Photobook Spotlight Submissions

NOW OPEN

In recognition of the success of our first Photobook Spotlight earlier this year, it will be returning for 2018!

To be considered for the Spotlight please respond to the following points. Contact details are below.

Using no more than 100 words for each, respond to the following:
  • A statement describing your chosen series/photobook, practice, and/or self.
  • What university did you attend and when did you graduate?
  • What is your favourite photobook by another photographer?
Using no more than 150 words for each, respond to the following. Incorporate your own ideas into each heading to express your photobook as you wish.
  • Direction (your route into photography and book making, into publishing or self-publishing, publisher relations, websites, contacts)
  • Considerations (decision to create a book as opposed to prints; paper stock, colours, weight, feel, binding, size, unique qualities: such as hand finishing)
  • Interior (use of images and/or text, layout, introduction and ending)
  • Inspiration (photobooks by others, visual influences, photographers, text/theory)
  • Advice and Future Goals (tips – book making, finding a publisher, being published, helpful websites, links, or reading. Contacts who gave help. Personal future plans or goals)
Your answers need to be accompanied by a selection of images. These need to be sent as JPG’s, no bigger than 12 inches on the longest side and 96dpi. Consider things such as unique aspects, the cover (front and back) and inner pages. Please include in your email:
  • No more than 10 images that are included in your book. Include image titles where relevant.
  • No more than 10 images of your photobook. These need to be of a high quality and well produced. 
  • If you have the equipment to make a well presented video of the book, please feel free to.

By submitting to this Spotlight you agree to Photograd using your images in related social media posts and newsletters. You will always be credited.

Submissions from graduates only

Description and images

[email protected]

Deadline: December 8th 2017

Huw Alden Davies. ‘Scaffold to the Moon’ – A Photobook

We couldn’t help but jump on board when Newport, University of Wales MA graduate Huw Alden Davies announced a Kickstarter campaign for his brand new book, Scaffold to the Moon.

Huw has been kind enough to keep us updated with the progress of his campaign and we really wanted to bring you more of an insight on launch day. Head across to Photograd social media channels today to see more of Huw’s work, and be sure to stick around for when the Documentary Photographer takes over our Instagram from 2nd – 6th October. We’re very excited to be supporting Huw on his next adventure. 

? Scaffold to the Moon Kickstarter! ?

Tell us about your work. What’s this series about? To begin with Prince was simply a project between projects, to keep me photographing while occupied with the development of my teaching practice. Little did I know that it would soon became my most defining project thus far, leading me on a path to self discovery. This is an age-old story of boy to man; father and son; fools and heros; told, I like to think from a relative but fresh perspective. With the focus of much of my practice centered on Tumble (my home village), it is only natural that my attention would shift to one of its biggest characters, and that character just so happens to be my dad.

From the series Prince

“> From the series Prince

From the series Prince

How has this work evolved to be at the stage you are now? Rewind two years, 2015, with Prince (my first publication) in the final stages of production, I was asked by Ffotogallery if I would contribute to an online IG artist residency as part of the Diffusion Festival, and bang that was it. Locked in a transatlantic to-and-fro with Detroit Photographer, Patricia Lay Dorsey, something new happened. A voice that had been exercised, I assume during my writings for Prince begun to take a hold, and with the encouragement I received from both Dorsey and my peers, this was soon a voice that would not quiet.

Now, nearly 40,000 words later, almost ten thousand views on Prince Street (blog), numerous international festivals and exhibitions, and a prize winner in this years ESPY Photo Award Book Prize, it is only fitting that my most obsessive and all consuming body of work be concluded in a complete collection, entitled Scaffold to the Moon, which will contain an assembly of illustrations, photographs and writings that celebrate the man that should have once been my role model. 

