Homeland - an open call from Revolv

Publication & workshop by Revolv.

‘’Mud is sweeter in your homeland, than honey anywhere else.’’

We are seeking photography & writing from emerging artists and writers, responding to the theme Homeland to participate in a publication and a workshop. The meaning of home is in a state of flux - starting from the search for a better future to the displacement of individuals as a result of political and economic events.

Photography is a vital tool conserving and narrating the roots and routes which shape one’s journey. People become nomads, adapting to temporary residences and an unsettled lifestyle, wherever they happen to ‘dock’. While images can encapsulate seconds of the present, writing is capable of shining light on unspoken stories, repressed affairs and private accounts of the notion of home.

We would like to collect individual and intimate, global and collective experiences in relation to homeland, in order to present multiple ways of perceiving the idea of belonging.

Fifteen creatives will be selected to participate in a publication which will be supported by a one-day workshop taking place in New Cross, London. Homeland publication will also include the work of guest artist Dafna Talmor and Martin Seeds; the design and production will be in collaboration with Victoria Kieffer.

Homeland.jpg

Submission guidelines

In order to submit, you need to:

 1. Be an emerging lens-based artist working with digital, analogue and/or experimental photography OR an emerging writer who works with poetry, short stories or academic essays.

 2. Attend a daylong workshop on the 22nd of June in New Cross, London where ideas of the physicality and functionality of the publication will be developed further.

3. Although the open call is free of charge, selected artists and writers will be asked to contribute with £15 towards materials, production costs and the launch of the publication.

Photography

1. A series of up to 5 images

2. An artist statement up to 300 words

3. Short bio up to 150 words

Send everything in one pdf (up to 5mb) to info@revolv.org.uk by the 10th of June 2019.

Writing

1. Brief description of the writing up to 150 words

2. Writing up to up to 1500 words

3. Short bio up to 150 words

Send everything in one pdf (up to 5mb) to info@revolv.org.uk by the 10th of June 2019.



2019 photography graduates - an open call

Photograd are looking to reward and represent a number of 2019 photography graduates who have studied on BA and MA courses in the UK.


BA graduates

  • 2 graduates will be rewarded with an interview on Photograd which will be promoted across social media channels, newsletter, and to connections in the industry.

  • 1 graduate will be rewarded with an extended Instagram takeover from Monday 15th to Sunday 21st July 2019.

  • 1 graduate will be represented by Photograd for a year. This will include Photograd coverage of any new work, exhibitions, or book releases. Use of the Photograd blog and Instagram account where relevant, and introductions to connections within the industry. We will discuss with this graduate ways in which we can represent and support them.

MA graduates

  • 10 graduates will be selected as ‘highly commended’ and will have work presented on Photograd. This work will be promoted across social media channels, newsletter, and to connections in the industry.

  • 1 graduate will be rewarded with an extended Instagram takeover. This can be scheduled for a later date to suit the graduate.

All successful graduates will be added to the Photograd mailing list and will be sent an exclusive discount code for the online shop.


Eligibility and terms & conditions

  • Open to 2019 photography graduates who studied in the UK only, either on a BA or MA course. Please email with any questions.

  • Entries will only be accepted via photograd2019@gmail.com by the deadline given. No late submissions will be accepted.

  • Make it clear in your submission email if you do not want to be considered for any of the rewards listed above.

  • Copyright of all images submitted will be owned by the photographer.

  • Photograd retains the right to use selected images for the intended purpose of the website, and related social media accounts for promotion. Credit will always be given.

Things to include when making your entry

  • University and course.

  • A 200 word max series statement.

  • BA graduates: a short paragraph telling us why you would like to be represented by Photograd. (Your plans, goals, and things you’d like to achieve within the next year and in the future. Things you have set in place for the next year, and how you think Photograd could support you but not in a financial sense.)

  • 10 - 15 images attached to the email at 10 inches on the longest side at 96dpi. Download links such as wetransfer will not be accepted. Links to websites will also not be accepted.

  • Website and social media handles.


Submissions are free as always but donations are greatly appreciated. Making a donation will not affect how work is seen, selected, or promoted by Photograd.

