Loupe Magazine issue 9


Juan Brenner's 'Tonatiuh' is our Issue 9 cover feature. The project explores how 300 years of colonial rule shaped Guatemala’s present situation.

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Loupe regular, Rosie Wadey, shows us around Hollie Fernando’s portfolio, summing up her simple and evidently effective creative approach: create sincere work.

Tee Chandler takes an unusual approach to her family archive, revealing the hushed moments of intimacy between her uncle and his male lover; a heartfelt story elegantly summed up by Sarah Goad.

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Mike Murphy takes a cliched technique, points it at a hackneyed subject, and produces something altogether new and brilliant; his obscure panoramic images are a welcome new vision of Los Angeles.

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Regular Features Include:

Portrait Page, Centre Fold, Turning Point, Book Review

Featured Photographers:

Juan Brenner 
Rory Carnegie 
Tee Chandler 
Alex Colley 
Hollie Fernando 
Karen Harvey 
Ian Howorth 
Mike Murphy 
Muir Vidler

Writers:

Luke Archer 
Mischa Frankl-Duval 
Harry Flook 
Sarah Goad 
Gemma Padley 
Rosie Wadey

Spec:

64 pages 
275 X 200 mm portrait 
80 gsm uncoated paper

Click here to buy issue 9.

Loupe and The Brick Lane Gallery: Another Graduate Show call for work

 
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Calling All Emerging Photographers

Enter your work to our free open call.

Have your work seen by our expert panel of industry judges.

Be in with a chance of winning a free exhibition on Brick Lane, coinciding with other major London student shows.

We’ll provide an opening night with industry guests.

Get the chance to sell your work through our exhibition print shop.

 
Image by Chloe Massey

Image by Chloe Massey

 

About

At Loupe and The Brick Lane Gallery, we’re proud to promote emerging artists. This year we’ve joined forces to create ‘Another Graduate Show’ giving students and recent graduates the chance to have their work exhibited in a group exhibition at the Brick Lane Gallery in London, free of charge.

We realise the importance of giving new photographers a platform, and yet we’re also aware of the financial burden and stress of self-funded grad shows. Our answer is to offer up to 10 outstanding photographers the chance to exhibit their work in Loupe’s own Graduate Show, with no costs whatsoever. This includes no fee for submissions, and thanks to our friends at the creativehub, no printing costs either.

To make our open call as inclusive as possible, we also invite anyone studying for qualifications prior to University, those from nonphotographic courses, and those who have studied within the last two years.

To provide exposure for as many photographers as possible, we will be selecting a short list from the submissions. These shortlisted photographers will have the opportunity to sell their work through the Another Graduate Show online print shop, provided by the creativehub.

Just like our in-print magazine, we welcome submissions from photographers working in any genre and format of photography. You will have your work seen by our handpicked panel of industry judges who will select our shortlist and final exhibiting photographers.

 
Image by Jack Minto

Image by Jack Minto

 

Judges

Luke Archer - Editor and Founder of Loupe Magazine

Rosie Wadey - Photographic Agent at East Photographic

Zach Chudley - Marketing Manager at theprintspace

Keiza Levitas - Content Editor at Magnum Photos

Tony Taglianetti - Founder and Owner of The Brick Lane Gallery

Tom Page - Co-founder of Open Doors


Download a submission guide here.

DEADLINE: Midnight Sunday 19th May

Loupe Magazine issue 8


This issue, though having no intended theme, contains a particularly poignant selection of projects spanning varying genres. Much of the work is sincere by nature, and the subjects thoughtful; exploring religion and worship in the technological age, unearthing buried and forgotten transgressions, and contemplating impermanence. It’s heady stuff. As ever, we are proud to provide a free platform that shares such varied and exciting work from promising new photographers.

Mary Perez makes this issues lead feature with Full Gospel, documenting the megachurches of South Korea. Her photograph of Yoido Full Gospel Church is our first non-portrait to feature as cover, and it’s a striking image to break tradition with. Tom Roche interviews Perez about the importance of her background in religion for the project, her stylistic approach, and her plans to further explore the subject.

