BA Photography graduate Instagram Takeover - Eva Jonas

We recently called for work from both BA and MA photographers who are graduating from a UK university course this year. We’ve made selections and are in the process of conducting interviews and uploading new work to Photograd.

We selected University of Brighton BA (Hons) Photography 2019 graduate Eva Jonas to takeover the Photograd Instagram from 12th to 18th August. You can follow Eva on Instagram here too.


That Thing Over There that surrounds and sustains us

It is the human condition to attempt to render the inaccessible, accessible, creating far-flung spaces beyond their own local geography. This expression of the exotic is still seductive to both the photographer and the viewer, inundated as they already are with such images in modern culture. Beyond this lies a cultural and historical web of damage and displacement of the natural world, as a result of human exploration and expansion. Nature presented as an exhibit, an exhibition, dictates our experience of it. What do these spaces tell us about human aspiration, the obvious contradiction and the longing for connection to the natural world?

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Images from the series  That Thing Over There that surrounds and sustains us

Images from the series That Thing Over There that surrounds and sustains us

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2019 photography graduate call for work - the results!

Big thank you to everybody who submitted to our most recent call out. We were overwhelmed with brilliant work which made the judging process a difficult one.

Nonetheless, here are the results.

The BA graduate we are rewarding with an extended Instagram Takeover is:
Eva Jonas

The 2 BA graduates we would like to interview are:
Katie Bywater
Charlotte Macaulay

The BA graduate we would like to support and represent for a year is:
Ellen Stewart

The MA graduate we are rewarding with an extended Instagram Takeover is:
Elena Helfrecht

The 10 Highly Commended MA graduates are:
Loreal Prystaj
Haven Tang
Samantha Johnston
Xinyi Liu
Vera Hadzhiyska
Chloe Evelyn
Ringo Chan
Daniel Lee
Zak Dimitrov
Isabella Campbell

Image from the series  that Thing over there  by Charlotte Macaulay

Image from the series that Thing over there by Charlotte Macaulay

Image from the series  In My Fence Wall  by Ellen Stewart

Image from the series In My Fence Wall by Ellen Stewart

Image from the series  Mise-en-scène  by Samantha Johnston

Image from the series Mise-en-scène by Samantha Johnston

Image from the series  Plexus  by Elena Helfrecht

Image from the series Plexus by Elena Helfrecht

Image from the series  Bright Eyes  by Chloe Evelyn

Image from the series Bright Eyes by Chloe Evelyn

Keep an eye out on Photograd and our social media channels for interviews, more images, and takeovers over the Summer.

We're excited to get things started with those selected.

Featuring 2018 photography graduates

New Photograd content | Supporting 2018 photography graduates from UK based courses.

This summer Photograd are supporting a number of 2018 photography graduates from UK based courses through interviews, sharing of work, and promotion to a much wider audience. Selected from a recent call for work across social media were, in total, 12 new graduates who we are sharing the work of. We're appreciating some noticeable trends in photography over the last couple of years and new content on the Photograd platform brings you still life, responses to current affairs, exploration of family heritage, and industrial effects upon the landscape.


University of the West of England graduate Tom Roche presents his series Black Blood on the Photograd Spotlight in which he explores his own Romany Gypsy heritage through stories and speculation. We asked Tom about his university experience, his use of photography to find a sense of 'home', and his future plans, in particular how he will make Black Blood interestingly presented on the web.

The documentary collection of archival images, and both medium and large format prints, presented together provoke some interesting thoughts about family, heritage, and the future. 

Images from the series  Black Blood  by Tom Roche

Images from the series Black Blood by Tom Roche

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We selected Norwich University of the Arts graduate Holly Farndell to takeover the Photograd Instagram at the end of July with her documentary work.

"Golden Promise was created from Autumn through to Spring as a documentation of light and the changing of seasons. With a short escape from grey old England to sun-washed Spain, it is an observation of my experience with seasonal affective disorder and coping with the light and darkness of life."