Deadline for submissions: midnight, Monday 1st July 2019

Loupe and The Brick Lane Gallery: Another Graduate Show call for work

 
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Calling All Emerging Photographers

Enter your work to our free open call.

Have your work seen by our expert panel of industry judges.

Be in with a chance of winning a free exhibition on Brick Lane, coinciding with other major London student shows.

We’ll provide an opening night with industry guests.

Get the chance to sell your work through our exhibition print shop.

 
Image by Chloe Massey

Image by Chloe Massey

 

About

At Loupe and The Brick Lane Gallery, we’re proud to promote emerging artists. This year we’ve joined forces to create ‘Another Graduate Show’ giving students and recent graduates the chance to have their work exhibited in a group exhibition at the Brick Lane Gallery in London, free of charge.

We realise the importance of giving new photographers a platform, and yet we’re also aware of the financial burden and stress of self-funded grad shows. Our answer is to offer up to 10 outstanding photographers the chance to exhibit their work in Loupe’s own Graduate Show, with no costs whatsoever. This includes no fee for submissions, and thanks to our friends at the creativehub, no printing costs either.

To make our open call as inclusive as possible, we also invite anyone studying for qualifications prior to University, those from nonphotographic courses, and those who have studied within the last two years.

To provide exposure for as many photographers as possible, we will be selecting a short list from the submissions. These shortlisted photographers will have the opportunity to sell their work through the Another Graduate Show online print shop, provided by the creativehub.

Just like our in-print magazine, we welcome submissions from photographers working in any genre and format of photography. You will have your work seen by our handpicked panel of industry judges who will select our shortlist and final exhibiting photographers.

 
Image by Jack Minto

Image by Jack Minto

 

Judges

Luke Archer - Editor and Founder of Loupe Magazine

Rosie Wadey - Photographic Agent at East Photographic

Zach Chudley - Marketing Manager at theprintspace

Keiza Levitas - Content Editor at Magnum Photos

Tony Taglianetti - Founder and Owner of The Brick Lane Gallery

Tom Page - Co-founder of Open Doors


Download a submission guide here.

DEADLINE: Midnight Sunday 19th May

Positive Light Projects presents Dartmoor Summer School of Photography

Dartmoor Summer School of Photography is a week long experimental photography residential taking place on Dartmoor National Park in the summer of 2019. The Dartmoor Summer School of Photography offers the opportunity for a group of visual artists to join together to explore their relationship with photography with the guidance of a selection of renowned artists and photographers in the midst of one of Britains most beautiful national parks.

Days comprise of workshops, assignments, time to experiment, explore and make work. Evenings offer a variety of activities including talks, music recitals, games, time to make more work, night walks, bird watching, swimming, eating together, sitting round the fire and socialising.

The week ends with a group exhibition of the work made during the residential.

The ethos of the Dartmoor Summer School of Photography is to think outside the box, open up, expect the unexpected, step outside your comfort zone. Experiment. Play. Enjoy. 

 
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WORKSHOPS

The week will be split between led workshops with a specific focus and time to develop your own work in response and/or pursue other directions. Students will be able to select 3 out of a possible 5 day long artist led workshops to participate in during the week.

Sian Davey    Presence as an Inquiry   My workshops will be focused on our relationship to our practice. Use your work to explore the bigger inquiry of how did we get here and perhaps where do we want to go.

Sian Davey
Presence as an Inquiry

My workshops will be focused on our relationship to our practice. Use your work to explore the bigger inquiry of how did we get here and perhaps where do we want to go.

Susan Derges    Field Work   In this workshop we will be exploring an intimate and tactile approach to photographing the land and it’s connection to ourselves.

Susan Derges
Field Work

In this workshop we will be exploring an intimate and tactile approach to photographing the land and it’s connection to ourselves.

Jem Southam    Light Atmosphere   This workshop will focus on attention to the relationship between light and atmospheric conditions and the making of colour photographs.

Jem Southam
Light Atmosphere

This workshop will focus on attention to the relationship between light and atmospheric conditions and the making of colour photographs.

