Loupe 10 Open Call

Loupe, a free magazine featuring a diverse selection of contemporary photography.

Image by  Luke Archer

Image by Luke Archer

ABOUT

Issue 10 will be our first themed edition, and we’re kicking off with the weighty topic of national identity. In the glare of recent events, we want discussion around the topic, from all sides.

We’re looking for projects that explore citizens’ relationship to their country, both positive and negative. You might have photographed, white supremacists in America, a border dispute, Brexit in the UK, or your own feelings towards your home country.

Despite the hefty title we are looking for work on a macro and micro scale; you might have spent years documenting a whole country or only days with an individual. The work can be heartbreaking or humorous – so long as it’s an engaging and well executed body of work.

HOW TO SUBMIT

PHOTOGRAPHY 

We are looking for work from all genres of photography, be it fine art, documentary, fashion or commercial. There are no limits; as long as the work connects with our theme of national identity we want to see it. Send either a link to the project on your website or up to 10 web rez jpegs and a short project statement to submissions@loupemag.com.

Please note we cannot accept any form of file sharing link, so make sure your images are small enough to attach to a single email.

BOOK DUMMY SUBMISSION 

If you would like to submit, please send a PDF of your book dummy to submissions@loupemag.com. Please note if you are selected to be featured you will need to send a physical dummy to us. Copies will be returned, although if you live outside of the EU and the dummy is large / heavy we may ask you to make a contribution to the cost.

WRITERS

If you would like to pitch an article, story or write for Issue 10 please email submissions@loupemag.com.

The deadline for submissions is the 5th of August 2019

A Q&A with Arts University Bournemouth 2019 graduate Ellen Stewart

We recently called for work from both BA and MA photographers who are graduating from a UK university course this year. We’ve made selections and are in the process of conducting interviews and uploading new work to Photograd which you can find here.

We selected Arts University Bournemouth BA (Hons) Photography 2019 graduate Ellen Stewart to support for the next year. You can find here an informal Q&A with Ellen to find out more about her work and plans moving forward.


Ellen Stewart PG 01.jpg
Ellen Stewart PG 02.jpg

Hi Ellen, your work really stood out to Photograd due to its unique subject matter and well presented scenarios. Before we begin to support your work over the next few months we would love to find out more about what your goals are. Can you start by telling us about your university and Free Range experience? Hello, I’ve just graduated from the Arts University Bournemouth. The university itself has supplied me with the most valuable mentorship throughout my three years and has great inter-disciplinary links with other subjects. Coming from a painting background the course has given me such an expansive view of photography and its relationship to wider culture. Free Range was a great experience to collectively fund and organise our course to participate. Participating as an exhibitor opened up so many options for my work to be seen by industry professionals not only through the exhibition itself but through their social media handles, it’s been a really exciting time. One of the most educational parts of Free Range was understanding how putting a large scale exhibition works; the packaging of work, transportation, curation, advertising etc. 

Although you aim to confuse and question associations with private space, I think we can all relate to a few images in your series especially. Where did your inspiration come from and how do you plan to move forward to further play with your viewer? I really like this idea of creating confusion within subjects and objects that are familiar. I feel the inspiration came from that prior to this series I was creating work away from the home trying to photograph subject matter that I didn’t understand in a way to understand. I started to think more about mediating on the concept of playing with imagery that I seemingly do understand and physically pushing it to an extent where it is no longer familiar to me but it was important to me not to include any ‘strange’ objects or people. The strangeness had to come from removing, placing or collaging as such, mundane everyday items and family members to try and explore the bizarre in the normal. Joanna Piotrowska has been a big inspiration on my work especially going to her exhibition at the Tate was really intriguing and has a lasting effect on me. Moving forward I’ve become more interested in how little I can change to make the photo strange and vice versa in how much I can change by still using familiar imagery. 

