Introducing The Phooks

The Phooks

We're The Phooks — an open online library and marketplace for self- and indiepublished photobooks and zines. The project has one goal — to create a meeting point of publishing community interests by helping all the interested sides.

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How does The Phooks work? Everyone is welcomed to submit their photobooks for free. Accepted books are placed in the library for the lifetime. Publishers get access to the "Seller's Account" where they can manage their books, receive orders and payouts. Ordered books are shipped by publishers directly to clients.

What's on The Phooks side? We're working to make people aware of every published title. It includes social media content distribution, paid advertising, website SEO optimization, email marketing. Now we're starting to work on partnerships and PR projects.

Another huge part of our work is hidden behind the scenes and focused on customer experience to make sales happen. Design, user interface optimization, payment & transactions services, order execution process, customer support and many more.

What does The Phooks get? We charge only sales commissions when an order happens and we're committed to keeping fees low.

Here are the figures for now:

For products priced above $15:
5% from ordered products price + $3 fixed commission

For products priced below $15 like zines or small books:
5% from ordered products price + $1 fixed commission

What's on our plans? To keep growing fast and become more and bring more value. We're focused on helping artists and publishers become more visible around the globe and the next big step is to launch a periodical printed zine in the nearest future.

"The Book on Photobooks" which will represent artists and collectives — members of The Phooks library, their stories and, of course, books.

Help The Phooks to help the community. We work in a paradigm of doing things fast, focusing on the main things, avoiding complexity and unnecessary expenses. Your support and participation mean a lot for The Phooks, whether you're an artist, collector or both at the same time.

Don't forget to Submit Your Photobook and let your friends know about the opportunity.

Who Stands Behind? Max Zhiltsov, street and documentary photography enthusiast, self-publishing newbie, brand and marketing strategist.

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The world around us is ever-changing, and our lives are diving further into a digital state. On average, we are presented with thousands of digital images every day, most of which are trying to sell us something. Sometimes our bodies and minds are hungry for material forms of being, and interactions with the world around us. Objects like the book, which not only release our mind from this 'never-ending ad' but also feed our minds with stories, thoughts, opinions and beliefs.

"People still have a huge desire for the book, for the printed object that they can hold."- Olivia Arthur for Magnum Photos

The book as an object has been a crucial part of our learning and history since Roman times, however, a new type of content has been emerging since the creation of the camera. Photobooks are perceived as inferior in content and thought, but the opposite is to be said about them. Photography books can come in a wide variety of shapes and content, from visual poetry and storytelling, to even showcase beauty and mystery within a single image.

Although the digital world can have a negative side, we can all agree that it has made things easier in regards to self-publishing work, such as Zines and Photobooks. With worldwide printing and shipping services, accessible prices and easy to follow guidelines, producing and launching printed material is easier than ever before. However, some artists invest all their time and energy and don’t have the resources to reach an audience who is willing to support their projects by buying their books. And the ones that are being sold are sold directly to photographers like us.

“Photobooks are having a golden era but the concern is that we are making them for each other”- Fred Ritchin Article for Magnum Photos

The Phooks was created for publishers to present and sell their books to a worldwide audience. We source content from all continents, allowing us to showcase unique and exciting books, which are often overlooked. Any photographer who has self-published a piece of work is welcome to add their books into our library and advertise it for free.

Every title has equal representation within our platform and it receives the same attention when showcasing to agencies, collectors and other outlets around the photography industry.

For the past few months, we have been working closely with creators to create a library we can be proud of and can share with collectors and photography outlets. We currently have over 50 pieces of work and are working to double that number in the next couple of months. We are working closely with different photography magazines and websites to showcase and review some of the titles we house, as well as The Phooks writing weekly blogs and reviews for individual books.

Our future will bring incredible opportunities. We want The Phooks to be a community, where artists and viewers can join together, share experiences, knowledge and passion.

www.thephooks.com
store@thephooks.com
Facebook Page
Twitter Account
Instagram Account

A 2019 Photography Graduate Zine - Submissions Open

Due to the success of previous zines here at Photograd we are hoping to become an advocate for new graduates every year through the creation and production of an annual zine. Whether downloadable or in printed form, our aim is to become a well recognised and respected outlet for brand new talent, showcasing the very best of that years collection of new photographers.