You can follow along to find out more about Holly and her work from Sunday 29th July - Saturday 4th August.

Images from the series  Golden Promise  by Holly Farndell

Images from the series Golden Promise by Holly Farndell

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Falmouth University graduate Caterina Lombardi presents us with her series SATIS on the Photograd Spotlight. In here interview, Caterina presents her still life images and accompanying video. Caterina takes inspiration from traditional still life paintings and intends to educate the viewer on certain current affairs. Each of her images are uniquely titled in Latin to give everybody the opportunity to decipher subject matter.

ABORTUS IURA  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

ABORTUS IURA from the series SATIS by Falmouth University graduate Caterina Lombardi

OBSTETRICANTE VIOLENTIAM  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

OBSTETRICANTE VIOLENTIAM from the series SATIS by Falmouth University graduate Caterina Lombardi

 

Nine highly commended 2018 photography graduates from UK based courses were also selected from this call for work to be represented on the Photograd blog. These bodies of work stood out to us for many reasons and we took this opportunity to share them.

Miguel Proença ,  The Buzzer (ZhUOZ)

Miguel ProençaThe Buzzer (ZhUOZ)

Luke Hurlock ,  Tokamak Fusion

Luke HurlockTokamak Fusion

Chiara Avagliano ,  Val Paradiso

Chiara AvaglianoVal Paradiso

University of Westminster graduate Luke Hurlock presents Tokamak Fusion which documents the current state of advancements in the field of nuclear fusion research. The word Tokamak comes from the Russian Toroidalnaya Kamera I Magnitnaya Katushka (Toroidal Chamber and Magnetic Coil) an is in reference to the fusion devices used by the leading fusion experiments. The images in this project aim to both intrigue and inform the viewer on the progress of a future technology that promises to solve one of humanity’s biggest problems, clean renewable energy production.

 

London College of Communication graduate Chiara Avagliano explores the places she grew up in Val Paradiso. "

The mountain scenery blends with the hills of the countryside colliding in a space inhabited by childhood memories, magical encounters, teenage adventures, mystical experiences, idealised love and a magical bond between girls that echoes ancient rituals and witchcraft. 

The fictional documentary work is a coming of age tale, retold from different points of view. 

Personal experiences are narrated and transformed, almost becoming legends whispered softly, from mouth to mouth, from me to my half-sister and her girlfriends."

Instagram Takeover winning graduate - Holly Farndell

We recently created a call for work specifically for those students graduating this year with the aim of rewarding a number of them with opportunities to be represented by Photograd. You can see our interview with University of the West of England graduate Tom Roche here, and our 9 highly commended graduates here. We're continuing to support 2018 graduates with a brand new edition of PGZ which is coming soon!

Here we present you a few images from Norwich University of the Arts graduate Holly Farndell who we selected from the submissions we received to takeover our Instagram. You can follow along to find out more about Holly and her work from Sunday 29th July - Saturday 4th August.


Golden Promise was created from Autumn through to Spring as a documentation of light and the changing of seasons. With a short escape from grey old England to sun-washed Spain, it is an observation of my experience with seasonal affective disorder and coping with the light and darkness of life.

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All images from the series  Golden Promise

All images from the series Golden Promise

Supporting 2018 photography graduates - call out results

We're continuously seeking brand new talent here at Photograd and so of course the Summer months are our favourite time of year - it's degree show season!


We recently created a call for work specifically for those students graduating this year with the aim of rewarding a number of them with opportunities to be represented by Photograd.

The work we received was brilliant and the judging process was a tough one, but finally, the results are in..

