Milda Books presents the photobook "Homeland. The Longest Village in the Country" by Georgs Avetisjans

Milda Books presents the photobook Homeland. The Longest Village in the Country by University of Brighton graduate Georgs Avetisjans at the Photo Publishers Market organised by Brighton Photo Fringe and Photoworks.

Phoenix Brighton, October 20th - 21st. 11am - 5pm.


“Landscapes – actual, remembered or idealized – feed our sense of belonging to whatever place, region or nation that we view as homeland.”

Liz Wells
Homeland. The Longest Village in the Country (2015-2018)
is a multi-layered photographic narrative in a form of a photobook with cross-references like hyperlinks to additionally inserted stories connected to the subjects and landscape. The book is about the village where my Armenian-Greek father once had a dream to build a house for our family, but unfortunately couldn’t finish it as he passed away when I was only 6 months young.

The project explores the sea, the land and memories, how the time affects and changes our sense of a place at the same time serving a nostalgic representation of the village in Latvia - Kaltene and its recent history from World War II until the collapse of the Soviet Union in 1991 via interviews, notes and archival imagery. As the Iron curtain fell, the local economy changed and upon joining the EU in 2004, it changed again. These historical shifts made a huge impact on the society and its dreams, many of which the younger generations have abandoned.

The place is located between the forest and the sea about 100 km northwest of the capital Riga. In the latter half of the 19th century and early 20th century it was the second most productive village in the country as 55 seagoing sailing ships were built there.

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Images from the series  The Longest Village in the Country  by Georgs Avetisjans

Images from the series The Longest Village in the Country by Georgs Avetisjans

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Photograd's Online Gallery

Officially launching on Friday 14th September 2018.

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  • Submissions via email only to photogradonlinegallery@gmail.com
  • Open to photography students and graduates from UK based university courses only. No exceptions.
  • A maximum of 10 JPG images at 96dpi and 12 inches on the longest side.
  • A series description of no more than 150 words should be supplied.
  • A website link and relevant social media handles should be included, alongside university and graduation year.
  • We ask that a small donation is made if images are selected for our online gallery to support the Photograd platform in moving forward.

For further terms and conditions to agree to before submitting please click here.

 

We are hopeful that in the future we will be able to invite guest curators to select work and for industry professionals to take a look at our online exhibitions. We may even run the occasional themed call out and some of the work might even make it to print for physical exhibitions, who knows. We are excited for what our new online gallery could turn into.

The second edition of PGZ - open to submissions!

Calling 2018 photography graduates. This one's open to you!


We're looking for 11 photography graduates from UK university courses to be part of the second edition of our zine, PGZ, which will launch Summer 2018.

To submit, email a series of work, 100 word description, university, and website to photograd2018@gmail.com only with the subject 'ZINE'.
Submission deadline: 11th July. Open to 2018 photography graduates from UK courses only.

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A big thank you goes to Spectrum for helping us to bring the second edition of PGZ to life.

Shouldn’t Throw Stones – The View of a Night Watchman

A Photography Exhibition by University of Sunderland graduate Kevin Casey.

From the series  Shouldn't Throw Stones

From the series Shouldn't Throw Stones

SHOULDN’T THROW STONES – The view of a Night Watchman, is the culmination of a two-year project undertaken by artist Kevin Casey. Part documentary photography, part archival re-presentation and part making ends meet, as Casey’s ‘night job’ as an on-site security guard at the former Pilkington Glass Headquarters became his ‘day job’ as an artist, the work presented tells the story of an uncertain future, tense present and captivating past. 

The collection, including C-Type prints, archive film, projections and uncovered artefacts also testifies to the situation that Casey found himself in - part voyeur and part guardian - whilst drawing the viewers’ attention to the vicissitudes of contemporary capitalism and its contested relationship to our recent industrial and manufacturing past. 

Further to the works on display at Alexandra Park, visitors to the exhibition will have the opportunity to visit selected spaces within the former Pilkington Glass complex, designed by the mid-20th Century Architect, Edwin Maxwell Fry, of Fry and Drew. A short tour will include a visit to the modernist Tower whose Armourclad panels have dominated the skyline of St. Helen’s since the complexes construction in the late 1950s. Avinash Chandra’s back-lit, abstract relief panel of stained, fused glass and Jon Humphrey Spender’s artwork can also be viewed, as well as the panelled lift lobby, former canteen and elements of the landscaped grounds, including the north lake and concrete bridge. 

As much of the site is not normally publicly accessible, the exhibition and short tour provides a rare opportunity to view a Modernist landmark and exhibited materials that possess a deep local and global significance. 

Watch the promotional video here

Images from the series  Shouldn't Throw Stones

Images from the series Shouldn't Throw Stones

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Exhibition Dates: Friday 4 May – Thursday 7 June 

Site Tours are available every Saturday and Sunday for the duration of the exhibition. Additional tours are available on the opening day of the exhibition. 

Free tickets available through Eventbrite

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A book of the project will also be launched on Thursday 3rd May and will be available to purchase at the exhibition and online.

www.shouldntthrowstones.co.uk
#shouldntthrowstones
#theviewofanightwatchman