Loupe & The Brick Lane Gallery - Another Graduate Show

 
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Ioanna Sakellaraki
A selection from the series Turtles

In an effort to let go of the human obsession for order and rhythm, I led myself adrift in the big wide world. Being away, lost in the strangeness of the unfamiliar, I constantly looked for home but never returned to it. It is said that tortoises crawl about on red earth, going nowhere in plenty of time. They carry their own home with them forever. The power of recalling and rebuilding memory from the nonexistent. Where there is no place to go and nothing to become; the being-ness of human freedom.

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http://ioannasakellaraki.com/
@ioannasakellaraki_photography


Laura van Erp
Single Image (Diptych)

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@pauravanerp


Alex Currie
Single Image

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Anna Perger
Single Image

I do not follow predefined concepts, even though it may be appealing. When I take a photograph, I have to place trust in my own creativity and ideas. In that moment I am a hopeful wanderer locating the already existing image. By exposing myself, the model and I share our vulnerability, which establishes trust and reciprocity. This is the core of my work. The animal inside everyone appeals most to me. I wander together with the person in front of me, unravelling the wilderness in the both of us.

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Fiona Filipidis
Series – Velvet

I didn’t know how deep I had gone until I came up for air. I fell head over heels and rolled and tumbled and scraped my knees and bruised my elbows, rolled, rolled and rolled around some more until I was stopped by water and couldn’t roll any more. He branded my soul, weakened my walls and seized it all. It ended; an awakening. Velvet is a cathartic journey I embarked on as a way of coming to terms with the end of my first, overwhelming, tumultuous relationship.

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Liam Webb
Series – Mother, Mother…

Mother, Mother… is the retracing and reconstruction of Dyfed-Powys Police 1983 operation 'Seal Bay'. 'Seal Bay' is the true story of the most complex drug smuggling conspiracy seen in Britain. Building a cavern out of fibreglass under an inaccessible cove in North Pembrokeshire the smugglers hoped to move cannabis into the UK. Head of the ring was Danish film star Soeren Berg-Arnback. Mother, Mother incorporates and references cinematic lighting and forensic photography. Mother, Mother... presents itself as a crime story through a complex mix of photographs, and objects forcing the viewer to navigate moments ranging from the vapid to the substantial, and to decipher clues as if at a real crime scene.

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www.liamwebb.co.uk
@liam.p.webb


Megan Winstone
Single Image

Portrait of Gina Tonic, Welsh body activist and writer, eating chips in our local fish bar in Abercynon, Rhondda Cynon Taf, South Wales. South Wales is historically absent from a female voice with its strong male presence of mining communities, all male voice choirs and rugby tribes. Gina and I are from similar areas of the South Wales Valleys and wanted to give a realistic look about its communities and characters. Working with a team of Welsh and Wales based creatives, Lily of the Valley shows the true values of life in the Valleys.

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Josh Adam Jones
Series – XO

Josh set out to unearth and communicate stories about the expatriate communities of Muscat in Oman. XO concentrates on the relationship between local people and outsiders. With over forty-five percent of the population falling into the expatriate category, Muscat plays host to a rich, diverse and colourful culture. The hospitality and generosity shown by the people of Oman was overwhelming. This project was partly a response to Western misconceptions of the East, and misrepresentations of Oriental values and beliefs. Oman is a peaceful and prosperous country; a sanctuary from the conflicts that affect that part of the world.

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www.joshadamjones.co.uk
@joshadamjonesphoto


Jamie Murray 
Series – Folly

‘How do you get the butterfly, starts from there, that’s the transformation. Bottom line is how a man can change.’ Mikey, 2018 This work came about through a series of conversations with individuals who have been incarcerated. Within these conversations the ex-prisoners spoke of what led them to punishment, how they navigated the prison environment, and their eventual transition from institution to freedom. I wanted to hear the stories told by those who had experienced prison firsthand, an approach more akin to a folklorist. The works are a rumination on these private conversations.