Ellen Stewart PG 06.jpg

What does the everyday and the epic mean to you? The statement comes from the publication that accompanied the South Bank Centre’s exhibition The Epic and the Everyday in 1994. The catalogue presents one of Andreas Gursky’s photograph View over Cairo comparing the epic scene of the vastness of the metropolis with clothing lines of the everyday realities of the people that live there. This juxtaposition of how we perceive the epic photo with the underlying markers of banality began to shape how I started to see the everyday and epic in photographic terms. From creating my own series my relationship with ‘The Everyday and the Epic’ started to change and it began to mean if we can see every day as epic and how far or little do you have to change the everyday to make it epic. It’s still a statement which interests me and I’m constantly changing what it means to me and how to explore it.

Ellen Stewart PG 07.jpg

In your submission you mentioned that you'd like to make new images to expand this series. Have you got any particular scenarios in mind that you're hoping to shoot? Yes, I feel very lucky in the place that I am with my series as I’m only just beginning to piece it together and have a lot more to experiment and work with. I’ve begun to start spending days in my childhood house noting down the general day to day workings of the mundane routine of the people and objects within it. I have some specific scenarios in mind in the experimental stages to start working more in the night and how this can have differing effects to the day scenarios presented. I’ve also begun thinking more about the tiniest change, that I began to mention earlier, that I can do to scenario compared with the largest which is also another initial stage I’m going to begin with. 

Ellen Stewart PG 03 (1).jpg
Ellen Stewart PG 08.jpg

You also mentioned that you'd like to study for an MA in the future, how and why have you come to this decision? Have you got a university in mind that you'd like to study at? My plan on studying an MA in the next few years came from some of the lectures we had from MA students at my University exploring how their work has changed and grown since studying at post-graduate level. Although reading Lucy Soutter’s article in Source magazine a few years ago comparing the advantages and disadvantages of studying an MA in Photography, ultimately concluding you don’t need an MA to become a successful Fine Art Photographer. I feel as an individual I’ve really loved the network of mentoring I’ve received as a BA student trying to define my practice. Comparing to having mentorship in a few years when I’ve come to terms and distinguished my practice more, really excites me to see how it can be pushed even further. I’ve gone to the RCA shows for many years and the level of photography is so inspiring as well as Westminster and Brighton.

All images from the series  In My Fence Wall

All images from the series In My Fence Wall

As Photograd works as a supporter, advice giver, feedback provider, and whatever else you might require over the next year or so, where do you see your work taking you? What is your ultimate outcome? My first idea is to create a photobook of the series which really excites me as I haven’t created a project which I thought was suitable for the book form yet. The photobook being a new aspect of my work has been the only way so far I can see some kind of resolution for In My Fence Wall. I suppose my ultimate outcome is to keep trying to visually work out and explore the relationship with the everyday and the epic to a stage where I can feel somewhat finished with the questions I’m exploring. 

BA Photography graduate Instagram Takeover - Eva Jonas

We recently called for work from both BA and MA photographers who are graduating from a UK university course this year. We’ve made selections and are in the process of conducting interviews and uploading new work to Photograd.

We selected University of Brighton BA (Hons) Photography 2019 graduate Eva Jonas to takeover the Photograd Instagram from 12th to 18th August. You can follow Eva on Instagram here too.


That Thing Over There that surrounds and sustains us

It is the human condition to attempt to render the inaccessible, accessible, creating far-flung spaces beyond their own local geography. This expression of the exotic is still seductive to both the photographer and the viewer, inundated as they already are with such images in modern culture. Beyond this lies a cultural and historical web of damage and displacement of the natural world, as a result of human exploration and expansion. Nature presented as an exhibit, an exhibition, dictates our experience of it. What do these spaces tell us about human aspiration, the obvious contradiction and the longing for connection to the natural world?

ThatThingOverThere1.jpg
ThatThingOverThere9.jpg
ThatThingOverThere4.jpg
Images from the series  That Thing Over There that surrounds and sustains us

Images from the series That Thing Over There that surrounds and sustains us

ThatThingOverThere6.jpg
ThatThingOverThere11.jpg

2019 photography graduate call for work - the results!