From the series Prince

“> From the series Prince

From the series Prince

What encouraged you to turn to crowdfunding for support? For me at this stage in my photographic career, this seems like the most obvious direction. Throughout the years I have had a massive amount of support from the Arts Council of Wales, and I have always tried to fund as much as I can myself, but with a project of this size and nature neither is an option. Self Publishing can be a very expensive game, in an unpredictable market with no guaranteed success.

Therefore, although it’s not everyone’s first choice, Crowd-funding for me provides a certain level of security based on pre-sales. Here I will have the opportunity to sell a percentage of my book before it is even made, which will provide the funds to make it, it just makes more sense. On the flip side, it might not reach the finish line. That’s said, if does not get funded it does not get made. Everyone walks away with no debt, with a slight exception of your pride and reputation, of course.  

However, I am confident in my work. Besides the hundreds of hours that have gone into the production, I have invested a significant amount of time and effort in promoting and exhibiting the work, which has gained a lot of support, publicity and interest. I am positive that I have a solid plan, I know what I am going to do, and I know how much it’s going to cost to do it. I have a good understanding of my market, and I believe I have something that people will be interested in, although, as with anything there are no absolutes, at least beyond my dedication. I am however, working with the right team of people to make this happen. With that said, once I have launched the Kickstarter, it’s all beyond our control and all I can do is hope that people want what I have to offer.

Tell us about some of your Kickstarter rewards and what supporters can expect from donating. During the last few months I have conducted a large degree of research, speaking to some of the industries most experienced practitioners to ensure that I have covered every angle and that each backer feels part of the project, and although Scaffold to the Moon will be the main focus there will be a variety of rewards available to suit a range of interests. These will include early bird rewards, double book rewards, book and print packages, and a collector edition. I also appreciate, that some might want to support the project without any financial impact; all support is vital to the success of the campaign, so I have tailored smaller and more affordable rewards for those who want to help me make this publication happen. These will include signed copies of Prince my first publication, or video rewards and regular exclusive material straight to their inbox.  

From the series Prince

“> From the series Prince

From the series Prince

Who inspires you the most? Many have inspired my direction and many continue to do so, too many to list here. However, if we were to discuss bookmakers, my immediate response would be Clare Richardson, she was the first who inspired my intention towards bookmaking and the narratives offered by this medium. Although, looking at some of the leading modern examples of self-publishing, I am very much smitten by Jack Latham and Michal Iwanawski’s recent contributions to the world of Photobooks, there is a lot going on right now on this side of photography, and I am excited by the prospect bringing Prince’s world to this new wave.   

What’s your ultimate goal for the future of your work? If I told you… I would have to make a book about it!

Although, I can say having crossed mediums more than once or twice in recent years, I feel the future is a multi-media one, but who knows. The one thing I do know is that it will be visual and it will involve a lot more of Tumble. But for now, it’s all about Prince and getting him to the page.

From the series Prince

“> From the series Prince

From the series Prince

Have you got any tips or advice? For what it’s worth, if I was to give any advice I would probably say, If you want to do something to the best of your ability I have learned to ask those who have done it best. Open up to other views and criticism and talk to as many practitioners as possible; ask for their advice, for they have made all the mistakes that you are likely to make. They will know the pitfalls, they will also see the best and worst in you and your work, to which you will likely be blind.  

If you are going to do something, I was taught to do it to the best of your ability, so if it is close to your heart then take your time with it, keep working things until you are confident that you have got it right. Better to kick yourself trying, than kick yourself for not giving it your all.

Photobook Review: ‘Hide That Can’ Reviewed by Chris Mear

We’re really pleased to say that the last photobook review on the blog has inspired a brand new one! Earlier this month, University of Plymouth graduate Lucy Bentham reviewed Tracing a Line Along a Breath Exhaled by Carly Seller, and this time around Staffordshire University graduate Chris Mear has written his own review of an influential photobook.


Photographer & Title: Hide That Can by Deirdre O’Callaghan. Published by Trolley Books (2002).