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Joe Pettet-Smith
Series – Anarchy Tamed

Gravel roads paved by hand carve through the desert, sheets of rusted metal welded together days before the event make up the City Gates, crowds drift through the dust dressed in haphazard combinations of leather, weathered sportswear and pseudo-military uniforms. This is Wasteland Weekend, the world’s biggest post-apocalyptic festival. The now permanent festival site sits in between the defunct Nevada Nuclear Test Site – where from 1951 a total of 928 nuclear warheads were tested during the cold war – and Hollywood. This is a place where costumes are mandatory, of warring tribes, Thunderdome battles and Mad Max vehicle parades. What started out as a few dozen fans of the films getting together in the desert is now 4,000 enthusiasts from around the world drawn to the promise of chaos and freedom.

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Rebecca Booth
A selection from the Series – In Case of Emergency

In Case of Emergency invites you to question the treatment of women within Westernized society. Depicting sexual assault, the intention of the project is to bring to light the detrimental effects of objectifying women. Social psychology concluded that sexualization (objectification) affects the way we perceive other people, in that it strips them of certain human attributes, such as a moral sense or the capacity to responsibly plan ones actions (Cogoni, Carnaghi, Silani, 2018). Therefore, it is not surprising to learn an estimated 3.4 Million women in the UK have experienced sexual assault over the age of 16 (Office for National Statistics, 2017). The items shown are targeted at women as a ‘super-cute’ way to defend themselves against assailants. A sickly sweet saviour. The hyper feminization of the products exposes the deep rooted ideology of womanhood in Westernized society.

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www.rebeccaboothphoto.com
@rebeccaboothphoto

Loupe Magazine issue 9


Juan Brenner's 'Tonatiuh' is our Issue 9 cover feature. The project explores how 300 years of colonial rule shaped Guatemala’s present situation.

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Loupe regular, Rosie Wadey, shows us around Hollie Fernando’s portfolio, summing up her simple and evidently effective creative approach: create sincere work.

Tee Chandler takes an unusual approach to her family archive, revealing the hushed moments of intimacy between her uncle and his male lover; a heartfelt story elegantly summed up by Sarah Goad.

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Mike Murphy takes a cliched technique, points it at a hackneyed subject, and produces something altogether new and brilliant; his obscure panoramic images are a welcome new vision of Los Angeles.

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Regular Features Include:

Portrait Page, Centre Fold, Turning Point, Book Review

Featured Photographers:

Juan Brenner 
Rory Carnegie 
Tee Chandler 
Alex Colley 
Hollie Fernando 
Karen Harvey 
Ian Howorth 
Mike Murphy 
Muir Vidler

Writers:

Luke Archer 
Mischa Frankl-Duval 
Harry Flook 
Sarah Goad 
Gemma Padley 
Rosie Wadey

Spec:

64 pages 
275 X 200 mm portrait 
80 gsm uncoated paper

Click here to buy issue 9.

Loupe and The Brick Lane Gallery: Another Graduate Show call for work

 
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Calling All Emerging Photographers

Enter your work to our free open call.

Have your work seen by our expert panel of industry judges.

Be in with a chance of winning a free exhibition on Brick Lane, coinciding with other major London student shows.

We’ll provide an opening night with industry guests.

Get the chance to sell your work through our exhibition print shop.

 
Image by Chloe Massey

Image by Chloe Massey

 

About

At Loupe and The Brick Lane Gallery, we’re proud to promote emerging artists. This year we’ve joined forces to create ‘Another Graduate Show’ giving students and recent graduates the chance to have their work exhibited in a group exhibition at the Brick Lane Gallery in London, free of charge.

We realise the importance of giving new photographers a platform, and yet we’re also aware of the financial burden and stress of self-funded grad shows. Our answer is to offer up to 10 outstanding photographers the chance to exhibit their work in Loupe’s own Graduate Show, with no costs whatsoever. This includes no fee for submissions, and thanks to our friends at the creativehub, no printing costs either.

To make our open call as inclusive as possible, we also invite anyone studying for qualifications prior to University, those from nonphotographic courses, and those who have studied within the last two years.

To provide exposure for as many photographers as possible, we will be selecting a short list from the submissions. These shortlisted photographers will have the opportunity to sell their work through the Another Graduate Show online print shop, provided by the creativehub.