We recognise the market is full and there is an overwhelming amount of competitions to submit to, platforms to show work, and people to reach out to, but Photograd is authentic, original, experimental, and recognised in the industry. Our connections want to see your work and we love the creative process prior to showcasing those we think and know are worthy of our exposure.

We don’t turn people away here at Photograd and aim to accommodate everybody where we possibly can. We want to see all work from BA and MA photography graduates who have completed a UK course in 2019.

This time around our yearly zine will be of downloadable form as we aim to discover our place in the industry for an annual collection of graduate work.


Here are the details

SELECTED GRADUATES

  • At least 15 graduates will be selected for this downloadable zine and will be invoiced for the cost of £5 to cover the time spent producing and promoting.

  • Those selected will receive a free download of the final zine and a discount code for a friend or family member for 50% off.

  • Those selected will be added to the Photograd mailing list and will be informed of future opportunities.

  • Those selected will be sent a copy of the Photograd logo for their website.

ELIGIBILITY AND TERMS & CONDITIONS

  • Open to 2019 photography graduates who studied in the UK only, either on a BA or MA course. Please email with any questions.

  • Entries will only be accepted via photograd2019@gmail.com by the deadline given. No late submissions will be accepted.

  • Make it clear in your submission email if you have specific images you’d like included in the zine if selected.

  • Copyright of all images submitted will be owned by the photographer.

  • Photograd retains the right to use selected images for the intended purpose of the website, and related social media accounts for promotion. Credit will always be given.

THINGS TO INCLUDE WHEN MAKING YOUR ENTRY

  • University and course.

  • A 200 word max series statement.

  • 5 - 10 images attached to the email at 10 inches on the longest side at 96dpi. Download links such as wetransfer will not be accepted. Links to websites will also not be accepted.

  • Website and social media handles.

Submissions are free as always but donations are greatly appreciated. Making a donation will not affect how work is seen, selected, or promoted by Photograd.

Deadline for submissions: Midnight Monday 7th October 2019.

Loupe 10 Open Call

Loupe, a free magazine featuring a diverse selection of contemporary photography.

Image by  Luke Archer

Image by Luke Archer

ABOUT

Issue 10 will be our first themed edition, and we’re kicking off with the weighty topic of national identity. In the glare of recent events, we want discussion around the topic, from all sides.

We’re looking for projects that explore citizens’ relationship to their country, both positive and negative. You might have photographed, white supremacists in America, a border dispute, Brexit in the UK, or your own feelings towards your home country.

Despite the hefty title we are looking for work on a macro and micro scale; you might have spent years documenting a whole country or only days with an individual. The work can be heartbreaking or humorous – so long as it’s an engaging and well executed body of work.

HOW TO SUBMIT

PHOTOGRAPHY 

We are looking for work from all genres of photography, be it fine art, documentary, fashion or commercial. There are no limits; as long as the work connects with our theme of national identity we want to see it. Send either a link to the project on your website or up to 10 web rez jpegs and a short project statement to submissions@loupemag.com.

Please note we cannot accept any form of file sharing link, so make sure your images are small enough to attach to a single email.

BOOK DUMMY SUBMISSION 

If you would like to submit, please send a PDF of your book dummy to submissions@loupemag.com. Please note if you are selected to be featured you will need to send a physical dummy to us. Copies will be returned, although if you live outside of the EU and the dummy is large / heavy we may ask you to make a contribution to the cost.

WRITERS

If you would like to pitch an article, story or write for Issue 10 please email submissions@loupemag.com.

The deadline for submissions is the 5th of August 2019

Homeland - an open call from Revolv

Publication & workshop by Revolv.

‘’Mud is sweeter in your homeland, than honey anywhere else.’’

We are seeking photography & writing from emerging artists and writers, responding to the theme Homeland to participate in a publication and a workshop. The meaning of home is in a state of flux - starting from the search for a better future to the displacement of individuals as a result of political and economic events.