Big thank you to everybody who submitted to our most recent call out. We were overwhelmed with brilliant work which made the judging process a difficult one.

Nonetheless, here are the results.

The BA graduate we are rewarding with an extended Instagram Takeover is:
Eva Jonas

The 2 BA graduates we would like to interview are:
Katie Bywater
Charlotte Macaulay

The BA graduate we would like to support and represent for a year is:
Ellen Stewart

The MA graduate we are rewarding with an extended Instagram Takeover is:
Elena Helfrecht

The 10 Highly Commended MA graduates are:
Loreal Prystaj
Haven Tang
Samantha Johnston
Xinyi Liu
Vera Hadzhiyska
Chloe Evelyn
Ringo Chan
Daniel Lee
Zak Dimitrov
Isabella Campbell

Image from the series  that Thing over there  by Charlotte Macaulay

Image from the series that Thing over there by Charlotte Macaulay

Image from the series  In My Fence Wall  by Ellen Stewart

Image from the series In My Fence Wall by Ellen Stewart

Image from the series  Mise-en-scène  by Samantha Johnston

Image from the series Mise-en-scène by Samantha Johnston

Image from the series  Plexus  by Elena Helfrecht

Image from the series Plexus by Elena Helfrecht

Image from the series  Bright Eyes  by Chloe Evelyn

Image from the series Bright Eyes by Chloe Evelyn

Keep an eye out on Photograd and our social media channels for interviews, more images, and takeovers over the Summer.

We're excited to get things started with those selected.

Featuring 2018 photography graduates

New Photograd content | Supporting 2018 photography graduates from UK based courses.

This summer Photograd are supporting a number of 2018 photography graduates from UK based courses through interviews, sharing of work, and promotion to a much wider audience. Selected from a recent call for work across social media were, in total, 12 new graduates who we are sharing the work of. We're appreciating some noticeable trends in photography over the last couple of years and new content on the Photograd platform brings you still life, responses to current affairs, exploration of family heritage, and industrial effects upon the landscape.


University of the West of England graduate Tom Roche presents his series Black Blood on the Photograd Spotlight in which he explores his own Romany Gypsy heritage through stories and speculation. We asked Tom about his university experience, his use of photography to find a sense of 'home', and his future plans, in particular how he will make Black Blood interestingly presented on the web.

The documentary collection of archival images, and both medium and large format prints, presented together provoke some interesting thoughts about family, heritage, and the future. 

Images from the series  Black Blood  by Tom Roche

Images from the series Black Blood by Tom Roche

3.jpg

 

We selected Norwich University of the Arts graduate Holly Farndell to takeover the Photograd Instagram at the end of July with her documentary work.

"Golden Promise was created from Autumn through to Spring as a documentation of light and the changing of seasons. With a short escape from grey old England to sun-washed Spain, it is an observation of my experience with seasonal affective disorder and coping with the light and darkness of life."

You can follow along to find out more about Holly and her work from Sunday 29th July - Saturday 4th August.

Images from the series  Golden Promise  by Holly Farndell

Images from the series Golden Promise by Holly Farndell

lemonbox.jpg

 

Falmouth University graduate Caterina Lombardi presents us with her series SATIS on the Photograd Spotlight. In here interview, Caterina presents her still life images and accompanying video. Caterina takes inspiration from traditional still life paintings and intends to educate the viewer on certain current affairs. Each of her images are uniquely titled in Latin to give everybody the opportunity to decipher subject matter.

ABORTUS IURA  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

ABORTUS IURA from the series SATIS by Falmouth University graduate Caterina Lombardi

OBSTETRICANTE VIOLENTIAM  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

OBSTETRICANTE VIOLENTIAM from the series SATIS by Falmouth University graduate Caterina Lombardi

 

Nine highly commended 2018 photography graduates from UK based courses were also selected from this call for work to be represented on the Photograd blog. These bodies of work stood out to us for many reasons and we took this opportunity to share them.