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Bertie Oakes, who oversees our new online series Photographic Duos, summarises Martin Errichiello & Filippo Menichetti’s shared body of work. In Quarta Persona is a complex historical investigation of the region surrounding the A3 highway in Italy, uncovering a troubled geopolitical past using varied mediums.

We feature 4 images from iBacteria by Anders Gramer. His series of portraits peering through the growth of their own skin flora is a nice idea neatly executed, and well expanded upon by writer Iris Veysey.

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We also share a selection of images from Julien Martinez Leclerc’s broad and yet refined portfolio, thoughtfully discussed by Rosey Wadey.

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I spoke to Holly Hay, photographic director at Wallpaper* magazine about her role, and asked what advice she has for photographers trying to get noticed.

Also featured is the Turning Point in Briony Campbell’s career, Gemma Padley’s review of Do Not Feed The Alligators by David Shama, Adrien Blondel’s Centrefold submission, and Maren Klemp’s sombre image on the Portrait Page.

You can pick up a free copy from one of over 60 stockists across the country. Single copies, back issues and annual subscriptions are also available to purchase from our online store.

We hope you enjoy the issue.

Written by Harry Flook.

Introducing Loupe Magazine

Loupe, a free magazine featuring a diverse selection of contemporary photography. Issue 7 in stockists now - find out more here.

 
 

Who are you, what's your motto? I’m Luke Archer, editor / founder of Loupe magazine and a photographer in a very loose sense of the word!

I think you can’t go wrong with ‘treat others how you would expect to be treated’ as a motto, it certainly informs my approach to life and Loupe. Funnily enough I think the original quote comes from the book of Luke!

Have you studied photography? What are your thoughts? I studied my BA at UWE and I’m currently studying for my MA at AUB. Many of the Loupe team are recent grads. The magazine goes out to a lot of universities and we do try and feature student work so photography education is an area of interest for us!

There are certain constraints that academia puts on courses to make them a ‘degree’ that I don’t always think are essential for photography. Personally, I think the written elements of courses should be reduced and more emphasis should be put on making sure everyone is technically competent and developing career paths for students. However, photography is a tricky subject to teach, courses tend to be broad and with student dedication so varied it is hard to create a program that will be a perfect fit for each student.

For me studying the BA had a massive impact, the difference in the standard of my work from when I started my BA and finished was huge, I just wish I had spent less time on my dissertation and more time making contacts! That’s very much how I have tried to approach the MA.

I also do worry for current BA students that the fees are incredibly high. I think universities should be covering the cost of London degree shows and more competitions should be free or have low entry cost for students, that’s the feedback we get from our student readers.

What's your favourite style of photography? With Loupe we are trying to show the diversity of photography, how the medium can encompass such a breadth of approaches, so I hope my own taste is as varied I think it is!

That being said, I am a sucker for documentary work where a photographer is able to tell a story through portrait, landscape and detail shots. I’m also becoming very interested in how photographers are incorporating text and interviews into their work to tell a fuller story, currently I’ve been really inspired by the work of Lauren Greenfield and Mahtab Hussain.

Can you tell us what Loupe Magazine is? Loupe is a free photography magazine distributed across the UK. We are stocked at a lot of photography specific locations so I think all our readers are as passionate about photography as we are! As previously mentioned we try and feature a diverse selection of inspiring work.

We launched Issue 1 in May 2016 and have been publishing on a triannual basis ever since.

Who makes up the team behind the magazine? Currently we have designer and co-founder Alec Jackson, Leticia Batty who manages our distribution and Harry Flook who is editor of our web content.

We have a whole host of regular writers including Gemma Padley, Mischa Frankl-Duval, Grace Benton, Alex Ingram and Rosie Wadey, alongside some new recruits who are helping with our web content and will hopefully be writing in future issues. 

We also have Noah and Dan who are doing some research as part of work experience modules for their degrees.