Photography is a vital tool conserving and narrating the roots and routes which shape one’s journey. People become nomads, adapting to temporary residences and an unsettled lifestyle, wherever they happen to ‘dock’. While images can encapsulate seconds of the present, writing is capable of shining light on unspoken stories, repressed affairs and private accounts of the notion of home.

We would like to collect individual and intimate, global and collective experiences in relation to homeland, in order to present multiple ways of perceiving the idea of belonging.

Fifteen creatives will be selected to participate in a publication which will be supported by a one-day workshop taking place in New Cross, London. Homeland publication will also include the work of guest artist Dafna Talmor and Martin Seeds; the design and production will be in collaboration with Victoria Kieffer.

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Submission guidelines

In order to submit, you need to:

 1. Be an emerging lens-based artist working with digital, analogue and/or experimental photography OR an emerging writer who works with poetry, short stories or academic essays.

 2. Attend a daylong workshop on the 22nd of June in New Cross, London where ideas of the physicality and functionality of the publication will be developed further.

3. Although the open call is free of charge, selected artists and writers will be asked to contribute with £15 towards materials, production costs and the launch of the publication.

Photography

1. A series of up to 5 images

2. An artist statement up to 300 words

3. Short bio up to 150 words

Send everything in one pdf (up to 5mb) to info@revolv.org.uk by the 10th of June 2019.

Writing

1. Brief description of the writing up to 150 words

2. Writing up to up to 1500 words

3. Short bio up to 150 words

Send everything in one pdf (up to 5mb) to info@revolv.org.uk by the 10th of June 2019.



2019 photography graduates - an open call

Photograd are looking to reward and represent a number of 2019 photography graduates who have studied on BA and MA courses in the UK.


BA graduates

  • 2 graduates will be rewarded with an interview on Photograd which will be promoted across social media channels, newsletter, and to connections in the industry.

  • 1 graduate will be rewarded with an extended Instagram takeover from Monday 15th to Sunday 21st July 2019.

  • 1 graduate will be represented by Photograd for a year. This will include Photograd coverage of any new work, exhibitions, or book releases. Use of the Photograd blog and Instagram account where relevant, and introductions to connections within the industry. We will discuss with this graduate ways in which we can represent and support them.

MA graduates

  • 10 graduates will be selected as ‘highly commended’ and will have work presented on Photograd. This work will be promoted across social media channels, newsletter, and to connections in the industry.

  • 1 graduate will be rewarded with an extended Instagram takeover. This can be scheduled for a later date to suit the graduate.

All successful graduates will be added to the Photograd mailing list and will be sent an exclusive discount code for the online shop.


Eligibility and terms & conditions

  • Open to 2019 photography graduates who studied in the UK only, either on a BA or MA course. Please email with any questions.

  • Entries will only be accepted via photograd2019@gmail.com by the deadline given. No late submissions will be accepted.

  • Make it clear in your submission email if you do not want to be considered for any of the rewards listed above.

  • Copyright of all images submitted will be owned by the photographer.

  • Photograd retains the right to use selected images for the intended purpose of the website, and related social media accounts for promotion. Credit will always be given.

Things to include when making your entry

  • University and course.

  • A 200 word max series statement.

  • BA graduates: a short paragraph telling us why you would like to be represented by Photograd. (Your plans, goals, and things you’d like to achieve within the next year and in the future. Things you have set in place for the next year, and how you think Photograd could support you but not in a financial sense.)

  • 10 - 15 images attached to the email at 10 inches on the longest side at 96dpi. Download links such as wetransfer will not be accepted. Links to websites will also not be accepted.

  • Website and social media handles.


Submissions are free as always but donations are greatly appreciated. Making a donation will not affect how work is seen, selected, or promoted by Photograd.

Deadline for submissions: midnight, Monday 1st July 2019

NEXT EDITION OF PHOTO SCRATCH - APPLICATIONS NOW OPEN

Wednesday 12th June 2019, 6-9pm, RPS House, Bristol

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We welcome applications from working documentary photographers and photojournalists. The only criteria for showing work is that it is documentary in nature, and that you are a professional photographer, not currently in full time education, working in the pictures based industries. 

Applications should be made via this online form.