Miguel Proença ,  The Buzzer (ZhUOZ)

Miguel ProençaThe Buzzer (ZhUOZ)

Luke Hurlock ,  Tokamak Fusion

Luke HurlockTokamak Fusion

Chiara Avagliano ,  Val Paradiso

Chiara AvaglianoVal Paradiso

University of Westminster graduate Luke Hurlock presents Tokamak Fusion which documents the current state of advancements in the field of nuclear fusion research. The word Tokamak comes from the Russian Toroidalnaya Kamera I Magnitnaya Katushka (Toroidal Chamber and Magnetic Coil) an is in reference to the fusion devices used by the leading fusion experiments. The images in this project aim to both intrigue and inform the viewer on the progress of a future technology that promises to solve one of humanity’s biggest problems, clean renewable energy production.

 

London College of Communication graduate Chiara Avagliano explores the places she grew up in Val Paradiso. "

The mountain scenery blends with the hills of the countryside colliding in a space inhabited by childhood memories, magical encounters, teenage adventures, mystical experiences, idealised love and a magical bond between girls that echoes ancient rituals and witchcraft. 

The fictional documentary work is a coming of age tale, retold from different points of view. 

Personal experiences are narrated and transformed, almost becoming legends whispered softly, from mouth to mouth, from me to my half-sister and her girlfriends."

We're calling for work with Loupe Magazine!

 
New3.jpg

Loupe Magazine and Photograd come together to celebrate outstanding photographic talent. We're seeking a series of work from one photography graduate to reward with a feature in Loupe Magazine issue 7 (due for release Summer 2018), 2 tickets to Photo London and years subscription to their Academy, and a feature on the Photograd Spotlight. Three runners-up will be showcased on the Photograd blog.

The theme is open and the submission process is free. Entries close midnight Saturday 31st March 2018.

To enter, email your chosen series of work saved as JPG's alongside a series statement to loupexphotograd@gmail.com using 'Photograd X Loupe' as the subject.

Good luck!

 

Image from the series Audiotypes by University of Cumbria 2015 graduate Liam Collins.

Rebecca Vassie Memorial Award Submission Call

An exciting new award has recently been announced in aid of supporting emerging photographers. The Rebecca Vassie Memorial Award is an opportunity that we think will be great for many of you Photograds out there, so read on to find out more! We'll be featuring the winner of the award on the site and we can't wait to see the work! Good luck everyone...

The award is a bursary of £1,200, plus printing, exhibition and mentorship, for an emerging photographer in the UK to complete a narrative photography project.

Judges for the award include Karen McQuaid, curator at The Photographers’ Gallery, Matthew Tucker, UK Picture Editor at BuzzFeed, and Bette Lynch, Director of Photography, news, Europe, Middle East and Africa at Getty Images.

Premier printing services are being donated by Metro Imaging, who will also grant the winner a portfolio review with creative director Prof. Steve Macleod.

Normal 
 0 
 
 
 
 
 false 
 false 
 false 
 
 EN-US 
 JA 
 X-NONE 
 
  
  
  
  
  
  
  
  
  
  
 
 
  
  
  
  
  
  
  
  
  
  
  
  
    
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
   
 
 /* Style Definitions */
table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin:0cm;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:12.0pt;
	font-family:Cambria;
	mso-ascii-font-family:Cambria;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Cambria;
	mso-hansi-theme-font:minor-latin;
	mso-ansi-language:EN-US;}
 
     National Gas Turbine Establishment (Pyestock) which closed in 2000, by Rebecca Vassie

National Gas Turbine Establishment (Pyestock) which closed in 2000, by Rebecca Vassie

The award is created in memory of Rebecca Vassie, a British photographer and photojournalist who died suddenly last year (March 2015), aged 30, while on assignment in a refugee camp in Uganda.

Applicants for the award, who must be either from or based in the UK, are asked to submit a proposal setting out a compelling vision for a photography project with a strong social or political context. The deadline for submissions is Friday, 7 October 2016 at 1700 BST.