Just like our in-print magazine, we welcome submissions from photographers working in any genre and format of photography. You will have your work seen by our handpicked panel of industry judges who will select our shortlist and final exhibiting photographers.

 
Image by Jack Minto

Image by Jack Minto

 

Judges

Luke Archer - Editor and Founder of Loupe Magazine

Rosie Wadey - Photographic Agent at East Photographic

Zach Chudley - Marketing Manager at theprintspace

Keiza Levitas - Content Editor at Magnum Photos

Tony Taglianetti - Founder and Owner of The Brick Lane Gallery

Tom Page - Co-founder of Open Doors


Download a submission guide here.

DEADLINE: Midnight Sunday 19th May

Loupe Magazine issue 8


This issue, though having no intended theme, contains a particularly poignant selection of projects spanning varying genres. Much of the work is sincere by nature, and the subjects thoughtful; exploring religion and worship in the technological age, unearthing buried and forgotten transgressions, and contemplating impermanence. It’s heady stuff. As ever, we are proud to provide a free platform that shares such varied and exciting work from promising new photographers.

Mary Perez makes this issues lead feature with Full Gospel, documenting the megachurches of South Korea. Her photograph of Yoido Full Gospel Church is our first non-portrait to feature as cover, and it’s a striking image to break tradition with. Tom Roche interviews Perez about the importance of her background in religion for the project, her stylistic approach, and her plans to further explore the subject.

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Bertie Oakes, who oversees our new online series Photographic Duos, summarises Martin Errichiello & Filippo Menichetti’s shared body of work. In Quarta Persona is a complex historical investigation of the region surrounding the A3 highway in Italy, uncovering a troubled geopolitical past using varied mediums.

We feature 4 images from iBacteria by Anders Gramer. His series of portraits peering through the growth of their own skin flora is a nice idea neatly executed, and well expanded upon by writer Iris Veysey.

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We also share a selection of images from Julien Martinez Leclerc’s broad and yet refined portfolio, thoughtfully discussed by Rosey Wadey.

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I spoke to Holly Hay, photographic director at Wallpaper* magazine about her role, and asked what advice she has for photographers trying to get noticed.

Also featured is the Turning Point in Briony Campbell’s career, Gemma Padley’s review of Do Not Feed The Alligators by David Shama, Adrien Blondel’s Centrefold submission, and Maren Klemp’s sombre image on the Portrait Page.

You can pick up a free copy from one of over 60 stockists across the country. Single copies, back issues and annual subscriptions are also available to purchase from our online store.

We hope you enjoy the issue.

Written by Harry Flook.

Loupe Magazine issue 7

We’ve created a Fellowship with Loupe Magazine and will be bringing you news of brand new issues when they're released. Issue 7 has just landed and includes an interview with Matthew Genitempo who was selected as the winner of our recent collaborative call for work.

You can find a list of local stockists here but if you'd like to subscribe, Loupe are currently offering 20% off subscriptions made before 1st July!


Issue 7 of Loupe is out now! If you are quick copies available for free from our amazing stockists.

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Sticking with our theme of no theme, this issue contains our most diverse range of projects yet. It’s a real celebration of the varied styles in contemporary photography.

Matthew Genitempo won the Loupe x Photograd competition with his project Jasper, a poetic documentation of the Ozark Mountains of Arkansas, and the men who live there. We loved the work so much we decided to put it on the cover.

Image from the series  Jasper  by  Matthew Genitempo

Image from the series Jasper by Matthew Genitempo

Final year student Ema Johnston is featured with her fresh take on the much explored topic of drag, accompanied by Sarah Goad’s words.

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Our online editor Harry Flook talked to Jack Fleming about his new body of work, Punching, which focusses on amateur boxing in Bristol and Brighton.

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Also featured is Lewis Bush’s Shadows of the State alongside an interview with Museum of London curator Anna Sparham and our other regular features.

If you can’t make it to stockist single copies, back issues and annual subscriptions are also available to purchase from our online store.

We hope you enjoy the issue!