joanne Liu, International President of Médecins Sans Frontières, Switzerland

  • Pete Muller, National Geographic Photographer and Fellow, Kenya

  • Azu Nwagbogu, Curator at Large for Photography at the Zeitz Museum of Contemporary Art Africa, South Africa

  • Chair: Jeremy Farrar, Director, Wellcome, UK.


Entries to the Wellcome Photography Prize 2019 will be accepted on its website which contains full terms and conditions for entry. The deadline for entries is 17 December 2018.

Wellcome Photography Prize 2019 exhibition will open at Lethaby Gallery, Central Saint Martins, University of the Arts London, from 4 to 13 July 2019. Entry will be free and open to all.

Sign up to Wellcome Photography Prize emails.

Follow on Instagram: @WellcomePhotoPrize #WPP19


Source: https://wellcome.ac.uk/what-we-do/our-work...

Current Professional Development Opportunities from GRAIN and FORMAT

GRAIN Portfolio Development Day | 13th October | 10am - 4.30pm | Birmingham City University, Parkside Building. 

We will be joined by: Camilla Brown Curator, writer and lecturer on contemporary art, specialising in photography. Award winning photographer and Magnum nominee Lua Ribiera. Acclaimed photographer Andrew Jackson who was the recipient of the Autograph ABP 2018/Lightwork International Photography Residency in Syracuse, New York. As well as Freelance Project Manager Seba Chaudhry who has worked on major projects including Rhubarb Rhubarb and Format International Photography Festival.

The day will be split into two parts a morning of talks and in the afternoon an opportunity for one to one portfolio reviews.

Please note there will be a maximum of 20 attendees to enable a focussed day. Tickets are priced at £25 or £18 Concessions (Students, OAP, Low or No pay).

For more information and to book a ticket please click here.

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GRAIN AND FORMAT/QUAD MASTERCLASSES OPEN CALL | Deadline 7th October

East Meets West is a collaborative project devised by FORMAT International Photography Festival/QUADand GRAIN Projects.  This year we will be offering a series of Masterclasses leading to an opportunity to showcase your work at FORMAT19.

At the Masterclasses you will learn from industry leaders such about portfolio development and receive advice regarding topics such as, competitions, commissions, exhibitions, funding, making approaches, distribution and editing.  Subjects will also include socially engaged, editorial and fine art photography, the photobook and responding to and working to commission. The Masterclasses will offer immersion in the subject matter and a unique opportunity for emerging photographers to develop their practice and showcase their work.

Masterclass speakers and portfolio reviewers include Natasha CaruanaHarry HardieAndrew JacksonAnthony LuveraMatthew MurrayKate Peters and Michael Sargeant.

Deadline to apply 7th October.

For further information and how to apply please click here.

 
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Introducing Findr

In this blog post we introduce you to findr, a brand new platform supporting photographers and finding them work. They simplify the search and booking process of photographers for work by giving direct access through their platform.

Findr can help if you are a photographer or need a photographer!

 
 

What is findr? Findr is an online booking platform through which photographers can showcase their skills and find more work. It was created for photographers, by photographers who grew tired of the unnecessary struggles that come with marketing oneself, finding clients, and arranging bookings. Findr aims at making it easier for photographers to find work that fits around their schedules, while still respecting their independence and artistic freedom.

Who are you? What's your photographic background? I am a photographer and picture editor from Edinburgh. I worked in the press industry for 15 years. I particularly enjoy portraiture, and marketing and events photography that gives me the ability to tell stories for the clients.

How did the platform emerge? The platform emerged from the need to create a solution to an everyday problem I faced as a picture editor: how to quickly and simply find photographers I could trust to work on projects I was involved in.

 Image by Harry Spekter

Image by Harry Spekter

Who's behind Findr? Tell us about the team. Findr is made of a small team of people dedicated to improving the landscape of commissioned photography. The technology is created by Ben, Josh, and Rob, while the operational excellence is handled by Alex, Christian, and Pauline. And, of course, we'd be nothing without the community of over 3,000 amazing photographers we're lucky enough already be working with!

Who would you ideally like to get involved with Findr? We're looking for hardworking, reliable, and creative photographers interested in accelerating or improving their careers and in working with a growing list of great brands through findr.

 Image by Michael Sheridan

Image by Michael Sheridan

How can people go about being part of the platform? It's super easy and quick! Head over to www.findr.me and create your photographer profile. You can add your portfolio, all the services you offer, and manage your own schedule.

Who is Findr's audience? Findr is meant for a community of professional photographers and clients who love and benefit from good photography.