Brendan Barry    Constructed Observations   In this workshop we will be constructing a camera obscura, converting it into a giant camera, setting up a darkroom inside and working with it to capture what we can observe and/or construct in front of it using traditional analogue black and white processes.

Brendan Barry
Constructed Observations

In this workshop we will be constructing a camera obscura, converting it into a giant camera, setting up a darkroom inside and working with it to capture what we can observe and/or construct in front of it using traditional analogue black and white processes.

 
Jason Evans    Ant Pictures   Evans’ workshop encourages participants to experience Dartmoor from a different perspective. Relationships between still life and landscape are up for discussion.

Jason Evans
Ant Pictures

Evans’ workshop encourages participants to experience Dartmoor from a different perspective. Relationships between still life and landscape are up for discussion.


Location

The Summer School will be held at The Dartmoor Training Centre not far from Two Bridges, on the banks of the West Dart River in the heart of the Dartmoor National Park, Devon. The Centre lies in a tranquil, secluded valley with easy access to the open moor.

What to bring

Specialist materials needed for workshops will be included, however participants may need to bring some of their own equipment depending on which workshops they partake in. A guide of what you will need to bring will be sent out to successful applicants.

Food

All meals are included. A cooked breakfast, lunch and sit down evening meal, with snacks and drinks available throughout the day. The menu will be vegetarian and as much as possible sourced locally, an effort to reduce our environmental impact. You are welcome to bring extra food. We will endeavour to cater for any extra dietary needs.


Application deadline : extended to 14th April 2019

Applicants will be informed of the results of the selection process by the end of April.

Successful applicants must confirm their participation by payment of the fee within 7 working days of notification. 

Contact.
Twitter.
Instagram.

Ginnel Foto Fest 2019 - Submissions Open

Ginnel Foto Fest returns, 25th - 26th May 2019.

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We accept photographs of digital and analogue source.

Our new 2019 call hopes to attract submissions that show a diverse interpretation of this years ‘IN REPEAT’ theme. Our feature photographers already lead the way in showing very different approaches and concepts. Be inspired and make use of the opportunity to be part of a unique community.

IN REPEAT is inspired by dealings with the past or engaging with timely matters. This could be relating to finding patterns in society that may have been experienced by previous generations in similar ways. Think of working with memories by looking back into ones personal life. It could as well be the work with found imagery or dealings with historic content. The opportunities are manifold and we will be interested in seeing your work.

The Ginnel Foto Fest is with its 13.5 sqm exhibition space the smallest Photo Festival we know of. With this in mind and a call for project based submissions we are looking for: 

5 finalists who will get their work published across our online channels. Winner and runner-up will see their work displayed during the 2019 Ginnel Foto Fest and take part in the group exhibition of the Ginnel Foto Community in June at the Frameworkshop & Gallery in Ipswich.

Submission Guidelines

Entry is free!

We will only accept entries according to these rules. Submissions to the Ginnel Awards have to be sent via email to ginnelfest@gmail.com and must state ‘Ginnel Awards 2019’ in the subject header.

Photographs must be current and shot no earlier than 2017. Photographs must respond to the festival theme ‘IN REPEAT’. The photographer submitting the work must own the copyright and all necessary releases to the image. Feature photographers of the 2019 Ginnel Foto Fest are not permitted to enter. Only one entry/person is allowed. Multiple entries will automatically disqualify all entries.

Don’t put any info in the text body of your email. Please read on for further details.

  • Your submission must have minimum of 4 and maximum of 8 images.

  • We need your entry as a pdf document attached to the email.

  • Each photo must be on a full page. No two photos on the same page

The last page/s must provide the following:

  • First Name, surname

  • Email address

  • Website url

  • Nationality

  • Address of residency

  • Project Title of the submitted series of images

For each image we need:

  • Image title, Image location, date taken

Additionally you have to add: 

  • Short description of the project (max 500 words)

  • Short bio (max 200 words)

If your entry is selected for the finals you have to provide high resolution jpg files within a week after being contacted. Not responding or a delayed respond may result in being disqualified. Compensation claims will not be accepted.