You will be asked to include in your application:

  • A brief description of your project (no more than 200 words)

  • What you hope to gain from doing Photo Scratch – are there particular issues or questions you are encountering to do with your project?

  • A selection of low res jpegs from the proposed project (no more than 5 pictures, no more than 800kb each in file size)

  • Any information you have about how you would want to display the work (prints, contact sheets, projection, etc.)

  • Two links to where your work has been published or shared other than your own website. This should not be the work you are applying with.


Application time line:

  • Deadline: 5pm Wednesday 22nd May 2019

  • Notification of participation - by Monday 27th May 2019

  • Photo Scratch event - Wednesday 12th June 2019 at The Royal Photographic Society, Bristol 


Please note:

  • Photo Scratch is for work-in-progress only.

  • Photo Scratch is predominantly focused on documentary photography and photojournalism, though projects that reach into the art side of things are also welcome if they are rooted in documentary. Challenging the form is always encouraged.

  • There is no fee to apply or participate, but you are responsible for your own costs associated with participating (transport, prints etc.)

  • Photo Scratch is specifically for photographers who are not currently studying.


Supported by The RPS Documentary Group

Positive Light Projects presents Dartmoor Summer School of Photography

Dartmoor Summer School of Photography is a week long experimental photography residential taking place on Dartmoor National Park in the summer of 2019. The Dartmoor Summer School of Photography offers the opportunity for a group of visual artists to join together to explore their relationship with photography with the guidance of a selection of renowned artists and photographers in the midst of one of Britains most beautiful national parks.

Days comprise of workshops, assignments, time to experiment, explore and make work. Evenings offer a variety of activities including talks, music recitals, games, time to make more work, night walks, bird watching, swimming, eating together, sitting round the fire and socialising.

The week ends with a group exhibition of the work made during the residential.

The ethos of the Dartmoor Summer School of Photography is to think outside the box, open up, expect the unexpected, step outside your comfort zone. Experiment. Play. Enjoy. 

 
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WORKSHOPS

The week will be split between led workshops with a specific focus and time to develop your own work in response and/or pursue other directions. Students will be able to select 3 out of a possible 5 day long artist led workshops to participate in during the week.

Sian Davey    Presence as an Inquiry   My workshops will be focused on our relationship to our practice. Use your work to explore the bigger inquiry of how did we get here and perhaps where do we want to go.

Sian Davey
Presence as an Inquiry

My workshops will be focused on our relationship to our practice. Use your work to explore the bigger inquiry of how did we get here and perhaps where do we want to go.

Susan Derges    Field Work   In this workshop we will be exploring an intimate and tactile approach to photographing the land and it’s connection to ourselves.

Susan Derges
Field Work

In this workshop we will be exploring an intimate and tactile approach to photographing the land and it’s connection to ourselves.

Jem Southam    Light Atmosphere   This workshop will focus on attention to the relationship between light and atmospheric conditions and the making of colour photographs.

Jem Southam
Light Atmosphere

This workshop will focus on attention to the relationship between light and atmospheric conditions and the making of colour photographs.

Brendan Barry    Constructed Observations   In this workshop we will be constructing a camera obscura, converting it into a giant camera, setting up a darkroom inside and working with it to capture what we can observe and/or construct in front of it using traditional analogue black and white processes.

Brendan Barry
Constructed Observations

In this workshop we will be constructing a camera obscura, converting it into a giant camera, setting up a darkroom inside and working with it to capture what we can observe and/or construct in front of it using traditional analogue black and white processes.

 
Jason Evans    Ant Pictures   Evans’ workshop encourages participants to experience Dartmoor from a different perspective. Relationships between still life and landscape are up for discussion.

Jason Evans
Ant Pictures

Evans’ workshop encourages participants to experience Dartmoor from a different perspective. Relationships between still life and landscape are up for discussion.


Location

The Summer School will be held at The Dartmoor Training Centre not far from Two Bridges, on the banks of the West Dart River in the heart of the Dartmoor National Park, Devon. The Centre lies in a tranquil, secluded valley with easy access to the open moor.