Genre: Documentary photography  

Rating: 5/5

A lone, bearded, ginger man, chewing on the hair of his moustache. Avoiding eye contact by pulling his green, stained and faded hat over his eyes. A thick brown stain on the inside of the collar of his jacket. The blood red of the inside cover, followed by a dedication to Joe McGarry. Is this the stranger that greeted my so warm yet shy on the front cover? I don’t know. Another turn of a page confronts you with a handwritten sign; “We admitted we were powerless against alcohol and our lives had become unmanageable.” Four photographs of Arlington House, London. Men passing, entering, exiting and lingering outside, lead into a “rant” from the U2 frontman, Bono. He concludes with one of only two mentions of the photographs that follow; “These photographs have a dignity and humour that make them a true record of lives lived… Photography so often pitches the instant against the eternal, and so many beautiful faces are really not… these photographs are true, and the truth is always beautiful and disturbing.”

 
Hide That Can front cover

“> Hide That Can front cover

Hide That Can front cover

 

Men dominate the pages. Some of them seem confident. Playing with me. Joking. Laughing. Others are quiet, looking on from the background. Peering over a shoulder. The combination of image and text allows me to hear their voices. I replace the photographer. I’m there. Intimate moments shared with men with bruises and stitches on their face. Stitches echoed by those that bind the book, sometimes running right through the battered faces of these kind and brutally quick witted men.

Men taking regular toilet breaks behind trees as they embark on a day trip to the seaside. Echoes of childhood by the sea, with Mojo sitting on a horse and cart amusement ride clutching a bottle of super strong lager. A glance down from the end of the pier reveals the violent tide raging towards a child lost in the excitement of chasing away the seagulls, before a moving series of portraits of men in their bedrooms, as they delve into their past and their relationship with alcohol.

Hide That Can photobook

“> Hide That Can photobook

Hide That Can photobook

The book ends with a series of pictures of the residents on a trip back to Ireland, where many of the men who reside at Arlington House migrated from during the 50’s, 60’s and 70’s, in search of work. “Some people in life, if they lose out they throw in the towel. You never throw in the towel ‘cause tomorrow is another day.” John explains as we stand at the edge of a beach and look out to sea, watching a lone man float away.

Hide That Can photobook

“> Hide That Can photobook

Hide That Can photobook

Empathy, compassion, humour and a generous ear. Hide That Can, for me, effortlessly applies the best qualities of both human nature and photography. The photographer is invisible. The medium of photography irrelevant. For me, it offers an outstretched hand, an invitation, to anybody who needs or wants to accept it. Photographer or not, it’s work like this that recognises our common humanity and vulnerability. It not only educates me, but it makes me feel less alone. The ultimate, rather extraordinary, accomplishment for a book, in my opinion.

Photobook Review: ‘Tracing a Line Along a Breath Exhaled’ reviewed by Lucy Bentham

We’re always on the look out for creative involvement to the Photograd blog and we instantly knew we wanted Lucy Bentham to come on board when she suggested writing some words about a favourite photobook. Lucy is an independent curator and photographer who graduated from the MA Photography and the book course at the University of Plymouth last year.

We hope for Lucy’s review to inspire others to create their own. Contact us for more info: [email protected]


Photographer and Title: Tracing a Line Along a Breath Exhaled, Carly Seller

Genre: Landscape, handmade artist book

Rating: 4/5

Website: www.carlyseller.com

8 images, monochrome

9 pages, concertina, wrap-around cover with obi band

Edition of 24

Horizontal lines, steps into the unknown, and a steady pace of one foot in front of the other are visual and physiological elements of the photographs in this series. The viewer embarks on their own journey as they are placed in the position of the maker, treading carefully through the landscape with a clear message to gently roam onwards and upwards. The horizontal panoramic orientation of Seller’s prints primarily provide a lofty transcendental lift as the visuals combine with the philosophical, softly encouraging the gaze and the mind towards an elevated state of being. 

