Chris Mear – ‘For The Love Of Lettuce’

Staffordshire University graduate Chris Mear has continuously updated us with his work since we featured him on the platform some time ago. You can read his initial Feature here. We’ve supported Chris along the way with a Spotlight and Instagram Takeover, and would now like to introduce you to his newly completed series of work For The Love Of Lettuce.


At the start of the twentieth century, there were over 150 Market Gardeners in the Parish of Melbourne, South Derbyshire. Over the course of the past century the industry experienced a great rise followed by a steep decline. Now, in the twentieth century, Melbourne has just three Market Gardening families who are continuing to survive and thrive. Over the summer of 2017 I shadowed the work of these remaining family businesses. 

For The Love Of Lettuce was exhibited throughout the village during the annual Melbourne Arts Festival in September, 2017. Here are some installation shots.

Photobook Spotlight Submissions

NOW OPEN

In recognition of the success of our first Photobook Spotlight earlier this year, it will be returning for 2018!

To be considered for the Spotlight please respond to the following points. Contact details are below.

Using no more than 100 words for each, respond to the following:
  • A statement describing your chosen series/photobook, practice, and/or self.
  • What university did you attend and when did you graduate?
  • What is your favourite photobook by another photographer?
Using no more than 150 words for each, respond to the following. Incorporate your own ideas into each heading to express your photobook as you wish.
  • Direction (your route into photography and book making, into publishing or self-publishing, publisher relations, websites, contacts)
  • Considerations (decision to create a book as opposed to prints; paper stock, colours, weight, feel, binding, size, unique qualities: such as hand finishing)
  • Interior (use of images and/or text, layout, introduction and ending)
  • Inspiration (photobooks by others, visual influences, photographers, text/theory)
  • Advice and Future Goals (tips – book making, finding a publisher, being published, helpful websites, links, or reading. Contacts who gave help. Personal future plans or goals)
Your answers need to be accompanied by a selection of images. These need to be sent as JPG’s, no bigger than 12 inches on the longest side and 96dpi. Consider things such as unique aspects, the cover (front and back) and inner pages. Please include in your email:
  • No more than 10 images that are included in your book. Include image titles where relevant.
  • No more than 10 images of your photobook. These need to be of a high quality and well produced. 
  • If you have the equipment to make a well presented video of the book, please feel free to.

By submitting to this Spotlight you agree to Photograd using your images in related social media posts and newsletters. You will always be credited.

Submissions from graduates only

Description and images

[email protected]

Deadline: December 8th 2017

Huw Alden Davies. ‘Scaffold to the Moon’ – A Photobook

We couldn’t help but jump on board when Newport, University of Wales MA graduate Huw Alden Davies announced a Kickstarter campaign for his brand new book, Scaffold to the Moon.

Huw has been kind enough to keep us updated with the progress of his campaign and we really wanted to bring you more of an insight on launch day. Head across to Photograd social media channels today to see more of Huw’s work, and be sure to stick around for when the Documentary Photographer takes over our Instagram from 2nd – 6th October. We’re very excited to be supporting Huw on his next adventure. 

? Scaffold to the Moon Kickstarter! ?

Tell us about your work. What’s this series about? To begin with Prince was simply a project between projects, to keep me photographing while occupied with the development of my teaching practice. Little did I know that it would soon became my most defining project thus far, leading me on a path to self discovery. This is an age-old story of boy to man; father and son; fools and heros; told, I like to think from a relative but fresh perspective. With the focus of much of my practice centered on Tumble (my home village), it is only natural that my attention would shift to one of its biggest characters, and that character just so happens to be my dad.

From the series Prince

“> From the series Prince

From the series Prince

How has this work evolved to be at the stage you are now? Rewind two years, 2015, with Prince (my first publication) in the final stages of production, I was asked by Ffotogallery if I would contribute to an online IG artist residency as part of the Diffusion Festival, and bang that was it. Locked in a transatlantic to-and-fro with Detroit Photographer, Patricia Lay Dorsey, something new happened. A voice that had been exercised, I assume during my writings for Prince begun to take a hold, and with the encouragement I received from both Dorsey and my peers, this was soon a voice that would not quiet.

