Photograd at PhotoEast 2018

A Photograd exhibition | Opening Thursday 24th May 2018 as part of PhotoEast

A selection of the Photograd community come together for PhotoEast 2018 to present work around the festival’s theme of Belonging | On display in the University of Suffolk’s Waterfront Building from 6pm Thursday 24th May - 6pm Sunday 24th June.

The Ipswich waterfront will be home to photographers who explore the theme of belonging in their work and Photograd featured graduates have come together to join in with the celebrations.

A collective of 12 photographers are representing Photograd and honouring the theme of Belonging at PhotoEast's second festival. Having been given one long wall in the universities Waterfront Building, Photograd have curated a varying sequence of work that is bound by these similar themes and attitudes. Differing print sizes entice the viewer to migrate through the space to view work at their own pace.

Digital copies of the full catalogue accompanying the Photograd exhibition can be found in our shop.


Each of the photographers in this exhibition have defined and secured the theme of Belonging in distinctive ways.

Norwich University of the Arts graduate Karim Skalli explores his identity and mixed cultural heritage though a series of photographs from which this image belongs. “As the son of an English mother and Moroccan father, the project attempts to show the coming together of cultures, the conflicts and juxtaposition created through merging English and Moroccan culture and the influence of this on my identity. The work ponders my western outsider gaze, my ‘cast on’ view of my father’s homeland whilst at the same time acknowledging my own sense of never being fully British.”

 Image from the series  Third Space  by  Karim Skalli

Image from the series Third Space by Karim Skalli

Newport University graduate Declan Connolly was part of the first Photograd exhibition in 2017 and continues to support, and be supported by, our community. “Becoming an Island addresses the themes of an isolated United Kingdom in the form of manipulated pebbles collected from its shores. Each image is a composite of a pebble photographed and re-photographed in various stages of physical erasure. Reflecting the audience's relationship with current Brexit negotiations, the work can be viewed as a series of coexisting and united objects or the immediate decline of a singular entity.”

 Image from the series  Becoming an Island  by  Declan Connolly

Image from the series Becoming an Island by Declan Connolly

Tom Owens studied at the University of Suffolk itself and graduated in 2014. Tom has continued to push his work since finishing his studies and presents here a new series, Estuarine Mud.

"This series is an extension of my successful Edgelands series. I repeatedly visit the same locations when making my work and it was a return visit to the source of my Edgelands project brought about by radical reshaping of the derelict factories at Cattawade to ready the site for a new railway depot that brought the creek at Cattawade into sharp focus. The series is shot from both sides of the Stour Estuary but only at dead low water on spring tides and with little or no wind. Most of the images are very early morning or just before sundown."

  Cattawade Creek  from the series  Estuarine Mud  by  Tom Owens

Cattawade Creek from the series Estuarine Mud by Tom Owens

The exhibition can be seen at the University of Suffolk’s Waterfront Building until Sunday 24th June before it makes its way to Norwich.
University of Suffolk, Waterfront Building.
IP4 1QJ

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