The finalists grant Ginnel Foto Fest and associated partners of the 2019 Ginnel Foto Fest to use their images for marketing and other promotional purposes. Image credit will be given and the copyright remains with the owner. Curational decisions for the Ginnel Foto Fest and/or the Gallery Exhibition may not include all images of the submitted work. The curator’s decision is final. All work will be printed from the files provided and framed by the Ginnel Foto Community free of charge for the participant. All exhibited work remains in the archive of the Ginnel Foto Community.

The decision of the jury for the 2019 Calling Photographers is final.

Closing date for entries: 01 March 2019 at 23.59 BST

A visual response to Brexit - the 3rd edition of PGZ

Submissions are now open to the third edition of PGZ. In this Brexit themed issue, photographers will reflect upon the current UK climate amidst our recent decision to leave the European Union.

We are looking for single images, bodies of work, and written pieces around the topic. Whether positive or negative, we are hopeful we can collate a reflection of the UK at this important, but also quite uncertain time. We’ve all felt the impact and our futures remain unpredictable. We are all in a huge state of change.

Previous editions of PGZ have been printed and saddle stitched, and we’ve sent these out to big names in the industry. This time around we’re creating a downloadable zine which we are hopeful can reach a wider audience. This also means we can include more photographers and spend less time on print quality and more time on promotion.

We’re excited to see where this project will lead.


We will also be selecting work from submissions received for website content based around this theme. If you’d like to be considered for website content only and not this edition of PGZ please state this in your email. There is no fee for website only content.

Submission guidelines

  • Submissions are free and open to photography graduates from UK courses only. No specific graduation year

  • A number of graduates will be selected from submissions received and will need to pay a small fee of £15 each

  • A maximum of 10 images need to be sent alongside your series title, website link, social media handles, and where you studied

Winning photographers: please note that not all 10 of your images will be selected, we will edit them down so if you have any preferences please state these in your initial email.

Selected images will be curated at the discretion of Photograd.

Submissions need to be sent to photogradpgz@gmail.com only.

Supporters

We’ve asked a number of industry professionals to come on board with this project and have listed a few names below. You might have the opportunity to be interviewed by one of these people for PGZ or your work may be selected because of them.

  • Chloe Juno - Brighton based photographer and creative consultant. Current long term photo project Someones Rubbish.

  • Joanne Coates - Photographer and founder of Lens Think; A social enterprise for equality in art with bi-monthly socials to meet, work, generate ideas, & develop arts in the North.

  • Hanna-Katrina Jedrosz - Documentary photographer and founder of Photo Scratch; an opportunity for documentary photographers to understand how their work is perceived and gain valuable insight into how to take their work further with the benefit of other people’s outside eye.

  • Tom Coleman - London based photographer, curator and producer, and founder of Unveil’d; commissioning, producing and promoting contemporary photography.

  • Alex Hewitt and Pauline Jérémie - The team behind Findr; supporting photographers and finding them work. They simplify the search and booking process of photographers for work by giving direct access through their platform.

  • Alex Ingram - University of the West of England, Bristol graduate and now London based freelance photographer. Alex’s work has been featured in various magazines and exhibitions across the UK, as well as having recently published his second book, David’s House.

…and more!

Selected

Those selected graduates for this edition of PGZ will:

  • Receive a free download of this issue

  • Receive a 50% off code to share with a friend or family member to download their own copy from the Photograd Shop

  • Be signed up to receive future opportunity emails from Photograd

  • Be part of the Photograd community with a copy of our logo for your site

DEADLINE

Midnight Monday 4th March 2019.

For those selected the deadline to then pay by will be Wednesday 13th March.


We will be creating a similar zine based around this theme later in the year so if you have work in progress which won’t make the deadline this time around, save it for our next submission process.

Wellcome launches £20,000 photography prize to showcase powerful stories about health

A new international photography prize celebrating compelling imagery that captures stories of health, medicine and science launches today. Wellcome Photography Prize invites photographers to enter their images which highlight the most challenging health issues of our time.

The overall winner of Wellcome Photography Prize will receive a £15,000 prize, with the winner of each of the four categories receiving £1,250. Prizes will be presented at an awards ceremony in London in summer 2019.