Now, nearly 40,000 words later, almost ten thousand views on Prince Street (blog), numerous international festivals and exhibitions, and a prize winner in this years ESPY Photo Award Book Prize, it is only fitting that my most obsessive and all consuming body of work be concluded in a complete collection, entitled Scaffold to the Moon, which will contain an assembly of illustrations, photographs and writings that celebrate the man that should have once been my role model. 

From the series Prince

“> From the series Prince

From the series Prince

What encouraged you to turn to crowdfunding for support? For me at this stage in my photographic career, this seems like the most obvious direction. Throughout the years I have had a massive amount of support from the Arts Council of Wales, and I have always tried to fund as much as I can myself, but with a project of this size and nature neither is an option. Self Publishing can be a very expensive game, in an unpredictable market with no guaranteed success.

Therefore, although it’s not everyone’s first choice, Crowd-funding for me provides a certain level of security based on pre-sales. Here I will have the opportunity to sell a percentage of my book before it is even made, which will provide the funds to make it, it just makes more sense. On the flip side, it might not reach the finish line. That’s said, if does not get funded it does not get made. Everyone walks away with no debt, with a slight exception of your pride and reputation, of course.  

However, I am confident in my work. Besides the hundreds of hours that have gone into the production, I have invested a significant amount of time and effort in promoting and exhibiting the work, which has gained a lot of support, publicity and interest. I am positive that I have a solid plan, I know what I am going to do, and I know how much it’s going to cost to do it. I have a good understanding of my market, and I believe I have something that people will be interested in, although, as with anything there are no absolutes, at least beyond my dedication. I am however, working with the right team of people to make this happen. With that said, once I have launched the Kickstarter, it’s all beyond our control and all I can do is hope that people want what I have to offer.

Tell us about some of your Kickstarter rewards and what supporters can expect from donating. During the last few months I have conducted a large degree of research, speaking to some of the industries most experienced practitioners to ensure that I have covered every angle and that each backer feels part of the project, and although Scaffold to the Moon will be the main focus there will be a variety of rewards available to suit a range of interests. These will include early bird rewards, double book rewards, book and print packages, and a collector edition. I also appreciate, that some might want to support the project without any financial impact; all support is vital to the success of the campaign, so I have tailored smaller and more affordable rewards for those who want to help me make this publication happen. These will include signed copies of Prince my first publication, or video rewards and regular exclusive material straight to their inbox.  

From the series Prince

“> From the series Prince

From the series Prince

Who inspires you the most? Many have inspired my direction and many continue to do so, too many to list here. However, if we were to discuss bookmakers, my immediate response would be Clare Richardson, she was the first who inspired my intention towards bookmaking and the narratives offered by this medium. Although, looking at some of the leading modern examples of self-publishing, I am very much smitten by Jack Latham and Michal Iwanawski’s recent contributions to the world of Photobooks, there is a lot going on right now on this side of photography, and I am excited by the prospect bringing Prince’s world to this new wave.   

What’s your ultimate goal for the future of your work? If I told you… I would have to make a book about it!

Although, I can say having crossed mediums more than once or twice in recent years, I feel the future is a multi-media one, but who knows. The one thing I do know is that it will be visual and it will involve a lot more of Tumble. But for now, it’s all about Prince and getting him to the page.

From the series Prince

“> From the series Prince

From the series Prince

Have you got any tips or advice? For what it’s worth, if I was to give any advice I would probably say, If you want to do something to the best of your ability I have learned to ask those who have done it best. Open up to other views and criticism and talk to as many practitioners as possible; ask for their advice, for they have made all the mistakes that you are likely to make. They will know the pitfalls, they will also see the best and worst in you and your work, to which you will likely be blind.  

If you are going to do something, I was taught to do it to the best of your ability, so if it is close to your heart then take your time with it, keep working things until you are confident that you have got it right. Better to kick yourself trying, than kick yourself for not giving it your all.

PhotoVoice: Bimonthly Photography Competition

PHOTOGRAPHERS – SHARE YOUR WORK, SUPPORT A CHARITY. 

A NEW PHOTOGRAPHY COMPETITION FOR POSITIVE SOCIAL CHANGE 

PhotoVoice is an award-winning UK-based charity that works across the world using participatory photography for social change. 

Its innovative and award-winning projects have addressed issues as diverse as climate change, political engagement, women’s rights, refugees, HIV, disability, sexual exploitation and many more – all through the lens of photographs taken by communities affected by these issues. 