The two 2018 photography graduates we are rewarding with a Spotlight feature are

  • Tom Roche and the series Black Blood - University of the West of England
  • Caterina Lombardi and the series SATIS - Falmouth University

The selected 2018 photography graduate we are rewarding with an Instagram Takeover is

  • Holly Farndell with the series Golden Promise - Norwich University of the Arts

The highly commended 2018 photography graduates who will appear on the Photograd blog are

  • Laura Dow with the series Flock - The University of Edinburgh (Edinburgh College of Art) 
  • Luke Hurlock with the series Tokamak Fusion - University of Westminster
  • Chiara Avagliano with the series Val Paradiso - London College of Communication
  • Jae Storer with the series Riders of The City - University of Suffolk
  • Hannah Morgan with the series Precious Fragments - Brighton University
  • Stefania Kossakowska with the series Her Name Is Polonia - University of South Wales
  • Emma Stevenson with the series Altered Lands - University of Westminster
  • Paige Middleton with the series Coastal Contamination - Coventry University
  • Miguel Proença with the series The Buzzer (ZhUOZ) - University of South Wales
 
Image from the series  Black Blood  by University of the West of England graduate    Tom Roche

Image from the series Black Blood by University of the West of England graduate Tom Roche

 
 
PUER NUPTAE  from the series  SATIS  by Falmouth University graduate  Caterina Lombardi

PUER NUPTAE from the series SATIS by Falmouth University graduate Caterina Lombardi

 

Dates for the release of interviews and blog posts are as follows

  • Spotlight interview with Tom Roche - Friday 29th June
  • Highly commended blog posts - Friday 6th July
  • Spotlight interview with Caterina Lombardi - Friday 27th July
  • Instagram Takeover by Holly Farndell - Sunday 29th July - Saturday 4th August

Calling 2018 Photography Graduates

We want your work!

We’re looking to reward 2 photography graduates with an interview on the Photograd Spotlight and 1 graduate with an extended Instagram Takeover.

To submit, email a series of work, description, university, and website to photograd2018@gmail.com.
Submission deadline: 13th June. Open to 2018 photography graduates from UK courses only.

Image from the series  Utö  by Swansea College of Art - UWTSD 2018 graduate  Jasmine Färling

Image from the series Utö by Swansea College of Art - UWTSD 2018 graduate Jasmine Färling

Photograd Instagram Takeovers

We'd like to introduce you to our brand new interactive Instagram Takeover calendar!


Photography graduates and students are eligible to takeover the Photograd Instagram account. Please contact us first to discuss your takeover before scheduling yourself in.

The next available spot doesn't always need to be taken, so be sure to consider when you'd like to promote your work. We can't always successfully re-schedule so think carefully.

We prefer takeovers to run from Monday - Thursday. Once we've confirmed you're good to go, you just need to click on the Monday you'd like to start and add your name in then send us an image we can promote your takeover with. Guidelines and log-in details will be supplied a few days before you're due to join us.

The calendar also shows a few other exciting things like upcoming Spotlight's and Features.

Please email us with any questions or queries in regards to taking over our account.

An interview with SEMI ZINE

We recently interviewed the founder and editor of SEMI ZINE to give an insight into what they're all about and how you can get involved. Scroll down to find out more!

"We're advocators of great artwork and dedicated artists."

 
 

Who are you? What and where did you study? I’m Pagy Wicks, I’m the founder and editor of SEMI ZINE. I studied Photographic Arts at the University of Westminster in London. Doing my degree was one of the best decisions I’ve made. I really learnt how to think academically about photographic art and UoW was a great facilitator of critical thinking.

What is SEMI ZINE? Who's behind this creation? SEMI ZINE is a non-profit online and soon to be POD (print-on-demand) magazine dedicated to the arts on a global scale. It’s a new platform for artists to publish work and gain a bit of interest in their current projects. Initially I started up the magazine in my bedroom late one eve, it’s now grown to a small collection of art enthusiasts and graduates in different fields who wanted to contribute and work with me on the idea. 

Image by  Nina Musholt

Image by Nina Musholt

How do you go about selecting artists to feature on the platform? We aim to feature anyone who submits work. Our selection process is very fluid and really depends on how much effort has been put into the body of work and if we can gauge that from the first submission. We also like the collaboration aspect of selecting artists to be featured with us. We do have a particular subjective ‘look’ in mind for the magazine based on our own interests. If the submission doesn’t necessarily suit our look we’ll have an in-depth look at the artists’ online portfolio and try to work out whether they have a body of work we’re eager to share with our followers which so far, luckily, everyone has had. 