At the same time, Seller’s visual approach represents an ordinary way of seeing; that which is in front of us, the length of our bodies, and as far as the eye can see. Through a vertical, almost standardised way of contemporary seeing, we remain to consider what is ahead, around the corner, up the hill. We don’t look back, and we rarely alter our position to consider the other surrounding us as we amble into the beyond. 

From the series Tracing a Line Along a Breath Exhaled

“> From the series Tracing a Line Along a Breath Exhaled

From the series Tracing a Line Along a Breath Exhaled

On occasion we find relief in the downward pathways, providing a pause in our forward movement. Downhill, we can presume we have already reached the summit and can break to take stock of our journey thus far. However, as in the triptych shown above, Seller reminds us that there is only one way forward as prickly walls furnishing the landscape claustrophobically surround us. The way forward is no longer a gentle roam; it becomes a need to continue along the path as it promises a steady downhill start, before once again elevating us into the undiscovered. 

Ultimately, these paths are never-ending; we are not provided with a conclusion to the series that brings our continual motion to a finite halt. Throughout this journey into the land, we are surrounded by fears and threats we only intermittently pay attention to. When we do catch a glimpse of these foes, they only spur us on, keeping pace along the endless way. 

Tracing a Line Along a Breath Exhaled photobook

“> Tracing a Line Along a Breath Exhaled photobook

Tracing a Line Along a Breath Exhaled photobook

As a photographer working with the book I am often, if not always, interested to see photographic work represented as a book work, especially when the work is translated from original concept through a number of different gallery installations and into a book work. I like to engage with what I consider to be the thought process of the artist as they choose to disseminate their work in book form and I tend to favour the self-published or hand-made dummies because of their closeness to original, organic ideas of the maker. 

The book for Tracing a Line Along a Breath Exhaled is an accompaniment to, rather than a culmination of, this body of work. The project itself conveys a particularly deep connection between the photographer and the natural landscape, echoed in the delicate, handmade qualities of this book. 

The joy of a concertina book is that the reader is given some sense of ability to rearrange the sequencing of the images, although any new sequence will always remain confined to the space and time set by the photographer. The excellent quality of printing is on a matte finish paper stock that deepens the blacks on this set of monochrome prints. The forest green cover acts as a visual prompt for the content as the reader opens the book for the first time and later returns to it. The book is held together with an obi band slipped over its entirety, upon which the title is repeatedly printed in a simple typeface. 

This is a project accompaniment book, not a final dummy for publication. If this book was to be taken to the next step and become a dummy for self or other publication I would like to see more image content. The small size of the book in terms of width and height is surprisingly effective considering the grander scale of the subject matter and aspect ratio of the framing. The addition of pages, making the book deeper, would not impact on the sizing. The benefit of the images used in this book is that they could be presented at a much larger scale, as seen in the installation of the original work and this would be interesting to see translated into book form.

Chris Mear: ‘Coalville Photographed’ video

As you hopefully remember, we followed Staffordshire University graduate Chris Mear through his journey of releasing Coalville Photographed into the world. We helped Chris release a new video every fortnight to coincide with the zine he later produced to complete the body of work; you can find out more about the series and watch the videos via Chris’ Photograd Spotlight.

We’d now like to bring you a video of the Coalville Photographed zine and lead you to where you can buy your own copy or a print. Find out what Chris has to say about the work below.


 
Coalville Photographed from Christopher Mear on Vimeo.

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Coalville Photographed from Christopher Mear on Vimeo.

Last year I released a series of short films on this blog. Made over the course of 15 months, they observed an amateur photographer and carer, called Graham, as he moved through the post-industrial landscape of North West Leicestershire every other Thursday morning. Shortly after releasing the final film I published a limited edition zine combining these films with a series of photographs made by both myself and Graham.

The remaining copies of Coalville Photographed are now exclusively available from DegreeArt.com. And to celebrate this I thought I’d offer you a short preview of the zine alongside a few of my favourite outtakes.