Professional Photography is the market-leading magazine for professional photographers. Each issue celebrates world-leading professionals and their work through in-depth interviews and extensive photographic portfolios. 

Every two months, photographers worldwide will be invited to submit images based on a theme which has been inspired by PhotoVoice’s projects, past and present. 

The winner will have their images featured in the pages of Professional Photography, in PhotoVoice’s quarterly publication Photo Voices, on PhotoVoice’s website, and receive a small cash prize. 

All winning images will be exhibited at The London Photo Show at the Strand Gallery in October. 

Competition 6

Theme – Tolerance

Opens – 04/09/2017

Closes – 27/09/2017

Judge – Kate O’Neill, Marketing and Partnerships Manager at Metro Imaging

PVSS215-1024x768.jpg

“This picture was taken in Al Wade street in the old city of Jerusalem, where we can see Muslims and Jewish in the same street – though not walking together.” 

© Areej Mustafa Abu Sarah | PhotoVoice | Parents’ Circle | ‘Side-by-Side’ | Palestine

In celebration of both the Jewish New Year (Sept 21st) and Islamic New Year (Sept 22nd) this month’s competition is inspired by Areej Mustafa Abu Sarah who was a participant on the PhotoVoice project ‘Side-by-Side’ which worked with Palestinian and Israeli teenagers from across Israel and the West bank. 

Inspired by Areej’s depiction of both Muslims and Jews walking along the same street we want to see images that reflect on the theme of ‘Tolerance’. 

Entry is free for PhotoVoice members, or £10 to enter for non-members. To find out more and to enter, please visit –  www.photovoice.org/competition

More About Side-by-Side

The Side-by-Side project brought together six Isreali and six Palestinian teenagers in Israel and the West Bank to enable open dialogue and provide perspectives from both sides of the Arab-Israeli conflict. 

The young people were all members of the Palestinian-Israeli organization the Families Forum, a network of bereaved families dedicated to non-violence and dialogue. Participants recorded their daily lives and used photography to voice their losses, frustrations and differences. Their images were then posted to an online forum where the young people could view and comment on the work of others, find common ground and gain friendships. 

On The Radar: September 2017

Welcome to the second edition of our ‘On the Radar’ blog series. On an irregular basis we’ll bring you some interesting stories and events from the photography industry. If you want to feature in the next post, simply email us using the heading ‘On the Radar’ with your information and we’ll squeeze in the most exciting stories.


Source Magazine Graduate Photography Online 2017

As always, Source are celebrating brand new graduates. We’re excited to find out who has been selected by this years panel of judges! Find out more here.

You can also find out more about this years University of Westminster MA graduates who undertook an Instagram Takeover for us. Head over to Instagram here.

Image by Stephen Burke

“> Image by Stephen Burke

Image by Stephen Burke


CONNECT FOR: Photography Graduates

Date: Saturday, 9 September 2017

Time: 1pm – 5pm

Free, book your place* 

Are you a recent photography graduate? Come along to Stills for a nice afternoon of talks and discussions about life after graduation. Hear from early career photographers about their experiences of graduation and how they are shaping their careers.

Our aim with this event is to give new graduates the chance to hear from people a bit further along about their work and life afterward graduation. We will also have information from various organisations about the kind of support that they offer.

So book your free place, come along, meet other new graduates and take in some interesting talks.


SUBMISSIONS OPEN FOR SECOND ANNUAL REBECCA VASSIE MEMORIAL AWARD, PHOTOGRAPHY BURSARY WORTH £2,400.

 
Screen Shot 2017-09-01 at 14.38.49.png
 

The award comprises a bursary of £1,250 for an early-career photographer in the UK to complete a photography project, plus £1,150-worth of printing at Metro Imaging and support towards industry and public exposure.

Judges for the award include Karen McQuaid, senior curator at the Photographersʼ Gallery, Matthew Tucker, UK Picture Editor at BuzzFeed, Professor Steve Macleod, photographer and creative director at Metro Imaging, and photography critic Jennifer Thatcher (Art Monthly, ARTnews).

The award was created in memory of Rebecca Vassie, a British photographer and photojournalist who died suddenly, aged 30, while on assignment in Uganda in March 2015.

Applicants for the award, who must be either from or based in the UK, are asked to submit a proposal setting out a compelling vision for a photography project around ʻa human story we seldom seeʼ. The deadline for submissions is Friday, 2 October 2017 at 1700 BST. Enter your work here.