Tell us about your ideas to create a print on demand zine. This was basically born out of the idea of running a cost effective, non-profit art magazine. It means we can cater to an audience no matter how small or large. There are setbacks to running a POD magazine - there may be a longer wait for your copy since we print on order. With the resurgence and resurrection of the magazine we’re not short for platforms that support a POD model. If you’re a nerd about all things print, like I am, then now is a great time to be alive and working.

Image by  Ewan Waddell

Image by Ewan Waddell

How can creatives get involved with what you do? SUBMIT SUBMIT SUBMIT. We have a really simple submission system in place. Our website (semizine.co.uk) is pretty straightforward and user friendly. Artists can submit work via our submit tab online. I also welcome emails (info@semizine.com) from artists who might have any mixed media ideas they’re looking to share with us. Occasionally I’m also trawling media to reach out to different artists around the world. Once we’ve made a connection we always stay in contact for future work or shows from the artists we feature. Our only regret in regard to submissions is that we cannot feature everyone simultaneously and our artists do suffer a hefty wait in our feature queue, so far though everyone has been very supportive and understanding about the waiting period. We’re super grateful for our lovely artists. 

As SEMI ZINE is not for profit, what's in it for you? The magazine is another platform for artists to be able to get their work published. I’m a photographic artist myself and I know the struggle to get word out that you’re dedicated as an artist is real. The whole concept was born out of that. We’re non discriminative in all regards and we value your work as much as you do. I really actually enjoy art in most of its forms and I’m a huge nerd about great art - if we get to feature someone talented who maybe hasn’t been discovered yet or has something completely valid to say then that’s our gain. 

Image by  Mauricio Alejo

How does a SEMI ZINE interview work? How do you decide what questions to ask? We have a set of questions which aim to offer a more inside look into the artist and their own work. This set is always accompanied by a few questions as a response from me or the team about the work itself specifically. Since we’re all academics and graduates we do tend to ask very academic style questions which might relate to different well known theories in art. The idea is to create a cool discursive between the magazine and the artist. I always ask the artist to have fun while answering and don’t really limit them to what they can and can’t say or to any word count. It’s there to offer an inside perspective on the creative process to the reader for that feature. We try to create really interesting and immersive content for our readers too so this would affect how we pick our questions. 

Tell us about some of the artists you've decided to include with this interview. We’ve decided to show you a mix of currently featured and yet to be featured artists. Our current list of artists to be featured is so large at the moment that it wouldn’t be right not to consider their images for this interview. We tried to show a great variety in artwork we publish as well. In order of images we decided to show Nina Musholt - her work “[...] is driven by surrealism and daily myths and riddles.”, Krasimira Butseva - In her practice she explores “[...] history, politics and collective memory; working with state and personal archives, found photography and objects, and contemporary landscape photography.”, Mauricio Alejo creates intricate temporary sculptures in his home and documents the installations on 4x5 film and Ewan Waddell whose “[...] main motivations at the moment are creating visuals within fashion and documentary genres – and also producing publications.”. 

What's your biggest achievement to date? I know it might sound like a super diplomatic answer but honestly we feel like every single artist we’ve been able to feature and work with has been our biggest achievement to date. SEMI ZINE started out of my bedroom late at night and has bloomed into this already insanely cool archive and showcase. We’ll always see us reaching out as our biggest achievement and we’ll forever be grateful for our collective of artists too. It doesn’t stop at a submission - we like to get involved so we’re anticipating many more achievements to come.

Huw Alden Davies. 'Scaffold to the Moon' - A Photobook

We couldn't help but jump on board when Newport, University of Wales MA graduate Huw Alden Davies announced a Kickstarter campaign for his brand new book, Scaffold to the Moon.