What to bring

Specialist materials needed for workshops will be included, however participants may need to bring some of their own equipment depending on which workshops they partake in. A guide of what you will need to bring will be sent out to successful applicants.

Food

All meals are included. A cooked breakfast, lunch and sit down evening meal, with snacks and drinks available throughout the day. The menu will be vegetarian and as much as possible sourced locally, an effort to reduce our environmental impact. You are welcome to bring extra food. We will endeavour to cater for any extra dietary needs.


Application deadline : extended to 14th April 2019

Applicants will be informed of the results of the selection process by the end of April.

Successful applicants must confirm their participation by payment of the fee within 7 working days of notification. 

Contact.
Twitter.
Instagram.

Introducing FORM

In this blog post we introduce you to FORM, a lens based collective who create and communicate on issues concerning altered identity. FORM are currently calling for work for an exhibition in Derby. FORM Fringe will coincide with FORMAT International Photography Festival 2019 which will consist of a series of exhibitions, events, and a photobook stall. Click here to find out how to submit. Deadline Sunday 24th February 10am and entry is free.


What is FORM? FORM is a collective of artists based across the UK who all work with photography. Our specialisms range from graphic design, creative writing, artist book making, event planning, product photography, socially engaged practice and teaching. Our core aim is to support the production of new projects by sharing skills, collaborating and creating a community of artists.

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Tell us about the members of FORM. Have you all studied photography? FORM is made up of Becky, Cath, Jo, June, Liz and Rachael. Becky and June both studied Photography at MA level, at London College of Communication and Westminster respectively. Jo also studied at LCC for her BA in Photography, and Rachael also studied BA Photography but at Manchester School of Art. Liz studied her BA in Brighton, which allowed her to produce image and text for her dissertation and Cath studied on a Creative Arts degree and now teaches Photography A Level.

Who or what motivates members to continue making new work? We all motivate each other, that’s one of the huge benefits of working as a collective. Photography can be very solitary, and even though we all produce work at different rates we all benefit from feedback from the rest of the group and having a deadline.

How did FORM come to the surface? We were established in response to Redeye, the Photography Network’s ‘Lightbox’ program; a creative development course where photographers are grouped into collectives and supported through talks, workshops and provided a mentor. FORM were matched with Nicola Shipley of Grain Photography Hub and since the program ended have continued to work together and with Nicola to make new work.

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What is the collectives biggest achievement to date? Our first exhibition together at Brighton Photo Fringe is the biggest project we’ve worked on to date. All of the members developed new projects responding to the title of ‘Form’ while organising the fundraising, curation and promotion of the exhibition. We were based in the Collectives Hub alongside some brilliant fellow collectives and projects and received some great feedback on the show.

Tell us about the conversations you produce for your website. What's your aim for them? The conversations started initially to informally introduce the members and give us all the opportunity to know each other better, but that format suits us perfectly because it represents how we want to work as a collective.

How can photographers get involved in what you do? If you like what we do please follow us on Instagram! FORM is currently looking to work with other photographers as part of the fringe at FORMAT International Photography Festival, details of this can be found on www.formcollective.co.uk.

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Give one tip to new photography graduates. Work with other creatives! Find people who you can work with to motivate each other, get honest feedback and collaborate with. Even if they aren’t a photographer, having someone to push you to keep making work and applying for opportunities is invaluable.

What does 2019 have in store for FORM? We have recently received Arts Council funding to produce work and exhibit in a fringe alongside the FORMAT International Photography Festival. We are all continuing to develop new work for more FORM exhibitions and events, and we want to meet and work with new people. We are also very excited about the launch of Landform, a platform for female landscape photographers run by Cath. Landform will be having their first events in 2019, and there will be plenty of opportunities to get involved in photo walks and socials this year.




Ginnel Foto Fest 2019 - Submissions Open

Ginnel Foto Fest returns, 25th - 26th May 2019.

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We accept photographs of digital and analogue source.

Our new 2019 call hopes to attract submissions that show a diverse interpretation of this years ‘IN REPEAT’ theme. Our feature photographers already lead the way in showing very different approaches and concepts. Be inspired and make use of the opportunity to be part of a unique community.