Exploration and Investigation – A Collaborative Exhibition between Pop My Mind and Photograd.

Deadline: midnight Monday 18th September

Photograd photographers have submitted work under the theme of ‘Exploration and Investigation’ and five pieces have been chosen to inspire you, the Pop My Mind community! We would like you to expand on their pieces and show us how you can creatively interpret their photography.

We invite you to explore and investigate the themes of the photographer’s work in your own unique medium. You can be inspired by a single photograph, or the whole series, just let us know in your description please.

 
Image by Andrew Mellor, from the series 53.9230° N, 3.0150° W

“> Image by Andrew Mellor, from the series 53.9230° N, 3.0150° W

Image by Andrew Mellor, from the series 53.9230° N, 3.0150° W

 

CALL FOR ENTRIES – Lightbox Photographic Open – Deadline Extended

This year’s theme – celebration. What is celebration to you? An opportunity to show your work in a professional gallery space

Description: Photographers of all ages and abilities are invited to submit their work to The LightboxPhotographic Open Competition. In keeping with our 10 year anniversary in 2017, this year we are inviting entries in the theme of ‘Celebration and Anniversary’. Successful entries will be displayed at The Lightboxfrom 14 October 2017 – 7 January 2018.

DEADLINE EXTENDED Monday 18 September 2017

Prizes:  £500 for Best in Show

£250 The People’s Prize

£100 Young Photographer’s Prize (13 – 17years)

Entry Fee: £10.00

Exhibition dates: Saturday 14 October 2017 – Sunday 7 January 2018

Private View: Thursday 19 October 2017 | 6.30pm – 8.00pm

To apply: Download an application form and sign up at: http://www.thelightbox.org.uk/Event/the-lightbox-photographic-open. Send photos and form to [email protected].

Introducing Light into Matter and Out of Dust.

Twenty five MA students from the University of Westminster will soon showcase their degree projects in central London. The show takes place from Wednesday 23rd August to Tuesday 5th September at Ambika P3  University of Westminster, 35 Marylebone Road, London, NW1 5LS and is open from 12-7pm daily, (closed on bank holiday Monday August 28th).  An accompanying symposium, On the Cusp, will take place on Saturday 2nd September 4-6 p.m.  Links with all the details you might need are below.  

There are two exhibitions within the MA show:

Light into Matter, an exhibition by the Photography Arts course students, presents richly eclectic and striking visual practices pointing to possible futures and histories of photography.  These practices emerged from extended research into: lost utopias; emotional abuse; London’s edgelands; living with radioactivity; subjective studies of Hastings; and modelling dancers’ movements.

Out of Dust, is the exhibition by Documentary Photography and Photojournalism students, whose projects advance photography as an exciting and developing medium.

The On the Cusp symposium debates Richard Mosse’s Incoming Exhibition. Sitting on the cusp of art and documentary, Mosse’s work raises pressing questions about the roles of representation, aesthetic values and representation. Speakers include Lewis Bush, Duncan Woolridge, Joy Gregory, Lucy Soutter and David Moore. Symposium tickets are £5 and are available from Eventbrite.

Find out more from the students’ social media sites:

https://www.facebook.com/lightintomatter2017/

http://instagram.com/lightintomatter

https://twitter.com/lightintomatter

https://www.facebook.com/events/1951915725079062??ti=ia

https://www.instagram.com/outofdustexhibition/

Rebecca Vassie Memorial Award 2017

We’re very excited to bring you news of the second Rebecca Vassie Memorial Award which launched this week. We covered the first award last year and were very pleased to hear the award went to one of our very own featured graduates, James Allen. We’re looking forward to finding out more about James’ new body of work soon.

 
 

Find out more about entering your work here.

Submissions open for second annual Rebecca Vassie Memorial Award, photography bursary worth £2,400.

The award comprises a bursary of £1,250 for an early-career photographer in the UK to complete a photography project, plus £1,150-worth of printing at Metro Imaging and support towards industry and public exposure.

Judges for the award include Karen McQuaid, senior curator at the Photographersʼ Gallery, Matthew Tucker, UK Picture Editor at BuzzFeed, Professor Steve Macleod, photographer and creative director at Metro Imaging, and photography critic Jennifer Thatcher (Art Monthly, ARTnews).