Future Photograd: Christina Stohn

We caught up with Christina Stohn to find out more about her recently developed project, The rumours are true, which will be on show at the Dong-Won Gallery, Daegu, South Korea, as part of Net Photo Festival at the beginning of October (3rd – 9th). Take a look at Christina’s website where you’ll find the project. 

Christina will be taking over our Instagram account at the end of September whilst in Seoul, which we’re sure you won’t want to miss! Follow us on Instagram at @_photograd to keep up to date.

The cover of Christina’s upcoming book, The rumours are true

“> The cover of Christina's upcoming book, The rumours are true

The cover of Christina’s upcoming book, The rumours are true

Series statement

It is claimed that Belgrade Waterfront, an ultramodern construction project on the inner city banks of the River Sava, will transform the Serbian capital into a global metropolis within the next 30 years. It is supposed to generate multifaceted opportunities in the realms of commerce, places to live and work as well as transport and leisure. This development is intended to attract the interest of foreign investors and create an international hub for business.

Alongside investment by the Serbian government, the Abu Dhabi based real-estate company, Eagle Hills, will contribute 68% to the €3.5 billion project. The promise is that this will benefit the economy through new jobs. However, it is unclear whether this influx of money will have any real impact on most ordinary people in Belgrade, who on average earn €400 per month.

The plans will influence the entire infrastructure of the city. The new ‘quarter’ will further gentrify Savamala, one of Belgrade’s oldest districts, whose residents will be uprooted and smaller businesses evicted. Social segregation can already be seen in the evacuation of the refugee camp Miksalište. Critics fear that the project will infringe citizens’ rights, breaking laws and violating the constitution.

The question arises whether the project is socially acceptable, given that it has been extensively financed from the national budget.

Series length

Following intensive preparatory workshops, in April this year my classmates and I from the course ‘Culture and Identity’ at the University of the Arts Bremen (Germany) went on a ten-day trip to Belgrade, the capital of Serbia. Each student developed an individual project on location, responding to the broad theme of transition. We spent the past months editing and writing about our works to put together a group publication, comprising of media such as graphic design, photography, essays, interviews and illustrations. It is called White City, which refers to the translation of Beograd, and will be published this autumn.

Series influences

Since I used to live in London for many years, I have maintained a strong interest in gentrification processes. My personal work focuses on cultural themes in urban spaces, incorporating issues of housing, redevelopment and displacement.

Researching through archives and journals, I engaged with the implications of urban restructuring in a post-socialist state. I proceeded to investigate Belgrade’s district Savamala, landmarked as historical, on the threat of gentrification and commercialisation. During fieldwork, my intention was to visualise the juxtaposition between the developing and the decaying against the backdrop of the phenomenal construction project ‘Belgrade Waterfront’.

Future aims for the work

In the beginning of October, this work will be shown in a group exhibition at the Dong-Won Gallery in Daegu (South Korea), as part of the Net Photo Festival, in collaboration with the Daegu Photo Biennale. Our Master’s studio will exhibit the photographic works produced in Belgrade. In addition to it, we will present a dummy of our group publication.

I am currently working on a short-run edition for The rumours are true. However, I would like to extend this publication with diverse interviews by next year.

The plan is also to exhibit this body of work in Belgrade in the future.

Is the series finished?

The rumours are true is work in progress.

Belgrade, one of Europe’s oldest cities having a turbulent history, has attracted my interest as a vibrant metropolis. I attempt a further spatial analysis of Savalama, the ancient part of the town, once derelict and neglected. Stretching along the riverfront, the former industrial area has undergone rapid gentrification to become a creative hub over the past years. As a component of global integration, it has in it the momentum to become a determinant in the new urban landscape. I would like to explore the dynamics of physical and social change as well as the effects of political and economic transformation.

Anything else you’d like to include.

I would like to thank Peter Bialobrzeski as well as the Goethe-Institut for making it possible for a fellow student and myself, to travel to South Korea to showcase our work in early October. 