IN REPEAT is inspired by dealings with the past or engaging with timely matters. This could be relating to finding patterns in society that may have been experienced by previous generations in similar ways. Think of working with memories by looking back into ones personal life. It could as well be the work with found imagery or dealings with historic content. The opportunities are manifold and we will be interested in seeing your work.

The Ginnel Foto Fest is with its 13.5 sqm exhibition space the smallest Photo Festival we know of. With this in mind and a call for project based submissions we are looking for: 

5 finalists who will get their work published across our online channels. Winner and runner-up will see their work displayed during the 2019 Ginnel Foto Fest and take part in the group exhibition of the Ginnel Foto Community in June at the Frameworkshop & Gallery in Ipswich.

Submission Guidelines

Entry is free!

We will only accept entries according to these rules. Submissions to the Ginnel Awards have to be sent via email to ginnelfest@gmail.com and must state ‘Ginnel Awards 2019’ in the subject header.

Photographs must be current and shot no earlier than 2017. Photographs must respond to the festival theme ‘IN REPEAT’. The photographer submitting the work must own the copyright and all necessary releases to the image. Feature photographers of the 2019 Ginnel Foto Fest are not permitted to enter. Only one entry/person is allowed. Multiple entries will automatically disqualify all entries.

Don’t put any info in the text body of your email. Please read on for further details.

  • Your submission must have minimum of 4 and maximum of 8 images.

  • We need your entry as a pdf document attached to the email.

  • Each photo must be on a full page. No two photos on the same page

The last page/s must provide the following:

  • First Name, surname

  • Email address

  • Website url

  • Nationality

  • Address of residency

  • Project Title of the submitted series of images

For each image we need:

  • Image title, Image location, date taken

Additionally you have to add: 

  • Short description of the project (max 500 words)

  • Short bio (max 200 words)

If your entry is selected for the finals you have to provide high resolution jpg files within a week after being contacted. Not responding or a delayed respond may result in being disqualified. Compensation claims will not be accepted.

The finalists grant Ginnel Foto Fest and associated partners of the 2019 Ginnel Foto Fest to use their images for marketing and other promotional purposes. Image credit will be given and the copyright remains with the owner. Curational decisions for the Ginnel Foto Fest and/or the Gallery Exhibition may not include all images of the submitted work. The curator’s decision is final. All work will be printed from the files provided and framed by the Ginnel Foto Community free of charge for the participant. All exhibited work remains in the archive of the Ginnel Foto Community.

The decision of the jury for the 2019 Calling Photographers is final.

Closing date for entries: 01 March 2019 at 23.59 BST

Wellcome launches £20,000 photography prize to showcase powerful stories about health

A new international photography prize celebrating compelling imagery that captures stories of health, medicine and science launches today. Wellcome Photography Prize invites photographers to enter their images which highlight the most challenging health issues of our time.

The overall winner of Wellcome Photography Prize will receive a £15,000 prize, with the winner of each of the four categories receiving £1,250. Prizes will be presented at an awards ceremony in London in summer 2019.

Winning entries will also be showcased in a public exhibition at Lethaby Gallery, Central Saint Martins, University of the Arts London in July 2019. The shortlisted entries will be shown alongside a photo series commissioned by Wellcome, which will tell an in-depth story on the theme of ‘outbreaks’ from the perspective of a celebrated documentary photographer, to be announced later this year.

Key dates

Deadline for entries
17 December 2018

Winners announced
3 July 2019

Exhibition opens
4 July 2019

Submit your entry here


Categories

There are four categories in the competition:

  • Social perspectives – explore how health and illness affect the way we live

  • Hidden worlds – reveal details hidden to the naked eye

  • Medicine in focus – show health and healthcare up close and personal

  • Outbreaks (2019 theme) – capture the impact of disease as it spreads

Microparticle drug delivery  by Annie Cavanagh / Wellcome Image Award winner 2009 / Credit: Annie Cavanagh. CC BY-NC

Microparticle drug delivery by Annie Cavanagh / Wellcome Image Award winner 2009 / Credit: Annie Cavanagh. CC BY-NC