What are the benefits of being part of or using Findr? New work, new opportunities, so little hassle! By signing up to work with findr, you join a direct route to work without any of the hardships that come along with being a freelance photographer, and companies receive an efficient management system for their projects.

 Image by Pooyan

Image by Pooyan

What does Findr's future look like? Here at findr, we love to dream big! Our goal is to become the global marketplace for professional photographers and customers on an international scale.

Follow findr on Twitter, Facebook, and Instagram.

A London Photograd exhibition

In November Photograd will be exhibiting at London Metropolitan University to celebrate graduate photography in 2018. The exhibition will be listed as part of Photomonth which is exciting.

 
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We will be printing on Kodak Phototex as previous use of this was successful and it means we can reuse prints for future Photograd exhibitions. Phototex is basically a weatherproof sticky paper that can be used a number of times.

Costs for prints

  • 20" print: £32

  • 30" print: £47

  • 40" print: £62

  • 50" print: £77

  • 60" print: £92

  • 70" print: £107

  • 80" print: £122

The maximum width we can print is 42"

The space is big enough to accommodate large prints and small series of work.

We would also really like to accommodate some photobooks and zines in the space so please send images and sizes for consideration. If books are selected we would only ask for a small donation to Photograd and that return postage costs are covered.

Submission

  • Please ensure that you graduated a UK university within the last 3 years and studied photography - any questions regarding this please get in touch

  • Max 6 images - please specify how many images you are happy to pay for and be printed

  • Use the subject 'London exhibition'

  • Select images to submit and email them to photogradexhibitions@gmail.com - remember to include your series title, website link, social media handles, and where you studied

  • State in your email the biggest size you'd like your images printed

Deadline

Midnight Monday 1st October.

For those selected the deadline to then pay by will be Wednesday 10th October.

 Supported by  Wex Photo Video

Supported by Wex Photo Video

 

Submissions open for third annual Rebecca Vassie Memorial Award, photography bursary worth more than £3,000

Deadline: 19 October 2018

Who can apply: An early-to-mid-career photographer in or from the UK

The award: £2,000 to undertake a narrative photography project with a social or political context; approx. £1,000-worth of printing at Metro Imaging; support from the Trust towards public and industry exposure of the work; membership of Shutter Hub.

How to apply: Full submission information at www.rebeccavassietrust.org

Judges include: Matthew Tucker (BBC News); Melanie Hough (Getty Images); Jennifer Thatcher (Art Monthly).


The Rebecca Vassie Trust today announces the third annual Rebecca Vassie Memorial Award for emerging photographers ‒ with the cash bursary increasing this year from £1,250 to £2,000.

In addition to the cash, which funds an early-career photographer in the UK to undertake a narrative photography project, the winner receives more than £1,000-worth of printing at Metro Imaging plus support towards industry and public exposure.

Judges for the award include Matthew Tucker (BBC News), Melanie Hough, curator at Getty Images, and photography critic Jennifer Thatcher (Art Monthly, ARTnews).

The award was created in memory of Rebecca Vassie, a British photographer and photojournalist who died suddenly, aged 30, while on assignment in Uganda in March 2015.

Applicants for the award, who must be either from or based in the UK, are asked to submit a proposal setting out a compelling vision for a narrative photography project with a social or political context. The deadline for submissions is Friday, 19 October 2018.

Previous awards have been won by James Arthur Allen (2017) and Kirsty Mackay (2018). Allen used his award to travel to Israel, where he spent time documenting the little-known ethnic Circassian population. The resulting work has been exhibited in London, published in a limited-edition booklet and in the Calvert Journal, and shortlisted for the RPS International Photography Exhibition 161 and the 2018 Kolga Tbilisi Photo Festival Documentary Series Award.

Mackay is currently in Glasgow completing her award-winning project The Fish That Never Swam, exploring the relationship between health, housing and human lives in the city.

In addition to the main winner, the Trust offers shortlisted candidates support-inkind such as networking opportunities and online exhibition. The winner and up to two runners-up also receive membership of Shutter Hub.

Kelly Vassie, a trustee of the charity and the sister of Rebecca, said: “We have been able to increase the cash portion of the award this year thanks to the fundraising efforts and generosity of our supporters. We especially want to acknowledge the incredible effort of our 2018 London Marathon charity runner Rebecca Moore.

“As we enter the third year of the award, we’re hugely excited to see a fresh wave of compelling ideas.”