Winning entries will also be showcased in a public exhibition at Lethaby Gallery, Central Saint Martins, University of the Arts London in July 2019. The shortlisted entries will be shown alongside a photo series commissioned by Wellcome, which will tell an in-depth story on the theme of ‘outbreaks’ from the perspective of a celebrated documentary photographer, to be announced later this year.

Key dates

Deadline for entries
17 December 2018

Winners announced
3 July 2019

Exhibition opens
4 July 2019

Submit your entry here


Categories

There are four categories in the competition:

  • Social perspectives – explore how health and illness affect the way we live

  • Hidden worlds – reveal details hidden to the naked eye

  • Medicine in focus – show health and healthcare up close and personal

  • Outbreaks (2019 theme) – capture the impact of disease as it spreads

Microparticle drug delivery  by Annie Cavanagh / Wellcome Image Award winner 2009 / Credit: Annie Cavanagh. CC BY-NC

Microparticle drug delivery by Annie Cavanagh / Wellcome Image Award winner 2009 / Credit: Annie Cavanagh. CC BY-NC

Inside Ghana's biggest bushmeat market  by Nyani Quarmyne / published on  mosaicscience.com / Credit: Nyani Quarmyne / Panos Pictures 2016

Inside Ghana's biggest bushmeat market by Nyani Quarmyne / published on mosaicscience.com/ Credit: Nyani Quarmyne / Panos Pictures 2016

Two young boys in rural Nicaragua  by Joshua McDonald / Wellcome Image Awards winner 2017/ Credit: Joshua McDonald

Two young boys in rural Nicaragua by Joshua McDonald / Wellcome Image Awards winner 2017/ Credit: Joshua McDonald

The man with the golden blood  by Greg White / published on  mosaicscience.com  / Credit: Greg White / Wellcome 2014

The man with the golden blood by Greg White / published on mosaicscience.com / Credit: Greg White / Wellcome 2014

Prizes and publicity

Images will be shortlisted and then winners chosen by a panel of high-profile judges.

The winner of each category will receive £1,250, with the overall winner receiving a prize of £15,000. Prizes will be presented at an awards ceremony in London on 3 July 2019.

All the winning and shortlisted entries will go on show in a major public exhibition at Lethaby Gallery, Central Saint Martins, University of the Arts London, from 4-13 July 2019.

If you’re a winner, we will also offer you opportunities to take part in events to showcase your work to a range of audiences. Our winning images receive extensive international media coverage each year.

The winner of the Medicine in Focus category will be invited to produce the Julie Dorrington commission, a photo story exploring and documenting a patient’s journey with their condition.

Judges panel

The judges for the 2019 prize are:

  • Emma Bowkett, Director of Photography at FT Weekend Magazine, UK

  • Dan M. Davis, Professor of Immunology at the University of Manchester, UK

  • Dr Heidi Larson, Director of The Vaccine Confidence Project at the London School of Hygiene & Tropical Medicine, UK

  • Joanne Liu, International President of Médecins Sans Frontières, Switzerland

  • Pete Muller, National Geographic Photographer and Fellow, Kenya

  • Azu Nwagbogu, Curator at Large for Photography at the Zeitz Museum of Contemporary Art Africa, South Africa

  • Chair: Jeremy Farrar, Director, Wellcome, UK.


Entries to the Wellcome Photography Prize 2019 will be accepted on its website which contains full terms and conditions for entry. The deadline for entries is 17 December 2018.

Wellcome Photography Prize 2019 exhibition will open at Lethaby Gallery, Central Saint Martins, University of the Arts London, from 4 to 13 July 2019. Entry will be free and open to all.

Sign up to Wellcome Photography Prize emails.

Follow on Instagram: @WellcomePhotoPrize #WPP19


Source: https://wellcome.ac.uk/what-we-do/our-work...

Introducing Findr

In this blog post we introduce you to findr, a brand new platform supporting photographers and finding them work. They simplify the search and booking process of photographers for work by giving direct access through their platform.

Findr can help if you are a photographer or need a photographer!