Huw has been kind enough to keep us updated with the progress of his campaign and we really wanted to bring you more of an insight on launch day. Head across to Photograd social media channels today to see more of Huw's work, and be sure to stick around for when the Documentary Photographer takes over our Instagram from 2nd - 6th October. We're very excited to be supporting Huw on his next adventure. 


Tell us about your work. What's this series about? To begin with Prince was simply a project between projects, to keep me photographing while occupied with the development of my teaching practice. Little did I know that it would soon became my most defining project thus far, leading me on a path to self discovery. This is an age-old story of boy to man; father and son; fools and heros; told, I like to think from a relative but fresh perspective. With the focus of much of my practice centered on Tumble (my home village), it is only natural that my attention would shift to one of its biggest characters, and that character just so happens to be my dad.

From the series   Prince

From the series Prince

How has this work evolved to be at the stage you are now? Rewind two years, 2015, with Prince (my first publication) in the final stages of production, I was asked by Ffotogallery if I would contribute to an online IG artist residency as part of the Diffusion Festival, and bang that was it. Locked in a transatlantic to-and-fro with Detroit Photographer, Patricia Lay Dorsey, something new happened. A voice that had been exercised, I assume during my writings for Prince begun to take a hold, and with the encouragement I received from both Dorsey and my peers, this was soon a voice that would not quiet.

Now, nearly 40,000 words later, almost ten thousand views on Prince Street (blog), numerous international festivals and exhibitions, and a prize winner in this years ESPY Photo Award Book Prize, it is only fitting that my most obsessive and all consuming body of work be concluded in a complete collection, entitled Scaffold to the Moon, which will contain an assembly of illustrations, photographs and writings that celebrate the man that should have once been my role model. 

From the series   Prince

From the series Prince

What encouraged you to turn to crowdfunding for support? For me at this stage in my photographic career, this seems like the most obvious direction. Throughout the years I have had a massive amount of support from the Arts Council of Wales, and I have always tried to fund as much as I can myself, but with a project of this size and nature neither is an option. Self Publishing can be a very expensive game, in an unpredictable market with no guaranteed success.

Therefore, although it’s not everyone’s first choice, Crowd-funding for me provides a certain level of security based on pre-sales. Here I will have the opportunity to sell a percentage of my book before it is even made, which will provide the funds to make it, it just makes more sense. On the flip side, it might not reach the finish line. That’s said, if does not get funded it does not get made. Everyone walks away with no debt, with a slight exception of your pride and reputation, of course.  

However, I am confident in my work. Besides the hundreds of hours that have gone into the production, I have invested a significant amount of time and effort in promoting and exhibiting the work, which has gained a lot of support, publicity and interest. I am positive that I have a solid plan, I know what I am going to do, and I know how much it’s going to cost to do it. I have a good understanding of my market, and I believe I have something that people will be interested in, although, as with anything there are no absolutes, at least beyond my dedication. I am however, working with the right team of people to make this happen. With that said, once I have launched the Kickstarter, it’s all beyond our control and all I can do is hope that people want what I have to offer.

Tell us about some of your Kickstarter rewards and what supporters can expect from donating. During the last few months I have conducted a large degree of research, speaking to some of the industries most experienced practitioners to ensure that I have covered every angle and that each backer feels part of the project, and although Scaffold to the Moon will be the main focus there will be a variety of rewards available to suit a range of interests. These will include early bird rewards, double book rewards, book and print packages, and a collector edition. I also appreciate, that some might want to support the project without any financial impact; all support is vital to the success of the campaign, so I have tailored smaller and more affordable rewards for those who want to help me make this publication happen. These will include signed copies of Prince my first publication, or video rewards and regular exclusive material straight to their inbox.  

From the series   Prince

From the series Prince

Who inspires you the most? Many have inspired my direction and many continue to do so, too many to list here. However, if we were to discuss bookmakers, my immediate response would be Clare Richardson, she was the first who inspired my intention towards bookmaking and the narratives offered by this medium. Although, looking at some of the leading modern examples of self-publishing, I am very much smitten by Jack Latham and Michal Iwanawski’s recent contributions to the world of Photobooks, there is a lot going on right now on this side of photography, and I am excited by the prospect bringing Prince’s world to this new wave.   