Future Photograd: Nat Urazmetova

One of our first featured photographers has a book coming out! Nat Urazmetova’s book The Persimmon’s Fruit (published by Cygnnet) centres around her journey to Japan. The book launches on Wednesday 1st June (next week!) at the Calvert 22 Gallery, London. The event begins at 7pm where you’ll be able to meet the artist, see her wonderful book, and see the band XAVIERS perform! Find out more about the book below. 

From the series ‘The Persimmon’s Fruit’ 

The Persimmon’s Fruit

“The Persimmon’s Fruit is an intimate photographic essay by Nat Urazmetova. Depicting the author’s journey to Japan, it seeks the new sensibilities and subtler connections unfolding when imagery and poetry loop together in a book format.

Documentary yet also introspective, the photographs in the book seize and transmit the concealed rhythms and delicate emotions.There is tenderness found amongst the grandeur and geometry of cityscapes, and elegance seen in haphazard encounters.The details which often passed unnoticed stimulate the author’s gaze the most, and the poetic verses deepen the emerging narratives far beyond the depicted.

The Persimmon’s Fruit an assemblage of the subjective observations about the essence of Japanese culture, altogether creating a poetic story that enfolds both the stillness of a photographic image and the transitory, time-wrapping, nature of cinema. Rather than attempting to arrive at something descriptive and concrete, the book is instead trailing the elusive atmosphere, accentuating the beauty in imperfections and incompleteness, through light and shadow, contours and fragments, whispers and feelings.” 

The event is free but booking is essential. Please visit Eventbrite to book your place!

To see our interview with Nat, click here. 

 
Nat Urazmetova - The Persimmon's Fruit 06.jpg
 
Above images: from the series ‘The Persimmon’s Fruit’ 

“> Above images: from the series 'The Persimmon's Fruit'

Above images: from the series ‘The Persimmon’s Fruit’ 

Future Photograd: Freya Najade

Soon to be Photograd featured photographer Freya Najade has made a photobook called Jazorina. Land of Lakes (published by Kehrer Verlag), documenting the creation of an artificial Lake District and holiday destination in Lusatia, Germany. The launch of the book is this Thursday (5th May) at The Photographers’ Gallery in London. Freya will also be signing copies of her book at Photo London on the 22nd May 2016 at 3.30pm. Find out more about the book below. 

 
 

Jazorina. Land of Lakes

“Under towering chimneys in a sprawling industrial landscape, a group of lakes, pristine paths, and viewing benches are improbably sited. In among them, visiting tourists are reduced to mere specks, backs turned away from us, as they stare fixedly at the smoke shafts in the middle distance, billowing into the summer sky. This is Lusatia, soon to be Europe’s largest artificial lake district. Sited at the Eastern edge of Germany, the region has held a reputation as one of the most polluted in the country. For more than a century, forests were felled, and villages emptied to make way for vast lignite mines, which gradually decimated the area. But beginning in the 1970s and with renewed vigour after reunification, old pits were flooded to create artificial lakes. Now, there are around ten in use, with more on the way, and a fledgling tourism trade has begun re-cultiating the land. Freya Najade became captivated by Lustatia’s quasi-industrial feel, and the measured, yet determined pace of change. Named Jazorina for the local Lower Sorbian word for »land of lakes,« her photographs are silent, studied things, beautifully coloured, and flushed with light. Capturing the dense layers of the region’s history, they seem to speculate on what went before, and what might come after. (Lucy Davies)” 

To pre-order the book (at a special price, plus signed by the artist) visit: http://www.freyanajade.com/shop/jazorina-land-of-lakes

To see more of Freya’s work, visit: http://www.freyanajade.com

Double page spread from the book

“> Double page spread from the book

Double page spread from the book

Double page spread from the book

“> Double page spread from the book

Double page spread from the book

Double page spread from the book

“> Double page spread from the book

Double page spread from the book

Double page spread from the book

“> Double page spread from the book

Double page spread from the book