 
 

What is findr? Findr is an online booking platform through which photographers can showcase their skills and find more work. It was created for photographers, by photographers who grew tired of the unnecessary struggles that come with marketing oneself, finding clients, and arranging bookings. Findr aims at making it easier for photographers to find work that fits around their schedules, while still respecting their independence and artistic freedom.

Who are you? What's your photographic background? I am a photographer and picture editor from Edinburgh. I worked in the press industry for 15 years. I particularly enjoy portraiture, and marketing and events photography that gives me the ability to tell stories for the clients.

How did the platform emerge? The platform emerged from the need to create a solution to an everyday problem I faced as a picture editor: how to quickly and simply find photographers I could trust to work on projects I was involved in.

Image by Harry Spekter

Image by Harry Spekter

Who's behind Findr? Tell us about the team. Findr is made of a small team of people dedicated to improving the landscape of commissioned photography. The technology is created by Ben, Josh, and Rob, while the operational excellence is handled by Alex, Christian, and Pauline. And, of course, we'd be nothing without the community of over 3,000 amazing photographers we're lucky enough already be working with!

Who would you ideally like to get involved with Findr? We're looking for hardworking, reliable, and creative photographers interested in accelerating or improving their careers and in working with a growing list of great brands through findr.

Image by Michael Sheridan

Image by Michael Sheridan

How can people go about being part of the platform? It's super easy and quick! Head over to www.findr.me and create your photographer profile. You can add your portfolio, all the services you offer, and manage your own schedule.

Who is Findr's audience? Findr is meant for a community of professional photographers and clients who love and benefit from good photography.

What are the benefits of being part of or using Findr? New work, new opportunities, so little hassle! By signing up to work with findr, you join a direct route to work without any of the hardships that come along with being a freelance photographer, and companies receive an efficient management system for their projects.

Image by Pooyan

Image by Pooyan

What does Findr's future look like? Here at findr, we love to dream big! Our goal is to become the global marketplace for professional photographers and customers on an international scale.

Follow findr on Twitter, Facebook, and Instagram.

A London Photograd exhibition

In November Photograd will be exhibiting at London Metropolitan University to celebrate graduate photography in 2018. The exhibition will be listed as part of Photomonth which is exciting.

 
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We will be printing on Kodak Phototex as previous use of this was successful and it means we can reuse prints for future Photograd exhibitions. Phototex is basically a weatherproof sticky paper that can be used a number of times.

Costs for prints

  • 20" print: £32

  • 30" print: £47

  • 40" print: £62

  • 50" print: £77

  • 60" print: £92

  • 70" print: £107

  • 80" print: £122

The maximum width we can print is 42"

The space is big enough to accommodate large prints and small series of work.

We would also really like to accommodate some photobooks and zines in the space so please send images and sizes for consideration. If books are selected we would only ask for a small donation to Photograd and that return postage costs are covered.

Submission

  • Please ensure that you graduated a UK university within the last 3 years and studied photography - any questions regarding this please get in touch

  • Max 6 images - please specify how many images you are happy to pay for and be printed

  • Use the subject 'London exhibition'

  • Select images to submit and email them to photogradexhibitions@gmail.com - remember to include your series title, website link, social media handles, and where you studied

  • State in your email the biggest size you'd like your images printed

Selected images will be curated at the discretion of Photograd.

Deadline

Midnight Monday 1st October.

For those selected the deadline to then pay by will be Wednesday 10th October.

Supported by  Wex Photo Video

Supported by Wex Photo Video

 

The second edition of PGZ - open to submissions!

Calling 2018 photography graduates. This one's open to you!


We're looking for 11 photography graduates from UK university courses to be part of the second edition of our zine, PGZ, which will launch Summer 2018.

To submit, email a series of work, 100 word description, university, and website to photograd2018@gmail.com only with the subject 'ZINE'.
Submission deadline: 11th July. Open to 2018 photography graduates from UK courses only.

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A big thank you goes to Spectrum for helping us to bring the second edition of PGZ to life.

Calling 2018 Photography Graduates

We want your work!

We’re looking to reward 2 photography graduates with an interview on the Photograd Spotlight and 1 graduate with an extended Instagram Takeover.