What's your ultimate goal for the future of your work? If I told you… I would have to make a book about it!

Although, I can say having crossed mediums more than once or twice in recent years, I feel the future is a multi-media one, but who knows. The one thing I do know is that it will be visual and it will involve a lot more of Tumble. But for now, it’s all about Prince and getting him to the page.

From the series   Prince

From the series Prince

Have you got any tips or advice? For what it's worth, if I was to give any advice I would probably say, If you want to do something to the best of your ability I have learned to ask those who have done it best. Open up to other views and criticism and talk to as many practitioners as possible; ask for their advice, for they have made all the mistakes that you are likely to make. They will know the pitfalls, they will also see the best and worst in you and your work, to which you will likely be blind.  

If you are going to do something, I was taught to do it to the best of your ability, so if it is close to your heart then take your time with it, keep working things until you are confident that you have got it right. Better to kick yourself trying, than kick yourself for not giving it your all.

An Extended Instagram Takeover: Chloe Alice Hayes in South America

Photograd featured photographer, Chloe Alice Hayes, is currently travelling South America and has committed to an extended Instagram takeover! Until she comes back to the UK in December, Chloe will be sharing her journey every weekend through the Photograd Instagram account. We're really excited to follow the final leg of her journey.

We recently caught up with Chloe when she told us all about her travels. We'll let her introduce herself...

 
Inca Trail Day 3, Cloud Forest    - Instagram image from Chloe's trip

Inca Trail Day 3, Cloud Forest - Instagram image from Chloe's trip

 

Hola chicos! Chloe Alice Hayes ready to feature my work from the far flung land of South America where I am currently travelling for the next few months. Photographer and artist, I studied an Art and Design Foundation and BA (Hons) Photography at the Arts University Bournemouth and loved every second of both. I have spent the last few years as Artist in Residence at The Purcell School where I taught art and photography, worked in the boarding house and made my own work such as documenting The Purcell School that researched into the history of the 5 locations that the school has been situated, Day, focuses on the movement of natural light within the buildings and The Lead studied actors the moment before they go on stage, inspired by watching the pupils before they began a concert or recital. 

Image from the series  Day , 2016

Image from the series Day, 2016

Conway Hall, The Purcell School , 2015

Conway Hall, The Purcell School, 2015

During these two years I managed to save up to travel South America, I have always wanted to do this but never had the time or the money, as so many of us don't. As this was a natural end to the job and I was able to save, I took it as the perfect opportunity to explore before getting bogged down into a permanent job, buying a house and all the other things that we are 'expected' to be doing quite soon although, now I am here, I feel I may have caught the bug and won't be settling down for a while!

 
Magdalena, Lima - Instagram image from Chloe's trip

Magdalena, Lima - Instagram image from Chloe's trip

 

During my adventure I am visiting Peru, Bolivia, Chile and Argentina travelling through desert, rainforest and cities along the way. So far I have seen many amazing wonders including a homestay on Lake Titicaca and the Floating Islands of Uros, the Inca Trail, Machu Picchu, the Amazon Rainforest, the Nasca Lines and The Cañon del Colca with loads of other incredible stuff thrown in as well. My next stop, Cusco AGAIN, it was any arty persons dream.

 
Grace Chilton, Verge, The Lead,  2016

Grace Chilton, Verge, The Lead, 2016

 

Unconstrained by the limits of genre and fascinated by the processes of film photography, the work is always informed from a need to learn. The research is an essential step and the diverse range of final pieces and titles are always drawn from theoretical notions. The exploration of unconventional techniques are applied to produce peculiar and unique images. The discovery of both the iPhone and Instagram have been a vital tool in creating and sharing my visual travel diary.'

Find out more about Chloe via her website and see more of her trip via her Instagram account.