University: Falmouth University
Artist Statement: The Chair Is Touching the Wall (2018), is an emotive response regarding the structural barrier of physical and metaphorical spatial confines. An idea retracted from Heidegger’s theory of Dasein; the literal translation of ‘being there’, he speaks of an unencounterable space where the objects can never occupy the exact same entity. Obscuring the boundaries of shape and form, Molly uses self-portraiture to imitate an inferiority amongst her surroundings. enticing a visceral interaction between the materiality of the cyclic framework and the minimalistic chaos of movement.