To submit, email a series of work, description, university, and website to photograd2018@gmail.com.
Submission deadline: 13th June. Open to 2018 photography graduates from UK courses only.

Image from the series  Utö  by Swansea College of Art - UWTSD 2018 graduate  Jasmine Färling

Image from the series Utö by Swansea College of Art - UWTSD 2018 graduate Jasmine Färling

Photograd Print Swap

Would you like to own a print by another photography graduate? If that's a yes then read below.

Image by featured graduate  Mohamed Hassan

Image by featured graduate Mohamed Hassan

The very first Photograd Print Swap is open to photography graduates from UK based courses only and allows those involved to pick which print they'd like to receive on a first come first served basis.

Once image selections have been made a small £7 fee needs to be paid to cover handling and postage. Images are then uploaded to Photograd where they can be claimed before being posted to their new owner.

Submissions to photogradprintswap@gmail.com

Official guidelines can be found here.

Ginnel Foto Fest 2018 Open Call

The 2018 call by the Ginnel Foto Fest invites photographers to submit single Photographs or a series of maximum four images interpreting this year's theme 'BorderLands'.

All details can be found on the website, www.ginnelfoto.com . This year's prizes are kindly sponsored by Intrepid Camera Co., COES, Frameworkshop and Snappy Snaps Ipswich. Deadline for entries is April 15th. The Ginnel Foto Fest happens on May 26 & 27th and is supported by Suffolk County Council and Ipswich Borough Council.

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The Royal Photographic Society announces 2018 bursaries across still and moving image

 
Image by  Cebe Loomis , Postgraduate bursary winner 2017

Image by Cebe Loomis, Postgraduate bursary winner 2017

 

Let The RPS realise your photography dream…

The Royal Photographic Society has announced this year’s bursaries to help photographers and students alike develop, finance and realise projects across the still or moving image.

Recipients can use the funding for aspect such as travel, equipment, website or mounting an exhibition. Michael Pritchard, Chief Executive of The Royal Photographic Society, explains: “The Society’s bursary programme is an important part of our educational activities, allowing photographers to realise important and worthwhile projects. Many of those it has supported in the past have gone on to establish respected careers and the Society continues to support and maintain contact after those initial projects have been completed.”

2017 Postgraduate bursary winner, Cebe Loomis from Santa Cruz in the USA, explains: “Thanks to the Society I was given the opportunity to create a dynamic body of work that would greatly contribute to the professional field of photography including the funding of my fieldwork in Virginia City, Nevada, as well as begin designing the book that will soon house the complete project, Tailings. 

Being awarded this prestigious bursary has given me the resource to pursue my project to its fullest capacity. From travel support for months of fieldwork, to funding the purchasing and developing my 120mm and 35mm film, this bursary has been invaluable in a number of ways. Additionally, to have the encouragement of the Society is invigorating and I feel proud and inspired to continue creating and exploring the field of photography.”


Details for the 2018 bursaries are as follows:

Environmental Awareness Award

Two annual bursaries in partnership with The Photographic Angle -

£3000 towards a photographic project to support environmental awareness.

Applications close 29 May 2018.

 

Joan Wakelin Bursary

Annual bursary offered in partnership with The Guardian -

£2000 for the production of a photographic essay on an overseas social documentary issue.  Photo essay published in The Guardian and RPS Journal.

Applications close 18 May 2018.

 

RPS Postgraduate Bursary

Annual bursary of £3500 in support of a postgraduate student studying in the UK or abroad.

Applications close 29 June 2018.

 

RPS DepicT! Award

DepicT! challenges filmmakers on any budget from anywhere in the world to show their work in just 90 seconds. The RPS supports Main Award of £1500 and Cinematography Award of £1000. 

Applications close 2 July 2018.

 

All photography bursaries (excluding DepicT!) benefit from an additional £500 worth of equipment from Vanguard and the opportunity to have a portfolio printed by Metro Imaging.  All bursary projects will be published in the RPS Journal.

For more information about funding and bursaries please visit http://www.rps.org/learning/project-funding

For further press information including images and interview requests please contact Caroline Hook, Marketing & Communications Manager, on direct tel: (01225) 325 799 or email: caroline@rps.org