Inside Ghana's biggest bushmeat market  by Nyani Quarmyne / published on  mosaicscience.com / Credit: Nyani Quarmyne / Panos Pictures 2016

Inside Ghana's biggest bushmeat market by Nyani Quarmyne / published on mosaicscience.com/ Credit: Nyani Quarmyne / Panos Pictures 2016

Two young boys in rural Nicaragua  by Joshua McDonald / Wellcome Image Awards winner 2017/ Credit: Joshua McDonald

Two young boys in rural Nicaragua by Joshua McDonald / Wellcome Image Awards winner 2017/ Credit: Joshua McDonald

The man with the golden blood  by Greg White / published on  mosaicscience.com  / Credit: Greg White / Wellcome 2014

The man with the golden blood by Greg White / published on mosaicscience.com / Credit: Greg White / Wellcome 2014

Prizes and publicity

Images will be shortlisted and then winners chosen by a panel of high-profile judges.

The winner of each category will receive £1,250, with the overall winner receiving a prize of £15,000. Prizes will be presented at an awards ceremony in London on 3 July 2019.

All the winning and shortlisted entries will go on show in a major public exhibition at Lethaby Gallery, Central Saint Martins, University of the Arts London, from 4-13 July 2019.

If you’re a winner, we will also offer you opportunities to take part in events to showcase your work to a range of audiences. Our winning images receive extensive international media coverage each year.

The winner of the Medicine in Focus category will be invited to produce the Julie Dorrington commission, a photo story exploring and documenting a patient’s journey with their condition.

Judges panel

The judges for the 2019 prize are:

  • Emma Bowkett, Director of Photography at FT Weekend Magazine, UK

  • Dan M. Davis, Professor of Immunology at the University of Manchester, UK

  • Dr Heidi Larson, Director of The Vaccine Confidence Project at the London School of Hygiene & Tropical Medicine, UK

  • Joanne Liu, International President of Médecins Sans Frontières, Switzerland

  • Pete Muller, National Geographic Photographer and Fellow, Kenya

  • Azu Nwagbogu, Curator at Large for Photography at the Zeitz Museum of Contemporary Art Africa, South Africa

  • Chair: Jeremy Farrar, Director, Wellcome, UK.


Entries to the Wellcome Photography Prize 2019 will be accepted on its website which contains full terms and conditions for entry. The deadline for entries is 17 December 2018.

Wellcome Photography Prize 2019 exhibition will open at Lethaby Gallery, Central Saint Martins, University of the Arts London, from 4 to 13 July 2019. Entry will be free and open to all.

Sign up to Wellcome Photography Prize emails.

Follow on Instagram: @WellcomePhotoPrize #WPP19


Source: https://wellcome.ac.uk/what-we-do/our-work...

A London Photograd exhibition

In November Photograd will be exhibiting at London Metropolitan University to celebrate graduate photography in 2018. The exhibition will be listed as part of Photomonth which is exciting.

 
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We will be printing on Kodak Phototex as previous use of this was successful and it means we can reuse prints for future Photograd exhibitions. Phototex is basically a weatherproof sticky paper that can be used a number of times.

Costs for prints

  • 20" print: £32

  • 30" print: £47

  • 40" print: £62

  • 50" print: £77

  • 60" print: £92

  • 70" print: £107

  • 80" print: £122

The maximum width we can print is 42"

The space is big enough to accommodate large prints and small series of work.

We would also really like to accommodate some photobooks and zines in the space so please send images and sizes for consideration. If books are selected we would only ask for a small donation to Photograd and that return postage costs are covered.

Submission

  • Please ensure that you graduated a UK university within the last 3 years and studied photography - any questions regarding this please get in touch

  • Max 6 images - please specify how many images you are happy to pay for and be printed

  • Use the subject 'London exhibition'

  • Select images to submit and email them to photogradexhibitions@gmail.com - remember to include your series title, website link, social media handles, and where you studied

  • State in your email the biggest size you'd like your images printed

Selected images will be curated at the discretion of Photograd.

Deadline

Midnight Monday 1st October.

For those selected the deadline to then pay by will be Wednesday 10th October.