Most of the guys are trying to balance the mag with their own photography / studies and paid work so I try not to overload everyone with tasks. Although you would have to ask them if that’s working out or not!

What were your initial aims and inspirations when putting ideas together for Loupe Magazine? Like others we aim to promote new talent but I hope we go the extra mile by sending each issue directly to a lot of people in the photography industry for example: picture editors, curators, ad agency art buyers among many others.

I think that some titles put a deliberate distance between themselves and their readers to somehow inflate their own importance and we don’t want that with Loupe. We are trying to be as open and as approachable as possible. We respond to submissions and give advice when asked (if we can!) and I know from my own experience trying to promote work how much that means to people.

What is Loupe Magazine's biggest achievement to date? Reaching Issue 7! Independent publishing isn’t easy so it is often the small achievements that make it worthwhile. It’s been great to be able to be the first to publish someone’s work in print and then for the project to be picked up by other outlets, or just hearing that our readers appreciate what we do in terms of our general ethos and curation.

It was nice to be shortlisted for the 2017 Stack Awards, the ceremony was great because it was fun to be in a room with so many people obsessed with print.

What do you look for in a photographer who would like to get involved with what you do? We want to feature and promote work that hasn’t had a lot of coverage already. Having said that I am aware that as a free magazine our readership is very broad so I do try and consider that a body of work that might be well known in some areas of the community might be new to others.

For me the best work has a strong and concise concept that has been well executed. If there is a strong degree of originality in both those areas, then that’s the work that grabs my attention.

Curating the magazine is tricky because we have limited pages and that means we have to pass on featuring some very strong work. I feel bad rejecting work because it is not about the quality, it's more about maintaining the diversity of each issue. For example, we have so many people submit amazing documentary work, shot with available light on medium format film but we simply can’t publish it all.

Give one tip to new photography graduates. Try not to let rejection get you down! Although it is something that I still struggle with! There are so many rejections or simply not hearing back from magazines, competitions, potential employers, funding opportunities etc. If you can move forward and keep shooting and keep reaching out to people as opposed to dwelling on it that’s great. There are so many factors beyond the quality of your work that impact on those decisions that we should learn to not take it personally and keep on trucking!

What does the future hold for Loupe Magazine? A new website is top of my list! I want to make sure all the new content we are producing is as easy to access and enjoy as possible.

There are lot of ideas floating about and some vey blue sky thinking! Thankfully with more people helping I hope we can do even more to get to know our readers. A launch event or exhibition for each issue is something we couldn’t do before but hopefully we can put one on for the next issue and everyone can have a beer on us!

Loupe Magazine issue 7

We’ve created a Fellowship with Loupe Magazine and will be bringing you news of brand new issues when they're released. Issue 7 has just landed and includes an interview with Matthew Genitempo who was selected as the winner of our recent collaborative call for work.

You can find a list of local stockists here but if you'd like to subscribe, Loupe are currently offering 20% off subscriptions made before 1st July!


Issue 7 of Loupe is out now! If you are quick copies available for free from our amazing stockists.

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Sticking with our theme of no theme, this issue contains our most diverse range of projects yet. It’s a real celebration of the varied styles in contemporary photography.

Matthew Genitempo won the Loupe x Photograd competition with his project Jasper, a poetic documentation of the Ozark Mountains of Arkansas, and the men who live there. We loved the work so much we decided to put it on the cover.

Image from the series  Jasper  by  Matthew Genitempo

Image from the series Jasper by Matthew Genitempo

Final year student Ema Johnston is featured with her fresh take on the much explored topic of drag, accompanied by Sarah Goad’s words.

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Our online editor Harry Flook talked to Jack Fleming about his new body of work, Punching, which focusses on amateur boxing in Bristol and Brighton.

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Also featured is Lewis Bush’s Shadows of the State alongside an interview with Museum of London curator Anna Sparham and our other regular features.

If you can’t make it to stockist single copies, back issues and annual subscriptions are also available to purchase from our online store.

We hope you enjoy the issue!