The award was created in memory of Rebecca Vassie, a British photographer and photojournalist who died suddenly, aged 30, while on assignment in Uganda in March 2015.

Rebecca Vassie – Factory, Pyestock

“> Rebecca Vassie - Factory, Pyestock

Rebecca Vassie – Factory, Pyestock

Applicants for the award, who must be either from or based in the UK, are asked to submit a proposal setting out a compelling vision for a photography project around ʻa human story we seldom seeʼ. The deadline for submissions is Friday, 2 October 2017 at 1700 BST.

Last yearʼs winner, James Arthur Allen, has recently returned from Israel where he spent time among the little-known ethnic Circassian population. The Israeli Circassians are at once strongly protective of their heritage, and closely 1 of 4 integrated into Israeli society; they are among the only Muslims in the Israel Defense Forces. The resulting photography set, ʻAdiga: Circassians in Israelʼ, will be exhibited by the Trust at The Tabernacle Gallery, in Londonʼs Notting Hill, 11-17 December 2017. The work will also feature in an Instagram takeover for The Photographersʼ Galleryʼs next week (24-29 July) ‒ www.instagram.com/thephotographersgallery.

James Arthur Allen – Adiga- Circassians In Israel (2017)

“> James Arthur Allen - Adiga- Circassians In Israel (2017)

James Arthur Allen – Adiga- Circassians In Israel (2017)

James Arthur Allen said: “Winning the Rebecca Vassie Memorial Award has enabled me to take an idea and realise it as a formed project. The Trust has been supportive at every stage, and the experience has been hugely beneficial. Since winning the inaugural award, many more doors have opened and led to further opportunities to develop my career.”

[email protected]

www.rebeccavassietrust.org

Twitter: @vassietrust

Instagram: VassieTrust

Facebook: www.facebook.com/RebeccaVassieTrust

On the Radar: June 2017

Welcome to Photograd’s brand new ‘On the Radar’ blog series. On an irregular basis we’ll bring you some interesting stories and events from the photography industry. If you want to feature in the next post, simply email us using the heading ‘On the Radar’ with your information and we’ll squeeze in the most exciting stories.


Starting Out: Conference for Photography Graduates

10:30am – 5:00pm, Tuesday 4th July

Direct Photographic, 200-202 Hercules Road, Lambeth, London SE1 7LD

FREE for AOP members, £5 for non-members (booking essential)

Another fantastic one day conference specially tailored for those embarking on a career in photography. You’ll hear from a great panel of speakers sharing their knowledge to help you make that leap to assisting photographer and beyond into professional photography.

Speakers include:

Cassie Gale from Lisa Pritchard Agency, Cassie will talk about how photographer’s agents work, how you might get an agent, and explain what LPA Futures is all about

Top advertising photographer and AOP member Kelvin Murray will talk about his staggering career and life as a photographer

Emma Taylor AOP Membership Officer and creative consultant will give some practical advice for emerging photographers on how to market yourself

AOP Assisting Photographer member Will Corder will talk about his experiences as an assistant, stories of starting out in his career, explaining the dos and don’ts and everything he has leant along the way

AOP Business and Legal Advisor Nick Dunmur will explain copyright and how to protect yourself as a photographer

Please join us, booking is essential: 

BUY TICKETS HERE

 
Sian Oliver, Norwich University of the Arts graduate, 2016

“> Sian Oliver, Norwich University of the Arts graduate, 2016

Sian Oliver, Norwich University of the Arts graduate, 2016

 

Millennium Images, Peaches and Cream

 
 

Peaches and Cream is a photography competition and exhibition run by Millennium Images. This year the competition seeks more then ever to celebrate the photographic arts, with a key focus in showcasing emerging photographers.

Click here to find out more and how to make a submission – entries open until 31st July.


Artist Talk: Martin Seeds

Assembly installation image, Martin Seeds

“> Assembly installation image, Martin Seeds

Assembly installation image, Martin Seeds

University of Brighton graduate Martin Seeds, featured on Photograd here, is talking at Phoenix Brighton on Monday 3rd July. Martin studied in the city and has exhibited at Brighton Photo Fringe a number of times.

Click here for event details.


Khadija Saye Memorial Fund

Khadija Saye

“> Khadija Saye

Khadija Saye

Khadija Saye very sadly lost her life in the Grenfell Tower fire in London earlier this month. Some of you might only know of Khadija from this tragic event, but we encourage you to read about the up and coming photographer. She’s a real inspiration.