The winner will receive a grant of £1,200, plus access to premier printing services at Metro Imaging, including consultation with a master printer, to create of selection of framed images for exhibition in London in March 2017, as well as portfolio prints. 

For more information on Rebecca's career, the award, and how you can apply, please visit here: rebeccavassietrust.org

Normal 
 0 
 
 
 
 
 false 
 false 
 false 
 
 EN-US 
 JA 
 X-NONE 
 
  
  
  
  
  
  
  
  
  
  
 
 
  
  
  
  
  
  
  
  
  
  
  
  
    
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
   
 
 /* Style Definitions */
table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin:0cm;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:12.0pt;
	font-family:Cambria;
	mso-ascii-font-family:Cambria;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Cambria;
	mso-hansi-theme-font:minor-latin;
	mso-ansi-language:EN-US;}
 
     LGBT Pride 2014 Entebbe, UGANDA, by Rebecca Vassie

LGBT Pride 2014 Entebbe, UGANDA, by Rebecca Vassie

Normal 
 0 
 
 
 
 
 false 
 false 
 false 
 
 EN-US 
 JA 
 X-NONE 
 
  
  
  
  
  
  
  
  
  
  
 
 
  
  
  
  
  
  
  
  
  
  
  
  
    
  
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
  
   
 
 /* Style Definitions */
table.MsoNormalTable
	{mso-style-name:"Table Normal";
	mso-tstyle-rowband-size:0;
	mso-tstyle-colband-size:0;
	mso-style-noshow:yes;
	mso-style-priority:99;
	mso-style-parent:"";
	mso-padding-alt:0cm 5.4pt 0cm 5.4pt;
	mso-para-margin:0cm;
	mso-para-margin-bottom:.0001pt;
	mso-pagination:widow-orphan;
	font-size:12.0pt;
	font-family:Cambria;
	mso-ascii-font-family:Cambria;
	mso-ascii-theme-font:minor-latin;
	mso-hansi-font-family:Cambria;
	mso-hansi-theme-font:minor-latin;
	mso-ansi-language:EN-US;}
 
     Refugees from South Sudan for UNICEF   by Rebecca Vassie

Refugees from South Sudan for UNICEF by Rebecca Vassie

Festival Report Call Out! Unveil’d Photo Festival. 20th - 23rd October, Exeter.

 
 

Unveil’d is a not-for-profit organisation, celebrating contemporary photography through intermittent events, bringing together photographers, collectives, publishers and professionals to create and commission exhibitions, book fairs, workshops and a physical space for discussion.

Each member of the team have a background or contemporary practice in photography, including arts management, curatorship, education and publishing and share in the organisation’s understanding that photography is a widely accessible medium. Utilising this to effect the aim of using diverse spaces to share photography with a wider audience, engaging communities and the public.

Unveil'd seeks collaboration and wishes to open opportunities, encouraging proposals from individuals, organisations and galleries.

This October, Unveil'd will host a multi-location photography festival throughout the city of Exeter featuring exhibitions, talks, workshops, film screenings, a photobook fair and music.

Together with Unveil'd, we're calling out for an enthusiastic, dedicated, and dependable UK based photography graduate to report on the festival in October. The team have very generously given us one free ticket to assign to the chosen reporter, giving them access to all events taking place within the festival. The Festival Report will need to consist of words documenting the visit and lots of images to coincide. An Instagram Takeover is also an option. The completed blog post will then be cross promoted by both ourselves and Unveil'd once live.

To put yourself forward, simply send an email to photogradsub@gmail.com with your name, the university you studied at and year you graduated, your website link and any relevant social media handles.

 

Don't forget to follow Unveil'd on Twitter and Instagram to keep up to date with the festival prep!

To find out more about how to be a part of Photograd, check out our Submit page. You might even like to check out the Unveil'd 2016 Photobook Award which is currently open for submissions. The winning prize is a solo-show, which will be designed and curated specifically around the photographer's needs, five titles will be shortlisted. We strongly urge you to submit your work; we'll be featuring the winner and runners-up on the Photograd platform later in the year, and we're really excited!