Supported by  Wex Photo Video

Supported by Wex Photo Video

 

Submissions open for third annual Rebecca Vassie Memorial Award, photography bursary worth more than £3,000

Deadline: 19 October 2018

Who can apply: An early-to-mid-career photographer in or from the UK

The award: £2,000 to undertake a narrative photography project with a social or political context; approx. £1,000-worth of printing at Metro Imaging; support from the Trust towards public and industry exposure of the work; membership of Shutter Hub.

How to apply: Full submission information at www.rebeccavassietrust.org

Judges include: Matthew Tucker (BBC News); Melanie Hough (Getty Images); Jennifer Thatcher (Art Monthly).


The Rebecca Vassie Trust today announces the third annual Rebecca Vassie Memorial Award for emerging photographers ‒ with the cash bursary increasing this year from £1,250 to £2,000.

In addition to the cash, which funds an early-career photographer in the UK to undertake a narrative photography project, the winner receives more than £1,000-worth of printing at Metro Imaging plus support towards industry and public exposure.

Judges for the award include Matthew Tucker (BBC News), Melanie Hough, curator at Getty Images, and photography critic Jennifer Thatcher (Art Monthly, ARTnews).

The award was created in memory of Rebecca Vassie, a British photographer and photojournalist who died suddenly, aged 30, while on assignment in Uganda in March 2015.

Applicants for the award, who must be either from or based in the UK, are asked to submit a proposal setting out a compelling vision for a narrative photography project with a social or political context. The deadline for submissions is Friday, 19 October 2018.

Previous awards have been won by James Arthur Allen (2017) and Kirsty Mackay (2018). Allen used his award to travel to Israel, where he spent time documenting the little-known ethnic Circassian population. The resulting work has been exhibited in London, published in a limited-edition booklet and in the Calvert Journal, and shortlisted for the RPS International Photography Exhibition 161 and the 2018 Kolga Tbilisi Photo Festival Documentary Series Award.

Mackay is currently in Glasgow completing her award-winning project The Fish That Never Swam, exploring the relationship between health, housing and human lives in the city.

In addition to the main winner, the Trust offers shortlisted candidates support-inkind such as networking opportunities and online exhibition. The winner and up to two runners-up also receive membership of Shutter Hub.

Kelly Vassie, a trustee of the charity and the sister of Rebecca, said: “We have been able to increase the cash portion of the award this year thanks to the fundraising efforts and generosity of our supporters. We especially want to acknowledge the incredible effort of our 2018 London Marathon charity runner Rebecca Moore.

“As we enter the third year of the award, we’re hugely excited to see a fresh wave of compelling ideas.”

Contact information:

Further information or comment:

Adam Barnard on 07850-217 399 or hello@rebeccavassietrust.org

www.rebeccavassietrust.org

Twitter: @vassietrust

Instagram: VassieTrust

Facebook: www.facebook.com/RebeccaVassieTrust

From the series  Adiga: Circassians in Israel  by James Arthur Allen

From the series Adiga: Circassians in Israel by James Arthur Allen

Photohastings exhibition opportunity

Photohastings in collaboration with Brighton Photo Fringe open submissions to 'Not the Final Major Project' to recent photography graduates.

Be in with the chance of exhibiting at Hastings Arts Forum 2nd - 18th October.

Submissions close Friday 20th July.

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Contact Sarah French with enquiries.

Photograd's Online Gallery

Officially launching on Friday 14th September 2018.

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  • Submissions via email only to photogradonlinegallery@gmail.com
  • Open to photography students and graduates from UK based university courses only. No exceptions.
  • A maximum of 10 JPG images at 96dpi and 12 inches on the longest side.
  • A series description of no more than 150 words should be supplied.
  • A website link and relevant social media handles should be included, alongside university and graduation year.
  • We ask that a small donation is made if images are selected for our online gallery to support the Photograd platform in moving forward.

For further terms and conditions to agree to before submitting please click here.

 

We are hopeful that in the future we will be able to invite guest curators to select work and for industry professionals to take a look at our online exhibitions. We may even run the occasional themed call out and some of the work might even make it to print for physical exhibitions, who knows. We are excited for what our new online gallery could turn into.