“Khadija was a true artist with a sensitive and generous singular vision, and will be missed by everyone who knew her. We have been inundated with messages of love and support over the last few days. 

On behalf of all of us involved in Khadija’s Saye’s life as an artist, we are setting up this Fund in memory of Khadija, to help others like her to pursue their passion as artists. In due course, we will establish a formal Fund and will make a decision together with those involved in Khadija’s journey as an artist, and with professional partners within the cultural sector, about the best way to channel these donations for this cause. 

We will keep all donors informed of future developments. Thank you for your support.”

Click here to make a donation and find out more about the fund.

Free Range 2017 – Photograd Picks

Photograd visited Free Range again this year and on our wonder round the space we selected a number of new graduates whose work really stood out. Here’s our final selection. Enjoy.

Ben Stewart, Nomad. Matthew Mottram, Gaze. Harriet Foster-Thornton, Still-Hunting.

“> Ben Stewart, Nomad. Matthew Mottram, Gaze. Harriet Foster-Thornton, Still-Hunting.

Ben Stewart, Nomad. Matthew Mottram, Gaze. Harriet Foster-Thornton, Still-Hunting.

John Mullaney, Plymouth College of Art

“> John Mullaney, Plymouth College of Art

John Mullaney, Plymouth College of Art

Sam Lyne, Plymouth College of Art

“> Sam Lyne, Plymouth College of Art

Sam Lyne, Plymouth College of Art

Mert Sezer, Medway. Middlesex University.

“> Mert Sezer, Medway. Middlesex University.

Mert Sezer, Medway. Middlesex University.

Arabella Bidgood, Copelands. Middlesex University.

“> Arabella Bidgood, Copelands. Middlesex University.

Arabella Bidgood, Copelands. Middlesex University.

        

“>

        

        

“>

        

Sam Edrisi, The Stage. University of Westminster.

“> Sam Edrisi, The Stage. University of Westminster.

Sam Edrisi, The Stage. University of Westminster.

Gökhan Tanriöver, Confessionals. University of Westminster.

“> Gökhan Tanriöver, Confessionals. University of Westminster.

Gökhan Tanriöver, Confessionals. University of Westminster.

Pop My Mind: An interview with Francois

Photograd were recently made official partners of Pop My Mind and we’re working with the team again to bring you an exciting new theme. You can find it here.

To give you more of an insight into Pop My Mind we’ve interviewed some of the more photographic based users on the platform. We reached out to Francois this time around who is influenced by the everyday.

Enjoy.


Tell us who you are. Where do you live and make work? My name is Francois and I am Italian. Right now I’m living in Germany/Hamburg.

Have you studied a creative subject? What are your thoughts on doing so? I started with graphic design but was not really happy with it. I would like study art history as it is a field I am interested in. Do I need to study something in the creative field? I’m not sure about it, it depends. It could help you to meet others and discuss ideas maybe.

What sort of work do you make? I just do strictly photography. Whatever catches my interest from street photography, sport or landscape.

What do you use the Pop My Mind platform for? Pop My Mind is a good platform to show your work and get inspired by other artists.

What’s your biggest inspiration? My biggest inspiration is everyday life, watching people. I also tend to read a lot fiction, non fiction, magazines, philosophical books, visit exhibitions and so on. I can get also inspired just by the weather or a situation I see. 

What are your thoughts on sharing your work with a wider audience? Have you got any advice? It is good to share your work because frankly spoken, this is why we do it. Get a reaction (bad or good) and discuss your work and make new connections and generate ideas. It is not so much about followers or likes. I prefer comments where they tell me what they see or feel, or what impressions they have. My advice would be to not care too much about the statistics on Instagram and Co (likes, …) as every personal contact is more important.

Give one tip you think every creative should follow. Gosh one tip. I am still a beginner but my advice is do it for fun and follow your passion. Learn the rules but break them if you have the funny feeling you want to experiment. You will learn from every mistake you make. Oh yes, do not wait until you think you’re ready.

What are your plans for the future? This summer I will be travelling and taking photos and then applying for university. I have some projects in mind that I would love to do this summer and go from there. As I love photography I am doing everything right now to develop and get more opportunities to undertake new work and projects.