Contact information:

Further information or comment:

Adam Barnard on 07850-217 399 or hello@rebeccavassietrust.org

www.rebeccavassietrust.org

Twitter: @vassietrust

Instagram: VassieTrust

Facebook: www.facebook.com/RebeccaVassieTrust

 From the series  Adiga: Circassians in Israel  by James Arthur Allen

From the series Adiga: Circassians in Israel by James Arthur Allen

Highly commended zine submissions - 2018 photography graduates

The first edition of Photograd's zine, PGZ129, was a great success and so was our recent call for work aimed at 2018 photography graduates. With the support of Spectrum Photographic we decided to combine these two recent successful projects and create the second edition of PGZ filled with work from new graduates. You can read more about PGZ2018 here.

We present you here with 8 highly commended 2018 photography graduates from UK based courses who submitted to the call for work for PGZ2018 but unfortunately didn't make the final 11. Please click each image to read about the work.

 Daniella Gott,  Joan

Daniella Gott, Joan

 Petar Petrov,  Giants above The Cherries

Petar Petrov, Giants above The Cherries

 Grace Thomas,  It's All Make-Believe

Grace Thomas, It's All Make-Believe

 Hannah Detnon,  Chaos Cooking

Hannah Detnon, Chaos Cooking

 Molly Budd,  The Chair Is Touching the Wall

Molly Budd, The Chair Is Touching the Wall

 Chloe Caulfield,  Healing Spaces

Chloe Caulfield, Healing Spaces

 Benedikte Bergh Iversen,  Malstrøm

Benedikte Bergh Iversen, Malstrøm

 Paula Tollett,  Inbetween

Paula Tollett, Inbetween

PGZ2018 | The second edition of Photograd's zine

Introducing the second edition of Photograd's zine, PGZ2018 | Celebrating those photographers who are graduating university this year from UK based courses. Available to purchase in the Photograd online shop, PGZ2018 praises brand new photographic talent.

This year we are promoting 2018 photography graduates from UK based courses in various ways; interviews, sharing of work, and aiming to reach a much wider audience. With support from Spectrum Photographic on this particular project we have been able to showcase new graduates through the second edition of PGZ. Here we introduce you to PGZ2018.

This summer we received entries from new photography graduates and we're celebrating this talent through the second edition of PGZ. PGZ2018 showcases work from 11 photographers from various universities across the UK including University of the Arts London, University of Salford, and The University of the West of England.

From calling for work, receiving more submissions than ever before, to the final judging process with the help of Hazel Watts of Spectrum Photographic, we have been presented with a much wider variety of photography that's new to the scene this year. We're starting to notice trends in research, subject matter, and outcome, and we're excited to bring you an array of this to you through PGZ2018.

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 Natalie Paetzold and the series  Finding the Void

Natalie Paetzold and the series Finding the Void

 Jay Goodsell and the series  Portus Dubris

Jay Goodsell and the series Portus Dubris

University of the Arts London graduate Joanna Wierzbicka presents her series The Point Where We Meet which we've also featured as the cover image.

"The point where we meet is a surface forming a common line between two bodies, spaces, layers. Fashion becomes the translation of persona, appears as a boundary between us and others, almost like a mask or a second skin. It makes us feel comfortable and confident, allows to create the image of the self and coincide with others.
Garments perform the function of masking and wrapping - they deform and deconstruct the human form, but also in some cases fail and reveal the natural shape of the body, its pure, naked form. They conceal and reveal at the same time, causing the coexistence between absence and presence allowing surfaces to meet.
Within this series, there are also elements of an embodiment, disembodiment, and the awareness of bodily sensations achieved through the tactility of clothing."

 Images from the series  The Point Where We Meet  by Joanna Wierzbicka

Images from the series The Point Where We Meet by Joanna Wierzbicka

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MFA Photography graduate from the University for the Creative Arts, Farnham, Natalie Paetzold introduces us to Finding the Void.

"Finding the Void is rooted in the desire to free one‘s head from one’s thoughts through the rhythm of walking within a nature setting. Placing one step in front of another helps to clear one‘s mind due to the ongoing act of repetition. The body of work is an investigation into meditation and landscape. Through the use of digitally reconstructed photography the work explores an immersion into both land and seascapes, creating a conscious state of being. Both surroundings allow contemplation through different visual experiences; being an active practitioner or being an observer. The ambiguous spheres create an awareness of the indexical nature of the photograph and blend the past, present and future together. Through walking, wandering, thinking and looking these strikingly coloured images reflect on ideas of phenomenology and perception, whilst also considering the possibilities of parallel worlds."

 
 Image from the series  Finding the Void  by Natalie Paetzold

Image from the series Finding the Void by Natalie Paetzold

 

University of East London graduate Jay Goodsell presents his series Portus Dubris.

"Portus Dubris which derives from the towns roman beginnings, is a body of work that explores Dovers landscapes, not only is it undergoing major structural changes, the town still hangs within the unknown when the UK leaves the European Union. It’s often a forgotton place, and recently receiving a lot of negative press. The small but vital town to the country was voted at number one as the ‘worst place to live within the UK’. Dover is the entry point for many visiting guests from the continent, which left the question, what is so bad about the town to be voted number one?"

 Images from the series  Portus Dubris  by Jay Goodsell

Images from the series Portus Dubris by Jay Goodsell

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PGZ2018 is available to buy here in the Photograd Shop.

Featuring 2018 photography graduates

New Photograd content | Supporting 2018 photography graduates from UK based courses.

This summer Photograd are supporting a number of 2018 photography graduates from UK based courses through interviews, sharing of work, and promotion to a much wider audience. Selected from a recent call for work across social media were, in total, 12 new graduates who we are sharing the work of. We're appreciating some noticeable trends in photography over the last couple of years and new content on the Photograd platform brings you still life, responses to current affairs, exploration of family heritage, and industrial effects upon the landscape.


University of the West of England graduate Tom Roche presents his series Black Blood on the Photograd Spotlight in which he explores his own Romany Gypsy heritage through stories and speculation. We asked Tom about his university experience, his use of photography to find a sense of 'home', and his future plans, in particular how he will make Black Blood interestingly presented on the web.

The documentary collection of archival images, and both medium and large format prints, presented together provoke some interesting thoughts about family, heritage, and the future. 

 Images from the series  Black Blood  by Tom Roche

Images from the series Black Blood by Tom Roche

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We selected Norwich University of the Arts graduate Holly Farndell to takeover the Photograd Instagram at the end of July with her documentary work.

"Golden Promise was created from Autumn through to Spring as a documentation of light and the changing of seasons. With a short escape from grey old England to sun-washed Spain, it is an observation of my experience with seasonal affective disorder and coping with the light and darkness of life."

You can follow along to find out more about Holly and her work from Sunday 29th July - Saturday 4th August.

 Images from the series  Golden Promise  by Holly Farndell

Images from the series Golden Promise by Holly Farndell

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Falmouth University graduate Caterina Lombardi presents us with her series SATIS on the Photograd Spotlight. In here interview, Caterina presents her still life images and accompanying video. Caterina takes inspiration from traditional still life paintings and intends to educate the viewer on certain current affairs. Each of her images are uniquely titled in Latin to give everybody the opportunity to decipher subject matter.

  ABORTUS IURA  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

ABORTUS IURA from the series SATIS by Falmouth University graduate Caterina Lombardi

  OBSTETRICANTE VIOLENTIAM  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

OBSTETRICANTE VIOLENTIAM from the series SATIS by Falmouth University graduate Caterina Lombardi

 

Nine highly commended 2018 photography graduates from UK based courses were also selected from this call for work to be represented on the Photograd blog. These bodies of work stood out to us for many reasons and we took this opportunity to share them.

  Miguel Proença ,  The Buzzer (ZhUOZ)

Miguel ProençaThe Buzzer (ZhUOZ)

  Luke Hurlock ,  Tokamak Fusion

Luke HurlockTokamak Fusion

  Chiara Avagliano ,  Val Paradiso

Chiara AvaglianoVal Paradiso

University of Westminster graduate Luke Hurlock presents Tokamak Fusion which documents the current state of advancements in the field of nuclear fusion research. The word Tokamak comes from the Russian Toroidalnaya Kamera I Magnitnaya Katushka (Toroidal Chamber and Magnetic Coil) an is in reference to the fusion devices used by the leading fusion experiments. The images in this project aim to both intrigue and inform the viewer on the progress of a future technology that promises to solve one of humanity’s biggest problems, clean renewable energy production.

 

London College of Communication graduate Chiara Avagliano explores the places she grew up in Val Paradiso. "

The mountain scenery blends with the hills of the countryside colliding in a space inhabited by childhood memories, magical encounters, teenage adventures, mystical experiences, idealised love and a magical bond between girls that echoes ancient rituals and witchcraft. 

The fictional documentary work is a coming of age tale, retold from different points of view. 

Personal experiences are narrated and transformed, almost becoming legends whispered softly, from mouth to mouth, from me to my half-sister and her girlfriends."

The Space In Between - A Solo Exhibition by Callum Beaney

Nottingham Trent University graduate Callum Beaney’s first solo exhibition will be opening at Nottingham’s Lakeside Arts from September 15th to October 28th. He is winner of the Genesis Imaging Bursary Award 2017.

The exhibition will present new work made in the forests and tracks surrounding his home, showing two different perspectives on these same places; one a development of his previous work taking form in folded scrolls, and the other an installation of work made at night exploring the limits of human and mechanical perception.

 
 From the Lakeside Arts Sep - Nov 18 brochure

From the Lakeside Arts Sep - Nov 18 brochure

 

Building upon my established practice, The Space In Between is a refinement of my attention towards the production of artist books, and towards the forests and their peripheries.

Though at a distance appearing still, as though held from time, the forest’s inhabitants experience perpetual, cycling change. Reflecting aspects of one another in these spaces, these phenomena define themselves in their coexistence, their continuity, these shifting moments revealing their shared aspects - and our place in relation to them. Concerned with this interconnectedness, this transience, and the experience of time and space within these places, I envisage these connections in the form of orihon - folded scrolls.

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 Images from the series  The Space In Between

Images from the series The Space In Between

No Flashlight/Sensor Burnout explores these same spaces on the night following a snowstorm. Having forgotten my torch, snow became my guide home, all above ground indiscernible. As clouds blanketed, the eyes’ internal processes revealed themselves; replacing absolute darkness with nonexistent, shifting forms.

The stillness of these places, within which my practice has resided for several years, had suddenly become threatening, space and distance pulling upon one another. Manipulating and exacerbating traces of the residual heat signature of my camera’s sensor, this phenomenon would find a digital analogon, manifesting as simulated vision too began to fail.

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 Images from the series  No Flashlight/Sensor Burnout

Images from the series No Flashlight/Sensor Burnout

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Chris Mear. Five Years: A Reciprocal Tribute

Legacy: A Reciprocal Tribute is an artwork conceived by Patricia Swannell in response to The Woodland Trusts flagship Queen Elizabeth Diamond Jubilee. Patricia’s artwork takes the form of a plinth, inviting local families to make an annual family photograph against the backdrop of the developing trees. Charting both the changes in their family and the changes in the landscape they collectively call home. Five years ago Staffordshire University graduate Chris Mear was commissioned to photograph this selected family in the same spot in Leicestershire each year. 2018 marks Chris's 5th year as the commissioned photographer.


I could agrue that 2014 was my most succesful year to date. I became an artist in residence, I published my first book and I landed a modest succession of commissions which just about saw me through the remainder of the year. It was, finally, the year that I could actually defend the claim that I was a “photographer” - a claim which I have to admit I’ve, more often than not, not had the confidence to defend. But when it all starts winding down and I’m sat in a tree looking back at my brief holiday on earth, I will most probably remember the year 2014 for one thing above all others - a commission that goes by the name of Legacy: A Reciprocal Tribute. A commission that, all being well, will see me well into what I’m told they used to call “retirement age”.

The London based, Canadian born artist, Patricia Swannell was asked to come up with a location based artwork for the Woodland Trust’s flagship commemoration of the Queen’s diamond jubilee in 2012 - that’s 60 years on the old thrown. Interestingly, what Patricia devised was a “photo point” in a carefully selected location within the wood - selected to compose people, trees and landscape. 

The idea was, to me at least, both beautiful, poigniant and simple. To chart the growth of yourself alongside the development of your family the woodland and the wider landscape.

Patricia also visited the woodland site in the early days of it’s post-industrial transition and collected 60 native plants and wildflowers from which she made 60 etchings to make up a permanent exhibition - which moves to a new home this autumn. Each year one of these etchings will be replaced by my portrait of the Martinson family, a local family who live just a pleasent evenings stroll away from the wood.

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This Sunday evening will be the fifth exposure, the fifth year. And so far each time I have made that walk to the photo point I have been unable to prevent my mind from thinking to the future; what will this all be like in 60 years time? This year however, I intend to try extra hard to not venture though my mind in some ludicrous attempt to construct an imaginary future. My rabbit of almost seven years died this week and I hope to pay respect to my friend, my best friend, and teacher by beginning to practice his most important teaching; Life Is Now.

So I will experience the woodland for what it is, a wild place where the two Martinson boys are growing faster than the trees. A place of peace and natural unity which leaves you feeling a sense of hope and optimism in a world dominated by a species that all to often seems intent on losing its remarkable mind.

How lucky I am, to have been in such a right place, at such a right time to land a photography gig like this.